Today’s Ikenobo Ikebana used a sponge called “oasis,” because it’s apparently made by a company called Oasis, to arrange the flowers in a way that was quite three-dimensional but required the placement of the leaves at the bottom to “hide” the sponge. The teacher said to start with the main elements, the sunflowers. You place one sunflower, then the other sunflower, always lower than the first. The other elements are basically fillers for the empty spaces, but you have to think where those spots are and balance them. You can play around with the long leaves, even bending them with your fingers. But always remember the tips must look up, never droop. Adding the water comes last. The speckles of glitter reflecting in the vase are gorgeous and an understatement at once.
Actually my teacher told me it’s against the rules to let a flower that broke off float in the water, when I did it. But when he took the photos at the end of the class with all the lighting set up, or actually another student and me holding them up, he took the flower, dropped it in the water and took this photo. He is a nice teacher. Although allowed in other styles of Ikebana, Ikenobo did not, seeing fallen flowers as death, and his works are about life, purity and our eternal connection to the spiritual. It made me sad that death is so beautiful. And I like this photo.
Wonderful to chance upon this image of a silkscreen poster by Gail Aratani for a poetry and music event we put on in J-Town San Francisco in 1979. I don’t remember what poems I read there, but I remember I came up with the name for the event, and Gail liked it, understanding how it expressed our umph, our hard work and how we do it together, as Japanese. Still proud of our work, our connections, our dreams, all the people and their art.
“CONTINUOUSLY POETRY” My new book of poems, a collaboration with Osaki HANIYA. Out as a real paper book January 2025. Please stay tuned for a big book party _ you are all invited to come celebrate poetry that knows no borders. Some poems shared on this site earlier became a part of the book: Continuously Poetry, Part Two and KELOID. I am very proud of this book. Special thanks to Shinsuke, who volunteered his time and love to put the digital data together so we could get it all nicely printed. So please come to the book party, but I already said that. Details coming soon.
Wednesday, March 6, 2013 in Tokyo, (AP Photo/Junji Kurokawa)Guitar player of Queen Brian May speaks during an interview with the Associated Press in Tokyo, Friday, Sept. 23, 2016 in Tokyo, (AP Photo/Koji Sasahara)
My AP Story Sept. 23, 2016, when I spoke with a rock legend, who kindly called me “AP’s journalist of conscience.”
Sometimes my sources are a bit mechanical but cute. My AP Story July 13, 2015 on the Pepper robot when I am in an AP Photo, which is unusual.
Sometimes the photographer and I end up in pretty abandoned areas like the no-go zone in Fukushima. My AP Story April 29, 2014 that I filed from this trip.
Monday, April 28, 2014 in Sagamihara, (AP Photo/Junji Kurokawa)
And at other times, the photographer and I end up meeting extraordinary people who were hidden in their moments of glory. My AP Story May 18, 2014 when I interview Mr. Haruo Nakajima. My AP Obit Aug. 8, 2017.
A shot from the interview for My 2024 AP Story in the studio of the artist in Shikoku.
We also do 360 video and end up being in that circle. This is from My AP Story Nov. 16, 2017 at a Toyota plant. Turn your cursor in the video below to see a 360 degree view of the plant:
From 2014 when I visited Nezu Museum, designed by Kengo Kuma, and speak with the curator for My AP Story about Japanese architects. I still like this story.
