LOVE SIMPLY a love poem by Yuri Kageyama

LOVE SIMPLY a love poem by Yuri Kageyama

To be near hurts

To be far hurts, too

Love simply hurts

To live hurts

To die hurts

Love simply hurts

Watching you die

Hurts even more

Love simply hurts

To know you hurts

To have known you hurts

Love simply hurts

But to not know you,

Not hurt for you

Is simply not a choice

Love simply hurts

Love simply hurts

Love simply hurts

FOR WOMEN ONLY

For Women Only _ A poem by Yuri Kageyama

For Women Only _ A Poem by Yuri Kageyama

perfume,

rubbing shoulders,

we rattle silently over the tracks

blouses, tucked bags, even powdered chins,

up too close to really see;

we sense only relief

we smell no greasy beards or sweaty suits or

beer breath of the morning after _

this morning commuter train

“josei senyo sha”

reserved

for women only,

introduced to protect the gentle sex

from those groping dark hands

preying prying fingers, stroking thigh,

poking panties,

pretending to be penises

right in public transport,

“josei senyo sha”

this is the kindness of Japanese society:

let chikan go unchecked,

forgiven for their mischief,

and give us, women, this special spot

farthest from the action

farthest from the ticket gates

the first car up front,

and the most dangerous

if we crash

No Tears _ a poem by Yuri Kageyama

No Tears
a poem by Yuri Kageyama

We do not weep, scream, even whimper,
Too scared to speak out;
Tears seek sniffles of sympathy,
Pleas want cuddles of resolution.
 
Born into darkness with no escape
We stay silent.
“Mama, I’m sorry, mama,”
Is not Something we say.
 
We drink in all those words
Like the salty tears we do not taste;
Just wait in fear,
Filled with hatred.
 
And the blind groping for justice,
The secret tongue-biting vow of revenge;
We we do not ask for pity,
We do not cry.

My Mother’s Mink _ A poem by Yuri Kageyama

My Mother’s Mink

A poem by Yuri Kageyama

my mother’s mink

sleeps in a drawer

so silken soft;

she longed for it

like her jewels,

a bit of an embarrassment;

the Marilyn Monroe generation,

she went to college, spoke English

my mother’s mink

silent like a corpse,

all the fuzzy rodents,

womb cradling fetus;

once there was life;

I can’t get myself to

throw it out  

but I will never wear it

GEOMORPHOLOGY Words. Words. Words.

A collaboration by Sandile Ngidi and Yuri Kageyama June 2022 ~ (ongoing)

Sandile (June 12, 2022)

It is windy, rough, chimneys banging in the winds,

begging for mercy, pebbles.

Still meditating, but prayers return as cloudbursts. Blood.

Sky dances, but no raindrops on the lips.

Bare gullies. 

Bedrocks rehearsing illness songs.

Orphans on dry geomorphology.

Yuri (June 19, 2022)

The blue-green planet is but a sneeze

Lost in two billion light years of solitude,

That speck of snot, or dot, of human life

In an eternal line of ancestral tradition:

Like Shuntaro Tanikawa and Mansai Nomura,

On this Juneteenth, we remember

Hope, courage, that patient wait.

Sandile (July 2, 2022)

On the first day of the month, the sun went home in splendid form.

A good ruse for me to sleep, and wake up in top form.

A world of theatrical summons suddenly made sensuous.

I am walking into the village where one season,

the magic of laughter died.

My dogs running.

Joyous.

Yuri (July 12, 2022)

The Music falls silent.

Piping, pellets, powder,

Wrapped in tape,

Two smoking blasts

from a homemade gun,

Assassination Assassination

Sinking and numb

We face each other and a new world

Sandile (July 8, 2022)

hope pulses with astonishing freshness.

i’m home

embracing every tiny patch

food in green pastures

songs making me feel whole

while mourning a dear brother

Mandla Dlamini,

his leaf refusing to wither …

Yuri (July 14, 2022)

… you are home:

The rice smells sweet,

Take your shoes off and let

The tatami cool your tired toes;

Take a deep breath;

Let it seep within _

That feeling that you count

When what’s going on around us  

Is just the opposite.   

Sandile (Aug. 18, 2022)

A man from boyhood rises on a point of order.

Tells a tiktok traffic DJ, his potatoes are wrapped in blood.

Pleads for wifey to go gentle into his black potato sack.

To keep it cool, moist.

This tiny poem is no portrait of a man as a naked cook.

It is his pain.

Sandile (Aug. 24, 2022)

In the punishing winds,

chimneys sing in the bloody winds.

Why can’t you see?

Sit down. Grow wings.

Simply sing along.

Grow dreadlocks. Brush your dog.

Chill out with bafo.

And Hugh. Cool laughers.

Sandile’s photo for the segment above shows “Madala Kunene (left), a superb South African guitarist and raconteur. The young chap is Hugh Mdlalose, a talented documentary photographer. His father was a musicologist and named him after the great trumpeter. Madala is popularly known as bafo. Zulu for brother.”

Yuri (Aug. 26, 2022)

it’s a blessed day

when you wake up and write

a poem,

or rather a poem wakes up

and gets you

to write a poem;

it just comes but it

has to be

a blessed day;

never forget when it happens last,

or those long silent days

when you just suffered.

^____<

(The poetic trans-planetary collaboration between Sandile Ngidi in South Africa and Yuri Kageyama in Japan has evolved over time. Their previous works are: #peacepoetry (March ~ May 2022), and the work that started it all in 2021: “Magic 50 of COVID-19 Poems.” The tradeoff of lines in a literary hand-holding defied geographic borders, in a shared vision, week by week, or almost week by week, through the pandemic, the war in Ukraine, the comings and going of daily life. “This poetic dance is our call and response. A tango of sorts,” Ngidi says. Without having ever met once in real life, the poets know simple but totally perfect mutual understanding. Thank God for Poetry.)

MY POETRY IN LIFE AND LEGENDS

My Poetry in Life and Legends

My poetry is in great company here in LIFE AND LEGENDS Twelfth Edition
July 15, 2022, Irvine, CA, USA. Thanks to the Editor-in-Chief: Kalpna Singh-Chitnis.

NOTHING HAPPENS a collaboration between Sergio Ferrer and Yuri Kageyama

Sergio Ferrer, an image and sound engineer, composer and singer in Singer, was inspired by my poem NOTHING HAPPENS to create this piece.

He says he “tries to mix and purify the digital essence of life from the technical brain side and also from the artist brain side,” which he truly does so well with this piece.

We have never met in real life, but this was a true meeting of souls.

HAIKU FOR BASHO a poem by Yuri Kageyama

Haiku for Basho a poem by Yuri Kageyama

May 3, 2022

眼差しを

無に流すかな

芭蕉のかわ

He is still watching,

Though washed away to nothing-

Ness, Basho’s River

SHADOW a poem by YURI KAGEYAMA

Photo by Tennessee Reed

SHADOW a poem written for the Poetry Challenge May 1, 2022

By Yuri Kageyama

when young,

one thinks of what

one will become

or what one

wants to be

^___<

as years pass,

we realize

what we are seen as

doesn’t really

matter

^___<

what matters

is who we really are

how we live

what it is that we do

day by day

^___<

which is not

the same thing

at all

that is what counts

in the end

AS IS MUCH IN LIFE by Dr. Minh and Yuri Kageyama

AS IS MUCH IN LIFE

A poetic collaboration on Twitter by Dr. Minh and Yuri Kageyama April 22, 2022

Dr. Minh wrote the poem in five minutes after I tweeted the title. I just added the last two lines.   

As is much in life

you sit alone on the edge of a river   

I know

you nurture your solitude

but wonder

tomorrow

you will sit alone on the edge of the river

is your solitude still there

only you know

^___<

As is much in life

solitude is not emptiness

or vacuum or the void

where the real and the real annihilate

to give birth to something new

just emptiness

but this is where life begins

you and I know

as is much in life