The Apology _ A poem by Yuri Kageyama

The Apology
_ A poem by Yuri Kageyama

My voice screaming banzai
Ten thousand years banzai
Dying in glee as the divine devil wind
For the crane god whose voice I heard too late

My hand piercing your baby
A glob of meat with my bayonet
Raping girls in the name of comfort
Burning a city like a Sherman deranged

My heart that worships history
To win status as an honorary white
Bleeding streaks from a fluttering red sun
Despising those of the same yellow skin

My voice
My hand
My heart

My voice will never speak that way again
My hand will never act that way again
My heart will never feel that way again
No apology is enough but I promise
And I apologize

NEWS FROM FUKUSHIMA _ Coming to SAN FRANCISCO in July 2017

Meditation on an Under-Reported Catastrophe by a Poet.

COMING TO SAN FRANCISCO in JULY 2017

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet
written by Yuri Kageyama
directed by Carla Blank

Debuted at La MaMa Experimental Theatre in New York Sept. 11 – 13, 2015.

Music directed and performed by Melvin Gibbs, with Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe.

The Cast:
Takemi Kitamura (Miu)
Monisha Shiva (Poet)
Shigeko Suga (Yu)

Lighting by Blu
Film by Yoshiaki Tago

A pensive and provocative theater of dance, poetry, music and film:
Fukushima is the worst nuclear disaster since Chernobyl.
Radiation is still spewing from the multiple meltdowns, reaching as far as the American West Coast.
Some 100,000 people were displaced from the no-go zone. But the story barely makes headlines.
“News From Fukushima” is a solemn reminder and a literary prayer for Japan.
It explores the friendship between two women, juxtaposing the personal and the intimate with the catastrophic.

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[caption id="attachment_1735" align="aligncenter" width="640"]NEWS FROM FUKUSHIMA, written by Yuri Kageyama, at La MaMa. From left to right: Shigeko Suga, Monisha Shiva, Takemi Kitamura. Photo by Tennessee Reed. NEWS FROM FUKUSHIMA, written by Yuri Kageyama, at La MaMa. From left to right: Shigeko Suga, Monisha Shiva, Takemi Kitamura. All Photos above by Tennessee Reed.

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musicians for NEWS FROM FUKUSHIMA

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet, written by Yuri Kageyama. Directed by Carla Blank. Music by Melvin Gibbs, Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe. In photo: Monisha Shiva as The Poet. Photo by Yuri Kageyama.

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet, written by Yuri Kageyama. Directed by Carla Blank. Music by Melvin Gibbs, Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe. In photo: Monisha Shiva as The Poet. Photos by Yuri Kageyama.

Programs for NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet at La MaMa in New  York. Program design by Annette Borromeo Dorfman. Photo by Yuri Kageyama.

Programs for NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet at La MaMa in New York. Program design by Annette Borromeo Dorfman. Photo by Yuri Kageyama.

And we get a little writeup in the local paper. The New York Times, among other local papers, including Steve Cannon’s “A Gathering of the Tribes,” listed our performance in its Calendar and Spare Time sections. The San Francisco Chronicle also highlighted our work in its Entertainment section.

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Our NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet gets a mention in The San Francisco Chronicle

Our NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet gets a mention in The San Francisco Chronicle.

聴かせて魅せるニュース!『NEWS FROM FUKUSHIMA: 報じられない福島の大惨事を詩人が詠いあげる』でMelvin Gibbsがベースを奏でる。
News that enraptures and engages through Sound. A Poet sings of the unreported calamity at Fukushima in NEWS FROM FUKUSHIMA, and Melvin Gibbs plays bass. _ Katsumi.

“Yuri Kageyama, with her epic poem, Fukushima, has earned a place among the leading world poets. This poem proves that the poet as a journalist can expose conditions that are ignored by a media that is in the pocket of fossils fuel and nuclear interests. While black collaborators at MSNBC and other media outlets make money for their employers by promoting and gender and class civil war among blacks, stories about how the Fukushima disaster threatens the health of world citizens are neglected, maybe because General Electric, which still has interests in NBC, built the nuclear reactors at Fukushima. Is the Yuricane making up things? Fukushima has had far worse complications than the Chernobyl disaster. Check this out.”
_ Ishmael Reed.

NEWS FROM FUKUSHIMA _ bios and other details.

NEWS FROM FUKUSHIMA _ MEDITATION ON
AN UNDER-REPORTED CATASTROPHE BY A POET

This pensive and provocative theater work with dance, poetry, music and film from Tokyo-based writer Yuri Kageyama debuted at The Club at La MaMa Off Off Broadway in New York September 11 – 13, 2015. FREE ADMISSION.
Directing the innovative production is Carla Blank, who has recently worked with international casts in Xiangtan and Ramallah, as well as collaborated with Ishmael Reed, Robert Wilson and Suzushi Hanayagi. Performing in the peice were Takemi Kitamura, Monisha Shiva and Shigeko Suga, with music by Melvin Gibbs, Sumie Kaneko, Hirokazu Suyama and Kaoru Watanabe.

ARTIST BIOS:

Version 2 YURI KAGEYAMA
photo by Annette Borromeo Dorfman.

WRITER: YURI KAGEYAMA is a Tokyo-based poet and filmmaker. Her works are in KONCH, POW WOW, ON A BED OF RICE, CULTURAL WEEKLY, NIKKEI AMERICA CANADA SHISHU, PIRENE’S FOUNTAIN and many other publications. Her latest book is THE NEW AND SELECTED YURI _ WRITING FROM PEELING TILL NOW, Ishmael Reed Publishing Co. She leads her spoken-word band Yuricane. She has collaborated with Eric Kamau Gravatt, Morgan Fisher, Pheeroan akLaff and Winchester Nii Tete. A magna cum laude graduate of Cornell. M.A. from the University of California, Berkeley.

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CARLA BLANK photo Tennessee Reed.

DIRECTOR: CARLA BLANK is a writer, editor, performer, director, dramaturge and teacher of dance and theater for more than 40 years. Her new book is STORMING THE OLD BOYS’ CITADEL: TWO PIONEER WOMEN ARCHITECTS OF NINETEENTH CENTURY NORTH AMERICA, Baraka Books. She worked with Robert Wilson to create KOOL _DANCING IN MY MIND, a performance portrait inspired by Japanese choreographer Suzushi Hanayagi. She is the author of REDISCOVERING AMERICA: THE MAKING OF MULTICULTURAL AMERICA, 1900–2000.

PERFORMERS: TAKEMI KITAMURA is a dancer, choreographer, puppeteer, actor and Japanese sword fighter. Her recent credits include THE INDIAN QUEEN (dancer) directed by Peter Sellars, THE OLDEST BOY (puppeteer/dancer) by Lincoln Center Theater and MEMORY RINGS (puppeteer/dancer) by Phantom Limb Company. MONISHA SHIVA is an actor, dancer, and choreographer, appearing in THE DOMESTIC CRUSADERS and THE RATS for theater and Independent films such as SMALL DELIGHTS, CARROLL PARK, ECHOES and UKKIYA JEEVAN. She has studied not only classical Indian dance but also Bollywood, jazz and samba dancing. SHIGEKO SUGA has acted in more than 100 theater productions, including Pan Asian Rep.’s SHOGUN MACBETH. Acclaimed for her work in New York theater since the mid-1980s, she is accomplished in a range of disciplines, such as flamenco, African drumming, ethnic chanting and Butoh.

Takemi-16-02-web TAKEMI KITAMURA
photo by Hope Davis.

Monisha Shiva Headshot2 MONISHA SHIVA

IMG_7730 SHIGEKO SUGA

MUSICIANS: MELVN GIBBS is collaborating with Cassandra Wilson on the project BLACK SUN. A member of Harriet Tubman, he was also in Defunkt, Ronald Shannon Jackson’s seminal “free-funk” group The Decoding Society and the Rollins Band. SUMIE KANEKO is a koto and shamisen player, singer and composer, who most recently toured India and Pakistan, delivering her blend of Japan and the avant-garde. HIROKAZU SUYAMA is a drummer, percussionist and tabla player, who studied at the Berklee College of Music with Kenwood Dennard. KAORU WATANABE, formerly of Kodo, masterfully blends Japan’s folk and classical traditions with contemporary improvisational and experimental music.

Jean Paul Bourelly MELVIN GIBBS

Sumie Kaneko SUMIE KANEKO

Hiro photo
HIROKAZU SUYAMA

kaoru-6 KAORU WATANABE

LIGHTING DESIGN: BLU is a New York-based lighting designer. Artists he has worked with include Sally Gross, Paula Josa-Jones, Eiko and Koma, Donald Byrd and Ping Chong.

FILMMAKER: YOSHIAKI TAGO directed AFO, WORST CONTACT and other movies, and worked on Japanese TV shows such as TAXMEN. He studied at the film school founded by Shohei Imamura.

The program for NEWS FROM FUKUSHIMA at La MaMa in New York

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THE MANY LIVES OF YURI KAGEYAMA _ THE POET IN ME AND THE JOURNALIST IN ME

I get such a nice write-up by Tim Hornyak in No. 1 Shimbun, the publication of the Foreign Correspondents Club of Japan in Tokyo, I can’t believe it is really about me.
It’s called The Many Lives of Yuri Kageyama.
And it brings together the sides of me I usually like to keep separate _ the poet in me and the journalist in me.

“The prose is unvarnished, unflinchingly personal and adroit in quickly juggling themes of child abuse, racism and sexuality while maintaining a narrative flow,” he writes.

“Kageyama’s poems have addressed stereotypes about race and gender roles. They’re made even more powerful when Kageyama recites them with collaborators such as Ghanaian percussionist Winchester Nii Tete on African drums and Keiji Kubo on didgeridoo. Against the backdrop of a traditional Noh stage, it’s a heady, globalized mix of words and music.”

Thanks to Tim. Thanks to all the musicians who have helped my poetry. Thanks to the poets, the literary publishers, the songwriters, the photographers, the filmmakers. Thanks to all the people of Fukushima who have shared their stories with me. Thanks, above all, to all the honorable, creative and dedicated colleagues I have at The Associated Press.

THE VERY SPECIAL DAY _ A CHILDREN’S BOOK BY YURI KAGEYAMA with PICTURES BY MUNENORI TAMAGAWA

Cover for the children's book THE VERY SPECIAL DAY by Yuri Kageyama with pictures by Munenori Tamagawa.

Cover for the children’s book THE VERY SPECIAL DAY by Yuri Kageyama with pictures by Munenori Tamagawa.

A birthday is very special for any little boy.
And a little boy is very special for any parent.
This book is an everyday but very special story about the trials and joys of growing up in an imperfect world.
THE VERY SPECIAL DAY by Yuri Kageyama (first published in KONCH, Ishmael Reed Publishing Co., 2013).
Illustrations by Munenori Tamagawa.
A TOKYO FLOWER CHILDREN 2016 publication picture book, designed by Fengshui Iwazaki.

FOR ORDERS please go to the SHOP section of artist Munenori Tamagawa’s site, or write to us, using the contact section of this site.

So I thought about what could be a very special day for Mama, and so I asked her: “Mama, what would you like to do on your funeral?”
Mama stopped moving all of a sudden, and I thought she might even spank me because it was so all of a sudden, though she hardly ever ever ever spanks me.
That was how sudden it was.
Then she went back to normal and said, “I want a lot of beautiful music.”
So I said very quickly to catch up with her suddenness, “Mama, I will play that music. I will.”

_ Excerpt from “The Very Special Day,” a story first published in KONCH: Ishmael Reed Publishing Co. 2013, now a TOKYO FLOWER CHILDREN picture book, 2016.

THE EVENT GETS LISTED IN THE JAPAN TIMES

Hirokazu Jackson Suyama and Yuri Kageyama at the Container Gallery in Tokyo. Suyama plays music with Kageyama's reading of her poetry in Tokyo. Photo by Junji Kurokawa.

Hirokazu Jackson Suyama and Yuri Kageyama at the Container Gallery in Tokyo. Suyama plays music with Kageyama’s reading of her poetry in Tokyo. Photo by Junji Kurokawa.


PLEASE COME MAKE THIS A VERY SPECIAL DAY FOR THE ARTISTS:

BOOK PARTY free admission
featuring the SHAKUHACHI music of Kouzan Kikuchi and LIVE ACTION PAINTING by Munenori Tamagawa.
And poet Yuri Kageyama’s YURICANE spoken-word band with Hiroshi Tokieda (bass), Trupti (vocals), Hirokazu Suyama (tabla).
Special Guests Biankah Bailey, Jacqueline Mujaya , Taylor Mignon and more.
SUN Aug. 7, 2016 2 p.m. Infinity Books. 1F Komagata Bashi Heights Bldg , 1-2-4 Azumabashi, Sumida-ku, Tokyo, 130-0001
SAT Aug. 13, 2016 2 p.m. Demi Cafe in sora Gallery. 3-14-1 Honcho Kokubunji-shi, Tokyo 85-0012

THE VERY SPECIAL DAY book party at Infinity Books in Tokyo SUN Aug. 7, 2016.

THE VERY SPECIAL DAY book party at Infinity Books in Tokyo SUN Aug. 7, 2016. Photos by Emiko Tokai.

Live Painting with the reading of THE VERY SPECIAL DAY

Live Painting with the reading of THE VERY SPECIAL DAY

Live Painting with the reading.

Live Painting with the reading.

Kenwood Dennard, professor at Berklee College of Music, reads his poetry at THE VERY SPECIAL DAY

Kenwood Dennard, professor at Berklee College of Music, reads his poetry at THE VERY SPECIAL DAY

Jackie Mujaya speaks about Tanaganika Kids at THE VERY SPECIAL DAY at Infinity Books in Tokyo.

Jackie Mujaya speaks about Tanaganika Kids at THE VERY SPECIAL DAY at Infinity Books in Tokyo. Cherie Willoughby, at right, who also read her poetry.

back cover of THE VERY SPECIAL DAY by Yuri Kageyama. Bios of the artists.

back cover of THE VERY SPECIAL DAY by Yuri Kageyama. Bios of the artists.

Toshinori Kondo _ a poem by Yuri Kageyama

Toshinori Kondo
A Poem
By Yuri Kageyama

shrieks growls wails moaning jagged cries that tell stories of the urban jungle wire and metal untamed animal half machine bleeding real blood never stops a never-ending pulse guerilla warfare of free music of onomatopoeia like a snake or a frog whose skin is always wet

GIFTS FROM THE DEAD a poem by Yuri Kageyama

GIFTS FROM THE DEAD
a poem by Yuri Kageyama

Graves are always There
for those Who are still
Alive to Forgive
Accept Reconcile.
They don’t Speak Back.
They don’t expect much
because
they are ready
to be Forgotten
if not
really already
Forgotten.
So when You
Go There, You
will Be Forgiven:
Grave are Gifts
from the Dead
for the Living.

At a temple in Toyokawa, Aichi Prefecture, Japan. Photo by Yuri Kageyama.

At a temple in Toyokawa, Aichi Prefecture, Japan. Photo by Yuri Kageyama.

OH MY BUDDHA _ A poem by Yuri Kageyama with Music composed by Tea and Hiroshi Tokieda

Buddha in Bangkok. Photo by Yuri Kageyama

Buddha in Bangkok. Photo by Yuri Kageyama

OH MY BUDDHA
_ a song about faith, love and other things
By Yuri Kageyama

REPEATING THEME:
My name is Yasodhara
Wife of Buddha
Mother of Rahula
I ride a white elephant
I am Siddharta’s woman

VERSE 1
You took off to find Nirvana
Became a hero for the poor
You just took off one sunny day
And found enlightenment
While I’m stuck in the kitchen
Barefoot and pregnant, alone

(Repeat theme)

VERSE 2
You’ve started a religion
See statues in your likeness
Of gold and bronze and wood
Sitting prim on that lotus
While I’m having your babies
Feeding them, aborting them, alone

(Repeat theme)

VERSE 3
You remember I cooked you breakfast?
So you could go and contemplate
Sitting 49 days under the Bodhi tree
To discover, sacrifice, meditate?
While I’m crying in my misery
Breathing my prayers, alone

(Repeat theme)

REFRAIN
You’re a superstar
I’m a nobody
You live in history
I die unknown
When I awoke
There was no sign of you
When I awoke
There was no sign of you
My universe went up in smoke
My universe went up in smoke
Oh, my Buddha
Oh, my Buddha

Sung by Tea Tokieda and Read by Yuri Kageyama.
Music composed by Tea and Hiroshi Tokieda.
Bass by Hiroshi Tokieda, percussions/tabla by Hirokazu Suyama Jackson and shakuhachi by Kouzan Kikuchi.
At Infinity Books AUG 7, 2016, in Tokyo.
Inspired by and dedicated to Toshinori Kondo, who is constantly exploring the meaning of the Asian sound/literarture/self in the world, and told me once that we should all start saying: “Oh My Buddha,” like the way Westerners say: “Oh My God.”
So this is a song about what it would like to be the wife of Buddha _ that behind-every-man-is-a-woman story, and how we women are selfless in love and almost always invisible:

Buddha in Bangkok. Photo by Yuri Kageyama

Buddha in Bangkok. Photo by Yuri Kageyama

Guest in a white room _ A Poem by Yuri Kageyama

Guest in a white room
A Poem by Yuri Kageyama

not unwanted
just invisible
they glide across
smiling like shadows
silent of slurs
silent of praise
you know you are a guest
in a room meant for whites