My film NEWS FROM FUKUSHIMA selected by the Silent River Film Festival

My film “NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet” has now been selected to be part of the Silent River Film Festival. It has moved online because of the pandemic and runs Aug. 7 ~16, 2020.

I am proud of what we have achieved with our film. Thanks to the film organizers for supporting independent filmmaking. And thanks to my many collaborators for the well-deserved honors we are getting.

The festival was founded by Indian American poet, writer and filmmaker Kalpna Singh-Chitris.

We are in good company.

Japanese Rap for George Floyd _ a poem by Yuri Kageyama

I usually don’t write poetry in Japanese, but I wrote this. And now, looking back, I realize I’ve written Japanese rap. I am going to make this part of the rap section of my song “Nothing Happens.”

Japanese Rap for George Floyd

_ A Poem by Yuri Kageyama

死ぬまえ

のこる生命で

えらんだ言葉

息ができない

彼のおもい

アメリカの差別

歴史のおもい

すべてが

あまりにも

すごくて

言葉がない

息ができない

息ができない

My VIRUS DIARY published in KONCH

A journal of my poetry, music and other thoughts that I kept from April through May 2020 about living in a post-pandemic world has now been published in the special issue of Ishmael Reed’s KONCH online literary magazine. And what great company I am in.

MY TWO FILMS OFFICIAL SELECTIONS AT TOKYO LIFT-OFF FILM FESTIVAL

The Tokyo Lift-Off Film Festival has selected not just one but two of my films for the event in June 2020 _ NEWS FROM FUKUSHIMA and THE VERY SPECIAL DAY.

Thanks to the organizers for believing in my vision. And thanks to all the artists who put up with me and worked on the films. We are all so looking forward to taking part in the event.

Both films are screening (online as the event has moved because of the coronavirus outbreak) MON June 22 ~ SUN June 28, 2020.

THE VERY SPECIAL DAY is showcased in the “Newcomers Short” section for Short Films, while NEWS FROM FUKUSHIMA is in the “Trendsetters” section for Feature Documentaries at the Tokyo Lift-Off Film Festival.

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet _ now a film

OUR “NEWS FROM FUKUSHIMA” now honored at several film festivals.

GRAND FESTIVAL AWARD – CINE DANCE POEM and WORLD PREMIERE at the Berkeley Video & Film Festival SAT Nov. 2, 2019, 6 p.m. East Bay Media Center Performance Space

Official Selection Silent River Film Festival in California August 2020.

Official Selection Tokyo Lift-Off Film Festival June 2020.

Select Showcase Official Selection at the Guam International Film Festival (2019~2020), airing on PBS Guam June 2020.

Official Selection ARTS X SDGS film festival New York April 2020.

Official Selection 2020 Oniros Film Awards in Italy.

Finalist Best Asian Feature Film at the New Vision International Film Festival in Amsterdam September 2019.   

NEWS FROM FUKUSHIMA Meditation on an Under-Reported Catastrophe by a Poet
Written by Yuri Kageyama | Directed by Carla Blank

Film directed by Yoshiaki Tago with camera work by Tago and Kate McKinley. Editing by Eri Muraki.

 “Yuri, you did a great job. Stay hard and blunt and don’t mince words. Yours was a powerful reflection on the corruption and greed of men and their indifference to human life.” _ Ishmael Reed.

Photo by  Tennessee Reed

Photo by Tennessee Reed

 

Photo by Tennessee Reed

Photo by Tennessee Reed

 

Photo by Tennessee Reed

Photo by Tennessee Reed

 

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Annette Borromeo Dofrman

Photo by Annette Borromeo Dofrman

For the San Francisco performance, we had genuine Bon Daiko drum music performed by Isaku Kageyama with shakuhachi and fue by Kouzan Kikuchi, joined by Joe Small (taiko/percussion) and Stomu Takeishi (bass), delivering mesmerizing renditions of Bon and minyo from Fukushima, as well as other Japanese tunes. The Bon idea of the dead’s homecoming and the abstracted repetitive dancing in a circle serve as a symbol of the piece’s message of death, yearning for family and future generations, and gratitude for the harvest and peaceful everyday life. Juxtaposed with the experimental choreography by the director Carla Blank, incorporating collaborations with the performers, Takemi Kitamura, Monisha Shiva and Shigeko Sara Suga, Bon dance was transformed on the American stage, and presented as a dignified and artistic motif of modern movement. Bon Odori continues to bring people together in the Japanese American community _ and communities all over Japan.

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Tennessee Reed

Photo by Tennessee Reed

From the director
This performance is a collaboration among all its participants, some who have worked together since 2015, and some who in 2017 helped create this new development of the piece. Through email conversations and intensive rehearsals we arrived at our choices of the particular dramatic scenes, music, video, dances and other action you will see. The Bon Odori dances and music, which provide transitions between the scenes, are based on traditional celebrations that occur throughout Japan during the late summer to honor the ancestors: Soma Bon Uta and Aizu Bandaisan from Fukushima, Yagi Bushi from Tochigi and Gunma near Tokyo, and Tanko Bushi from Fukuoka, besides Tokyo Ondo, which continues throughout Bon Odori (The Death Dance). Great thanks to Takemi Kitamura, who taught us the four dances you will see and who also created the movement for the Prologue solo and Epilogue trio, inspired by a line dance from Aizu, the westernmost region of Fukushima, where annually it is offered in remembrance of 19 of the over 300 Byakkotai warriors , teen-age sons of samurai in the White Tiger Battalion who in 1868, during the Boshin Civil War, committed ritual disembowelment (seppuku or hara-kiri) because they mistakenly believed a fire had consumed their lord’s castle, which would mean their city had been captured and their families killed. For me, this dance particularly resonates because of where it comes from, how contemporary its formal choices appear, and how as the strokes of the blades go every which direction, it becomes a metaphor for the ways life can slice us also. It has been my great pleasure to realize Yuri Kageyama’s work with all these wonderful, dedicated performers.

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

 

Photo by Tennessee Reed

Photo by Tennessee Reed

 

Photo by Tennessee Reed

Photo by Tennessee Reed

Ishmael Reed came up with the title for my performance piece: “NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet.” As that suggests, the piece is about my vision as a poet. My spoken word pieces, delivered to accompaniment of various kinds of music, address racism, stereotyping, sexism and the search for love. They seek to address what society sees as “bigger” issues, such as the Fukushima accident, the nuclear bombing of Hiroshima and the journalistic mission. For me, they are all connected.

Photo by Tennessee Reed

Photo by Tennessee Reed

 

Photo by Tennessee Reed

Photo by Tennessee Reed

All those themes provide the driving force in my storytelling that has over the years always sought to bring closer to home the perennial repetition of people’s betrayal, selfishness and smallness.
The Fukushima disaster is the biggest story of my life _ both as poet and journalist, those sides of my writing identity which have in the past remained so painfully separate. They have now come together. We have all come together in this effort _ all of us, of different backgrounds, cultures and disciplines. We have become one. It is clear we have each done our best to share our talent, our passion and our lives, to raise questions, to connect _ and to bring hope.

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

What people are saying about NEWS FROM FUKUSHIMA: MEDITATION ON AN UNDER-REPORTED CATASTROPHE BY A POET.

Yuri Kageyama, with her epic poem, has earned a place among the leading world poets. This work proves that the poet as a journalist can expose conditions that are ignored by the media. _ Ishmael Reed poet, essayist, playwright, publisher, lyricist, author of MUMBO JUMBO, THE LAST DAYS OF LOUISIANA RED and THE COMPLETE MUHAMMAD ALI, MacArthur Fellowship, professor at the University of California Berkeley, San Francisco Jazz Poet Laureate (2012-2016).

NEWS FROM FUKUSHIMA is a commentary on what it means to be human in the 21st Century. While we are divided by race, ethnicity, language, geography and culture, the essence of our humanity remains constant. In NEWS FROM FUKUSHIMA, the cast, director and playwright all come together to create a montage of courage, uncertainty and hope in the face of disaster. _ Basir Mchawi producer, community organizer and radio show host at WBAI Radio in New York, who has taught at the City University of New York, public schools and independent Black schools.

Her collage-like piece weaves together lyrical monologues, sword dance, film and live music that blends jazz, taiko drumming and minyo folks songs. In the Fukushima of 2017, goes one line late in the play, “the authorities say they are playing it safe, when no one really feels safe.” _ Lily Janiak, writer for The San Francisco Chronicle.

A vital story of our times. Spoken word and music from a talented multicultural ensemble. A beacon of light in a darkening world. _ Paul Armstrong artistic director at International Arts Initiatives, a Vancouver-based nonprofit for cultural advancement through the arts and education.

I welcomed NEWS FROM FUKUSHIMA _ into my consciousness, with deep gratitude, seeing it twice, two days in succession _ all the while marveling at the tough yet faithful production and its dedication to truth-telling. _ David Henderson poet, co-founder of Umbra and the Black Arts Movement, author of ‘SCUSE ME WHILE I KISS THE SKY. JIMI HENDRIX: VOODOO CHILD.

NEWS FROM FUKUSHIMA echoes the mourning of Bon Odori dance to warn us again and again that the nuclear age of post-World War II Japan has never ended. _ Hisami Kuroiwa movie producer and executive for “The Shell Collector,” “”Lafcadio Hearn: His Journey to Ithaca,” “Sunday,” “Bent” and the Silver Bear-winning “Smoke.”

Strong threads of a woman’s point of view …. Excellent ….The issue of motherhood in looking at Fukushima is well done. And the candid shots of Obon in Japan are fantastic in the background. As are the shots of rows and rows of radioactive materials in plastic bags, just left in rows upon rows in Fukushima. I thought the production was very good, technically excellent, and very illustrative of a Japan we don’t hear about after the 2011 triple disaster. Go see it. _ Peter Kenichi Yamamoto, poet in San Francisco and coordinator at the National Japanese American Historical Society.

NEWS FROM FUKUSHIMA is a memorable performance with well-researched narratives that throws you into a quest for humanity. _ Midori Nishimura, Stanford University professor and medical doctor.

A powerful message not to forget: Fukushima. _ David Ushijima, San Francisco business professional in retail, mobile, sensor-based and connected devices, Internet of Things.

It’s the kind of piece that keeps this from being forgotten. With all the other things going on in this world, we can forget about this, and we have a distance from them. But this kind of piece can remind us to return to it and continually reconsider the choices we make in our society. _ Adam Hartzell, writer at koreanfilm.org

Great music …. It left such an impression. A splendid performance. _ Seiko Takada, musician, “Kaizoku” vocalist/guitarist.

NEWS FROM FUKUSHIMA is a powerful artistic response to disaster, informing us and inspiring us to compassion. _ Ravi Chandra, San Francisco-Bay Area poet, writer and psychiatrist.

A truly emotional experience. _ Liliana Perez child psychologist and Ph.D.

Fukushima: Excellent musical accompaniment to poignant poetry, with minimal yet imaginative staging and choreography. _ Nana pianist and New Yorker.

What a delight …. See this show and be transported magically. _ George Ferencz co-founder of the Impossible Ragtime Theater, resident director at La MaMa (1982-2008), who has also directed at the Actors’ Theater of Louisville, Berkeley Rep and Cleveland Playhouse.

News that enraptures and engages through Sound. A Poet sings of the unreported calamity at Fukushima. _ Katsumi a Japanese living in New York.

Everyone who took part in this performance, and those who came to see it, although of different races and thinking, all felt clearly the existence of what we know is so important …. I have lived to see many people who hurt others out of selfishness, betrayed others without qualms, and then went on to hide what they had done. But in the end, what is desired is not achieved, leaving only hunger, and, because of that, the cycle gets repeated …. I pray more people will be able to feel love through seeing this performance. _ Toshinori “Toshichael Jackson” Tani dancer, member of TL Brothers and instructor.

Bios of the artists in
NEWS FROM FUKUSHIMA Meditation on an Under-Reported Catastrophe by a Poet

Cast, crew, filmmakers, director and writer of NEWS FROM FUKUSHIMA

Cast, crew, filmmakers, director and writer of NEWS FROM FUKUSHIMA

 

Photo by Annette Borromeo Dofrman

Photo by Annette Borromeo Dofrman

THE PLAYWRIGHT
YURI KAGEYAMA
is a poet, songwriter, filmmaker, journalist and author of “The New and Selected Yuri” and “The Very Special Day.” Her spoken-word band the Yuricane features Melvin Gibbs, Eric Kamau Gravatt, Morgan Fisher, Pheeroan akLaff and Winchester Nii Tete. She is published in ”Breaking Silence,” “On a Bed of Rice,” “Pow Wow,” Cultural Weekly, Y’Bird, Konch and Public Poetry Series. http://yurikageyama.com/

 

Carla Blank

Carla Blank

THE DIRECTOR
CARLA BLANK
is a writer, editor, director, dramaturge and a teacher and performer of dance and theater for more than 50 years. She worked with Robert Wilson to create “KOOL _Dancing in My Mind,” inspired by Japanese choreographer Suzushi Hanayagi. She directed Wajahat Ali’s “The Domestic Crusaders” from a restaurant reading in Newark, California, to Off Broadway and the Kennedy Center. http://www.carlablank.com/bio.htm

THE ACTORS

Photo by Tennessee Reed

Photo by Tennessee Reed

TAKEMI KITAMURA, choreographer, dancer, puppeteer, Japanese sword fighter and actor, appeared in “The Oldest Boy” at Lincoln Center, “The Indian Queen” directed by Peter Sellars; “Shank’s Mare” by Tom Lee and Koryu Nishikawa V; “Demolishing Everything with Amazing Speed” by Dan Hurlin and “Memory Rings” by Phantom Limb Co. She has worked with Nami Yamamoto, Sondra Loring and Sally Silvers. http://takemikitamura.com/

Photo by Annette Borromeo Dorfman

Photo by Annette Borromeo Dorfman

MONISHA SHIVA is an actor, dancer, choreographer and painter, appearing in “The Domestic Crusaders” and “The Rats,” for theater, and independent films such as “Small Delights,” “Carroll Park,” “Echoes” and “Ukkiya Jeevan.” A native New Yorker, she has studied classical Indian dance and Bollywood, jazz and samba dancing, and acting at William Esper Studios and Studio 5. http://www.monishashiva.com/Monisha/home.html

Shigeko Suga Sara. Photo by Annette Borromeo Dorfman

Shigeko Suga Sara. Photo by Annette Borromeo Dorfman

SHIGEKO SARA SUGA, actress, director, artistic associate at La MaMa Experimental Theatre Club, and Flamenco and Butoh dancer, has performed in 150 productions, including Pan Asian Rep.’s “Shogun Macbeth” and “No No Boy.” She dedicates her performance to her nephew Ryoei Suga, who volunteered in Kesennuma after the 2011 tsunami and now devotes his life there as a fisherman and monk. www.shigekosuga.com

THE MUSICIANS
STOMU TAKEISHI is a master of the fretless electric bass and has played and recorded in a variety of jazz settings with artists such as Henry Threadgill, Brandon Ross, Myra Melford, Don Cherry, Randy Brecker, Satoko Fujii, Dave Liebman, Cuong Vu, Paul Motian and Pat Metheny. He tours worldwide and performs at various international jazz festivals.

Kouzan Kikuchi (L) and Stomu Takeishi. Photo by Annette Borromeo Dofrman

Kouzan Kikuchi (L) and Stomu Takeishi. Photo by Annette Borromeo Dorfman

KOUZAN KIKUCHI, shakuhachi player from Fukushima, studied minyo shamisen with his mother. A graduate of the Tokyo University of the Arts, he studied with National Treasure Houzan Yamamoto. He has worked with Ebizo Ichikawa, Shinobu Terajima and Motoko Ishii. In 2011, he became Tozanryu Shakuhachi Foundation “shihan” with highest honors.

Joe Small (L) and Isaku Kageyama. Photo by Annette Borromeo Dorfman

Joe Small (L) and Isaku Kageyama. Photo by Annette Borromeo Dorfman

ISAKU KAGEYAMA is a taiko drummer and percussionist, working with Asano Taiko UnitOne in Los Angeles, film-scoring extravaganza “The Masterpiece Experience” and Tokyo ensemble Amanojaku. A magna cum laude Berklee College of Music graduate, he teaches at Wellesley, University of Connecticut and Brown. http://isakukageyama.com/

JOE SMALL is a taiko artist, who is a member of Eitetsu Hayashi’s Fu-un no Kai and creator of the original concert, “Spall Fragments.” He has apprenticed for two years with Kodo, researched Japanese music as a Fulbright Fellow and holds an MFA in Dance from UCLA. He teaches at Swwarthmore College. www.joesmalltaiko.com

THE LIGHTING DESIGNER
BLU lived in New York for 20 years and was resident designer at the Cubiculo and La MaMa Experimental Theatre Club. A Bessie Award winner, he was lighting designer for renowned dance theater artists such as Sally Gross, Eiko and Koma, Ping Chong, Donald Byrd, Nancy Meehan and Paula Josa Jones.

THE FILMMAKER
YOSHIAKI TAGO, whose video was part of the live performance, has made NEWS FROM FUKUSHIMA into a film. Tago also directed “A.F.O.,” “Believer,” “Worst Contact,” “Meido in Akihabara.” His short “The Song of a Tube Manufacturer” won the runner-up prize at the Yasujiro Ozu Memorial Film Festival in 2013. He serves as film adviser for Takashi Murakami. He has worked with Nobuhiko Obayashi, Takashi Miike and Macoto Tezuka. He is a graduate of the prestigious Tokyo film school founded by Shohei Imamura.

YOSHIAKI TAGO

YOSHIAKI TAGO

 

 

 

From the playwright

The two sides of who I am _ poet and journalist _ have long been separate. I am a poet, first and foremost, I felt, and reporting is what I do for my job. But the 2011 Fukushima disaster brought those two sides together in a way that was undeniable, imperative and honest. I am filled with gratitude toward my collaborators, who have turned my words and ideas into a moving, convincing and honorable piece of theater. In this work, we defy the boundaries of cultures, race, generations and genres to tell the story about how our world has created a catastrophe. We don’t pretend to have all the answers. But it’s an important story.

Acknowledgements
Thanks to Akiyoshi Imazeki for photographs of Fukushima for video by Yoshiaki Tago for “Decontamination Ghosts;” Z Space, especially Drew Yerys, Minerva Ramirez, Wolfgang Wachaolovsky, Jim Garcia, Julie Schuchard and Andrew Burmester; Alex Maynard and Adam Hatch for the use of Starline Social Club for rehearsals; Mark Ong of Side by Side Studios for the poster design; Annette Borromeo Dorfman for program design and photographing the performance; Sally Gross, Ping Chong and Meredith Monk for help finding our cast; Ishmael Reed for ongoing support and Tennessee Reed for photography; Hisami Kuroiwa for her wise counsel, filmmaker Kate McKinley; LaMaMa Experiemental Theatre for showing the work in New York in 2015; Melvin Gibbs, Sumie Kaneko, Hirokazu Suyama and Kaoru Watanabe for the music at La MaMa; Bob Holman for presenting an initial reading at Bowery Poetry Club with Yuki Kawahisa, Pheeroan akLaff and Tecla Esposito; Makoto Horiuchi; Yoichi Watanabe and Hiromi Ogawa of Amanojaku taiko in Tokyo; all the members of the Yuricane spoken word band who inspired the poems and stories that developed into this work, and, last but not least, the people of Fukushima.

Yuri Kageyama reports from the no-go zone in Fukushima. Photo by Kazuhiro Onuki.

Yuri Kageyama reports from the no-go zone in Fukushima. Photo by Kazuhiro Onuki.

A World Premiere screening at the Berkeley Video and Film Festival Nov. 2, 2019.  From left to right: Festival founder and organizer Mel Vapour, director Carla Blank, writer/poet Yuri Kageyama and camera-person Kate McKinley. Photo by Tennessee Reed.

Accepting the award at the Berkeley Video and Film Festival Nov. 2, 2019. From left to right: Camera-person Kate McKinley, director Carla Blank, festival founder and organizer Mel Vapour and writer/poet Yuri Kageyama.
Photo by Tennessee Reed.

With director Yoshiaki Tago at the red carpet event.

In Amsterdam in September 2019 for the New Vision International Film Festival, where News From Fukushima was a Finalist Best Asian Feature Film.

more gala shots
News From Fukushima an Official Selection at the ARTS X SDGS festival

THE VERY SPECIAL DAY A VERY SPECIAL FILM

THE VERY SPECIAL DAY IS NOW A VERY SPECIAL FILM

A collaboration with stop motion artist Hayatto.

Story written and read by Yuri Kageyama.

THE VERY SPECIAL DAY is an Official Selection at the Tokyo Lift-Off Film Festival, won the Grand Jury Award at the Oniros Film Awards in Italy and Finalist Official Selection at the Košice International Monthly Film Festival, in 2020. It received the Silver Award Spotlight Short Film Awards, Honorable Mention Los Angeles Film Awards, New York Film Awards, Festigious International Film Festival and Top Shorts Film Festival, Award of Distinction Canada Shorts Film Festival, was selected Best Animated film at the Hollywood Blood Horror Festival and as part of the Best Global Shorts film festival, all in 2019.


These words from Nami, Roy and the Los Angeles Film Awards team about our film meant a lot to me: “Brilliant concept and excellent execution. The structure works well.”

A birthday is very special for any little boy. And a little boy is very special for any parent.

This is an everyday but very special story about the trials and joys of growing up in an imperfect world.

A story that’s a bit sentimental but honorable and true, written for all the children in the world.
May they stay safe, may they enjoy peace, may they find love and may they know who they really are.

Music by Kouzan Kikuchi, Hiroshi Tokieda, Ryan Carter and Isaku Kageyama.

Copyright All Rights Reserved by the Artists. August 2019.

“All my works deal with the theme of love, and I put a lot of love in my work. As soon as I saw Yuri’s THE VERY SPECIAL DAY, I felt the same kind of love in the story and knew at once it should be made with my stop motion. Stop motion requires arduous time: Each item is made by hand and moved a little bit at a time to create movement on film. A minimum of eight frames is needed per second. The number of handmade parts is considerable. I make everything myself_ alone but with love. Although, or perhaps because, it requires so much work, time and love, stop motion relays a nostalgic sense of warmth and frailty. When finally completed, it fills me with an emotion that makes me forget all the hard work that went into it. People will likely react in different ways to THE VERY SPECIAL DAY, but I can say it is filled with love. After all, everyone has his or her own “special,” and everyone realizes that what makes for this special ultimately is love, the greatest amorphous theme for humanity. I hope my work will help people around the world rediscover the meaning of love.” _ Hayatto



Life suddenly _ a poem by Yuri Kageyama May 9, 2020

Music by Lorian Belanger inspired May 15, 2020 by “Life Suddenly,” a poem by Yuri Kageyama written May 9, 2020.

life suddenly seems so bare,

absent of distractions and noise,

honed down to essentials:

food, water,

the daily dosage of exercise,

sleep, working from home,

buying online,

safety from disease.

you realize life

is still,

alone,

full of meaning that is

so fragile

and easily lost.

News From Fukushima now on the Select Showcase air

Our NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet airs SAT June 6, 2020 9 p.m. on PBS Guam as part of the Select Showcase for the Guam International Film Festival.

What an honor and what an uplifting feeling for my collaborators and myself at a time when we so need it.

THE BIRDS a poem by Yuri Kageyama with cello by Hirokazu Natsuaki

THE BIRDS _ a poem by Yuri Kageyama (exceprt from The River) with cello by Hirokazu Natsuaki

Yuri Kageyama · THE BIRDS a poem by Yuri Kageyama with cello by Hirokazu Natsuaki

Kabuki’s answer to the Pelican

The Flamingo, the Albatross,

The Heron swoops through the sky

Perches so perfectly on a pine _

Princess in mirrored waters;

The humble fish-gulping Cormorant

Dives in muddy waters,

Spreads battered wings to dry,

In flight, freed from slavery _

Transforms, a gliding Black Swan;

The Sparrow plays, chirping staccatos,

Small furs of speckled brownness,

They play, always searching

Like a lost forlorn child _

Unchanged from Issa’s poems.

>___<

I waited all summer

For your return

Flutters of petal

Above the water

Buddha’s wafting lily pads

Your squawks swim the salty breeze

Circling, swooping, dancing,

They say birds vanish before an earthquake,

A hurricane, an apocalypse;

It matters not you don’t remember me

Your playful swoops

Silence screams of hate

Your presence is comfort

In this Atomic Age

You are back:

“I will not cry

Except in love” _

I wrote those lines

When I was very young,

And they are still true

As I die, You are back

Nothing happens なにもおこらない _ a poem/song by Yuri Kageyama

I started working on this song in February 2019. It’s about how people like to talk about “what’s happening” or what’s going to happen. Most of the time, nothing happens. Nothing needs to happen. Now with the pandemic unfolding, the song is more pertinent than ever. I reworked the song to reflect that. And in June 2020, I added the rap section in Japanese that refers to the death of George Floyd. We must not forget how precious those moments are when horrible things that can happen don’t happen, and we can just sit back and enjoy the passage of time, when utterly nothing happens.

Still a work in progress but the audio:

Yuri Kageyama · NOTHING HAPPENS a poem/song by Yuri Kageyama with guitar/arrangement by Hide Asada

Nothing happens なにもおこらない

_ a poem/song by Yuri Kageyama

(1)

Nothing happens

Bombs no longer falling

Nations aren’t killing

Nothing happens

^___<

(2)

Nothing happens

Women aren’t screaming

Children aren’t starving

Nothing happens

^___<


(BRIDGE)

なにもおこらない

このきもち

なにもおこらない

しずけさ

^___<

(4)

Nothing happens

The stars will shine  

Behind clouds that hide   

Nothing happens    

^___<

(5)

Nothing happens

Birds, blossoms remind

The passing of time

Nothing happens

^___<

(rap section)

Nothing happens

We took it for granted

Nothing is boring

Nobody up to no good  

Looking for something

Something to happen

Before the coronavirus   

Now we wake up to numbers

Pray the curb goes flattened  

Pray it’s no one we know

Waiting for a vaccine

Scared by the sirens

Italy, New York, Spain, Wuhan, Tokyo

Now nothing else happens

Nothing else can happen

Now you know it:

Now you wish you didn’t wish it

Now you know for sure you like it

When Nothing happens

Yeah, nothing happens

Please, please let nothing happen

なにもおこらない

死ぬまえ

のこる生命で

えらんだ言葉

息ができない

彼のおもい

アメリカの差別

歴史のおもい

すべてが

あまりにも

すごくて

言葉がない

息ができない

息ができない

You know that’s the view:

No news is good news,

It’s so quiet you can hear it

Silence is the music

When Absolutely

NOTHING HAPPENS

^___<

Nothing happens

The Virus descends     

Like a stranger of death     

Nothing happens

^___<

Nothing happens

We can forget the rest  

How we miss those days   

When Nothing happens