with didgeridoo by Keiji Kubo

From Yuri To Yuri: A Contemporary Renku Poem

From Yuri To Yuri: Japanese Womanhood Across Borders of Time
A Contemporary Renku Poem (A Work in Progress).
By Yuri Matsueda and Yuri Kageyama
Read at What the Dickens in Tokyo Oct. 5, 2008.

(1)

20年後あるいは30年後かの自分と対峙し
瞳の深淵をそっと覗き見る
睫毛の長さ
目元の影
声の艶
足首の締まり
それらは注意深く観察される

わずかな欲望はざらついた嫉妬へ
嫉妬は称賛
安堵へ
その移ろいをゆっくりと舌先で転がす昼下がり
私たちは松檮を歩いていた

(2)

pale hands folded over silken robes
music tangled like wind among pine trees
she waits, waits, waits for her daimyo lover

i can’t love a man i can’t respect
i fall for men who’re no good for me
i won’t love a man who might destroy me

her breasts grow fuller with each breath
she knows he will return in the darkness
her tongue is dry and sallow

i can’t resist a man who means danger
his cocky sneer, his sword, his dreams,
his probing lips and fingertips

(3)

月に照らされ

家族を忘れ
あなたを忘れ
過去を忘れ
大気を切り抜け
時間を走り
窓はふさがれ
耳はふさがれ
体はしめられ
心翔る

自由である

夜間飛行

(4)

walking
the path of time of generations of memories of ignorance

all the forgotten women
all the forgotten lovers
all the forgotten babies

walking
past Shibuya cobblestones of footprints of dreams of death

fading love hotels
gleaming boutiques
salesmen passing tissue to no one

walking
faceless voices blend with sirens and cicadas

overheard giggles
sheer wisps of thoughts
too lazy to speak the truth or lies

at dusk

(5)

一本先へ
一本奥へ
円山町を背にして
蝉の声に誘われ
さまよう
女二人
不意に途切れた
鳴き声の間に
白い腹をみせた
亡骸をまたいで
羽を散らした体を尻目に
松涛求めて
喘ぎ歩くも
跡なくあてなく
日、翳る

(6)

dot and line, dot and line
like marching ants spilling
from score sheets to table to equator to nightmares
black notations of silent thoughts of music
muted ramblings of an obscure composer
puttering notes only he and i can hear
fragments of jazz rhythms
broken crazed despised

did you know Ingmar Bergman was terrified of death
but as he grew older, as he approached that dreadful moment,
he was no longer afraid

did you know life is forever
when death comes
there will be no life to feel

i was lost when i was your age
you will help me find myself
at your age
with this poem

From Yuri To Yuri _ A Poem in Progress

From Yuri To Yuri
Japanese Womanhood Across Borders of Time
By Yuri Matsueda and Yuri Kageyama
2008 in Tokyo

(1)

20年後あるいは30年後かの自分と対峙し
瞳の深淵をそっと覗き見る
睫毛の長さ
目元の影
声の艶
足首の締まり
それらは注意深く観察される

わずかな欲望はざらついた嫉妬へ
嫉妬は称賛
安堵へ
その移ろいをゆっくりと舌先で転がす昼下がり
私たちは松檮を歩いていた

(2)

pale hands folded over silken robes
music tangled like wind among pine trees
she waits, waits, waits for her daimyo lover

i can’t love a man i can’t respect
i fall for men who’re no good for me
i won’t love a man who might destroy me

her breasts grow fuller with each breath
she knows he will return in the darkness
her tongue is dry and sallow

i can’t resist a man who means danger
his cocky sneer, his sword, his dreams,
his probing lips and fingertips

(3)

月に照らされ

家族を忘れ
あなたを忘れ
過去を忘れ
大気を切り抜け
時間を走り
窓はふさがれ
耳はふさがれ
体はしめられ
心翔る

自由である

夜間飛行

(4)

walking
the path of time of generations of memories of ignorance

all the forgotten women
all the forgotten lovers
all the forgotten babies

walking
past Shibuya cobblestones of footprints of dreams of death

fading love hotels
gleaming boutiques
salesmen passing tissue to no one

walking
faceless voices blend with sirens and cicadas

overheard giggles
sheer wisps of thoughts
too lazy to speak the truth or lies

at dusk

(5)

一本先へ
一本奥へ
円山町を背にして
蝉の声に誘われ
さまよう
女二人
不意に途切れた
鳴き声の間に
白い腹をみせた
亡骸をまたいで
羽を散らした体を尻目に
松涛求めて
喘ぎ歩くも
跡なくあてなく
日、翳る

(6)

dot and line, dot and line
like marching ants spilling
from score sheets to table to equator to nightmares
black notations of silent thoughts of music
muted ramblings of an obscure composer
puttering notes only he and i can hear
fragments of jazz rhythms
broken crazed despised

did you know Ingmar Bergman was terrified of death
but as he grew older, as he approached that dreadful moment,
he was no longer afraid

did you know life is forever
when death comes
there will be no life to feel

i was lost when i was your age
you will help me find myself
at your age
with this poem

TALKING TAIKO

Poet YURI KAGEYAMA and percussionist WINCHESTER NII TETE present “TALKING TAIKO,” a multicultural evening of the spoken word with music that challenges the boundaries of continents, genres and generations.

Yuri Kageyama’s poetry and short fiction have appeared in many literary publications, including “Y’Bird,” “Greenfield Review,” “San Francisco Stories,” “On a Bed of Rice,” “Breaking Silence: an Anthology of Asian American Poets,” “Other Side River,” “Yellow Silk,” “Stories We Hold Secret” and “MultiAmerica.” She has read with Ishmael Reed, Shuntaro Tanikawa, Geraldine Kudaka, Victor Hernandez Cruz, Russel Baba, Seamus Heaney, Yumi Miyagishima and many other artists. Her short story “The Father and the Son” will be in a January 2009 anthology, “Pow-Wow: American Short Fiction from Then to Now.” She has a book of poems, “Peeling” (I. Reed Press). She is a magna cum laude graduate of Cornell University and holds an M.A. from the University of California, Berkeley.

Master percussionist Winchester Nii Tete hails from the honorable Addy-Amo-Boye families of drummers in Ghana. He has performed with the Ghana national troupe, Sachi Hayasaka, Yoshio Harada, Takasitar, Naoki Kubojima, Tsuyoshi Furuhashi and many other artists. His repertoire is expansive, including jazz, hip-hop, reggae, pop and world music. Besides playing original compositions with poetry, he will deliver a taste of his exuberant, refined and eclectic sound with guest musicians and his students. He is a brilliant young star who is certain to follow in the footsteps of his legendary uncles Obo Addy and Aja Addy in gaining international acclaim.

Winchester Nii Tete and Yuri Kageyama met in Tokyo last year and have been working on collaborative pieces. Director Yoshiaki Tago (“Believer,” “Worst Contact”) joins as another collaborator in filming “Talking Taiko.”

Sunday, September 28, 2008 6:30 p.m.
BUNGA (http://www.livebar-bunga.com/) (TEL: 03-3220-9355)
3-1-5 Amanuma Suginami Tokyo 167-0032
2500 yen admission (plus 500 yen drink).

INCH-KEY (Inchiki)

Inch-key
Inch-key
Bag full of lies
Falsehood fake fraud phoniness
Inch-key
Inch-key
Boss doing side jobs on the sly
Husband hiding lipstick on his sleeve
Inch-key
Inch-key
Chinese eels that’re selling as gourmet
Long expired are Senba Kiccho
Inch-key
Inch-key
Mattaku hattari
Mechakucha illusion
Inch-key
Inch-key
Swindler president judge and lover
Poet shaman online writer
Inch-key
Inch-key
Sneezing lying plastic surgeon
Snoozing this year’s on-the-job evaluation
Inch-key
Inch-key
You believe what you got to believe
I’m mailing a letter addressed to me
Inch-key
Inch-key
Mattaku hattari
Mechakucha illusion
Inch-key
Inch-key
Eh, woo-so!

Photos by Kabe Chushin 13


Photos by KABE-CHUSHIN.

Poet YURI KAGEYAMA presents
The TOKYO FLOWER CHILDREN
in an Evening of Multicultural Poetry and Music
at The Pink Cow, in Tokyo.
June 8, 2008.

Little YELLOW Slut with Teruyuki Kawabata, Haruna Shimizu and Keiji Kubo
Loving Younger Men
an ode to the Caucasian male with Carl Freire
Cecil Taylor
People Who Know Pain with Yumi Miyagishima
Ikiru
SuperMom with Winchester Nii Tete
Excerpt from “The Father and the Son,” short story to be published in “Pow-wow:
American Short Fiction from Then to Now,” Da Capo Press (Perseus Books).
Jounetsu wo Torimodosou Music/Lyrics/Guitar/Song by Teruyuki Kawabata, translation
by Yuri Kageyama, performance by All

Poet YURI KAGEYAMA’s works have appeared in many literary publications, including “Y’Bird,” “Greenfield Review,” “On a Bed of Rice,” “Other Side River” and “Stories We Hold Secret.” She has a book of poems, “Peeling” (I. Reed Books).

Music maker, designer and self-proclaimed “shy and wagamama only child,” TERUYUKI KAWABATA leads CigaretteSheWas, one of Japan’s greatest indies bands. The group has a new CD album later this year.

Master percussionist WINCHESTER NII TETE hails from the honorable Addy-Amo-Boye families of drummers of Ghana. He plays with the Ghana national troupe, Sachi Hayasaka, Yoshio Harada and Takasitar.

HARUNA SHIMIZU of CigaretteSheWas fell in love with Ghana’s kpanlogo drum while she was in college. She has kept at it as freely as her spirit moves her.

KEIJI KUBO, who plays didgeridoo and bass, is a linguist and student. He has total respect for aboriginal culture and cultural integrity.

Violinist YUMI MIYAGISHIMA plays with CigaretteSheWas, Kyosuke Koizumi, Binary Scale, The little witch and other groups.

CARL FREIRE is an American writer, translator and musician.

DEEJAY C. GEEZ from St. Louis has been living in Japan since 2006. His super soul music and dope true-school hip hop starts 7 p.m.
Poetry and music 8 p.m.

Photos by Kabe Chushin 10

Photos by Kabe Chushin 9

Photos by Kabe Chushin 8

Photos by Kabe Chushin 7