2011 Barbary Coast Award literary event in San Francisco



(photos by Annette Dorfman)

I was in San Francisco Oct. 12, 2011 for the 2011 Barbary Coast Award given to my mentor and publisher and great poet, novelist and teacher Ishmael Reed. Reed is the author of at least 27 books, including Mumbo Jumbo, The Last Days of Louisiana Red and Yellow Back Radio Broke-Down. He is also a publisher (as I well know), television producer, songwriter, pianist and radio and television commentator. He taught at the University of California, Berkeley, for 30 years.
I just finished his latest novel “Juice!” which highlights his talent as a visual artist/cartoonist as well. The book is not only a deliciously hilarious read, offering insightful satire on U.S. race relations and celebrity scandals, it is also a profound testament, even tribute, to what could now be a passing glory era of the mainstream media _ in all its grandeur, ludicrousness, power and human potential.

More from the ceremony below: Photos and video clips of performances, including my reading with music.

Congratulations to Ishmael Reed

(video by Evan Karp)
Ishmael Reed, who published my latest book “The New and Selected Yuri: Writing From Peeling Till Now,” received the Barbary Coast Award WED Oct. 12, 2011, at a gala ceremony at Z Space in San Francisco, a program packed with poets, musicians and performers, includng even me, who read “Litte YELLOW Slut” with the Broun Fellinis _ from left to right Kirk Peterson (bass), Kevin Carnas (drums), David Boyce (saxophone) _ Makoto Horiuchi (guitar), Ashwut Rodriguez (guitar) and the great Ishmael Reed (piano).

MUSICAL POETS: Al Young sings, presents award to Ishmael Reed



David Boyce of the Broun Fellinis, poet Tennessee Reed and Carla Blank, choreographer, performance artist and my editor at The Barbary Coast Award ceremony for poet, novelist and professor Ishmael Reed Oct. 12, 2011, in San Francisco.
Photos by Annette Dorfman.

More photos by Annette Dorfman at Litquake:

Stun-gun poetics: A review of my new book

“Kageyama’s images, scoured, purged of ornamentation, can have the effect of a stun gun …. The focus in Kageyama’s work is less on beauty, which can be delusional, than on truth. Serious literature, we realize, does not exist to comfort and mollify us, but to unnerve and agitate.”
Stephen Mansfield in a review of “The New and Selected Yuri _ Writing From Peeling Till Now” in The Japan Times, Aug. 14, 2011.

Talking TAIKO Book party in San Francisco




Film by Yoshiaki Tago

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Photos by Annette Dorfman



Film by Yoshiaki Tago.

Talking TAIKO Book party for “The New and Selected Yuri _ Writing From Peeling Till Now” at Yoshi’s in San Francisco MON Aug. 15, 2011.
An evening of poetry by Yuri Kageyama with music by The Yuricane:
Eric Kamau Gravatt (drums), Makoto Horiuchi (guitar, musical director), Isaku Kageyama (taiko, percussion), Hiroyuki Shido (bass), Glen Pearson (keyboards), Ashwut Rodriguez (guitar).
Special Guests: Ishmael Reed, Tennessee Reed and Carla Blank.
A firsthand report in Jazz Advance: Borderless Poetics: Taiko Meets Jazz at My Book Party.

Ishmael Reed: the fighter and the writer

Congratulations to Ishmael Reed receiving Litquake’s Barbary Coast Award at this gala ceremony at Z Space in San Francisco’s Project Artaud WED Oct. 12, 2011.
I read “Little YELLOW Slut” with the house band The Broun Fellinis.

A mention in the Cornell Alumni Magazine

My book “The New and Selected Yuri _ Writing From Peeling Till Now” in the Cornell Alumni Magazine:
“In her collection of new and selected poems, Kageyama debunks cultural stereotypes and explores how racism and sexism scar people.”

Reading at a San Francisco book store


Reading at a San Francisco book store TUE Aug. 16, 2011 with (from left to right) Yoshiaki Tago (filmmaker), Hiroyuki Shido (bass), Eric Kamau Gravatt (drums), Makoto Horiuchi (guitar), Yuri Kageyama (poet) and Isaku Kageyama (percussion, taiko).
Photos by Annette Dorfman.
The best thing about the reading was that Milton Murayama, author of “All I Asking For Is My Body,” whom I had not seen in years, came with his wife Dawn because he saw it in The San Francisco Chronicle.
He told me the day he would stop writing is the day he dies.
So much like Milton _ still the same after all these years.
He had that same twinkle in his eye when he said those words like a promise.
Death can’t be all bad if we can keep writing till the day we die.

Taiko _ both American and Japanese

Taiko takes a freeer American fun festive flair at the North American Taiko Conference at the “Taiko Ten” outdoor concert at Stanford University FRI Aug. 19, 2011. Isaku Kageyama played with his fellow yonsei and other friend taiko drummers Masato Baba, Yuta Kato, Shoji Kameda, Jen Baik and Chris Bergstrom.
Taiko is at once American and Japanese, fun and free, and plain good music.