MY FILM, POETRY AND MUSIC IN TOKYO

News From Fukushima _ Meditation on an Under-Reported Catastrophe by a Poet,” directed by Yoshiaki Tago, gets a screening at Libra Hall in Tokyo SUN April 23, 2023, followed by My Poetry With Music.

The film documents a theater performance in San Francisco in 2017, directed by Carla Blank, starring Takemi Kitamura, Monisha Shiva and Shigeko Sara Suga with music by Stomu Takeishi, Isaku Kageyama, Kouzan Kikuchi and Joe Small. Lighting by Blu. Video by Yoshiaki Tago. Written by Yuri Kageyama.

We also did A Reading of My Poems with music. In the order they were read: “I Am The Virus” (please see below for the recording), “Hiphop Fukushima,” “Nothing Happens,” “ode to the stroller,” written and read by Yuri Kageyama with music by The YURICANE band featuring Nobutaka Yamasaki (piano), Takuma Anzai (drums), tea (vocals), Hiroshi Tokieda (bass) and Hideyuki Asada (guitar).

Yuri Kageyama · I Am The Virus _ a poem by Yuri Kageyama with piano by Nobutaka Yamasaki

I AM THE VIRUS

a poem by Yuri Kageyama, read with piano by Nobutaka Yamasaki. First published online in KONCH Magazine in 2020, compiled into a book in 2024, THE PLAGUE EDITION OF KONCH MAGAZINE, edited by Ishmael Reed and Tennessee Reed.

I am the virus

I thrive on mossy envious egos

They keep showing up

Offices, clubs, picnics,

Choosing being seen, hoarding

Over social dis-tan-cing

I am the virus

I fester in corona-shaped clusters

Commuter trains, cruises, crowds  

Peering at the Olympic torch,

I love the naming “Chinese virus”

The taunts, attacks on slant-eyed people

I am the virus

I cower when folks stay in

Takeout food, work from home,

A meter apart on solitary walks,

Wearing masks, washing hands,

Mixing aloe and alcohol

I am the virus

The crazy evil devoured

By doctors, vaccines, canceled concerts

Turning into live-streamed music,

People who remember to tell those they love

How much they really love them.

Nobutaka Yamasaki. Photo by On Lim Wong.
Yoshiaki Tago, film director for NEWS FROM FUKUSHIMA. Photo by On Lim Wong.
Hideyuki Asada. Photo by On Lim Wong.
Takuma Anzai. Photo by On Lim Wong.
Hiroshi Tokieda and tea. Photo by Ong Lim Wong.
Nobutaka Yamasaki. Photo by On Lim Wong
From L to R: Toshiko Okada, Nobutaka Yamasaki, Yuri Kageyama, tea, Takuma Anzai, Hiroshi Tokieda, Hideyuki Asada.

All PHOTOS by On Lim Wong.

ode to the stroller – a poem by Yuri Kageyama

Photos of San Francisco by Annette Borromeo Dorfman

A book party

A book party

MY POEM “ode to the Stroller” got published in TOKYO POETRY JOURNAL Vol. 5, dedicated to the Beat Poets January 2018.
THE BOOK PARTY AT OL TOKYO
37-10 Udagawa-cho
Shibuya, Tokyo
7 p.m. SAT Jan. 27, 2018.

Photo by John Matthews

Photos of the reading by John Matthews

I read this poem with my YURICANE spoken-word band: Winchester Nii Tete (percussion), Kouzan Kikuchi (shakuhachi) and Hirokazu Natsuaki (cello), crossing borders so sounds, genres, cultures, people come together in a performance with no score but all soul.

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Motherhood poems are usually square or oppressive and so many women don’t like to write about motherhood. I chose pushing the stroller as a metaphor to depict motherhood in all its proper liberated glory. This happens to be in San Francisco because that is where I had my son and I pushed him around on strollers a lot. But it can be about any mom anywhere. The point of this poem is that it is location-specific and so it takes you on a journey, not only where the stroller went but also in our minds and our path of life like a movie.
We dedicate our performance to all mothers, including Mother Earth herself, and, of course, all the children.

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ode to the stroller
a poem by Yuri Kageyama

we zip weightless like silent angels
up and down San Francisco hills
running on the mother of all energy
greener than solar
rolling rolling rolling
with laughter
cream acid rock ‘n’ rolling
lightning dazzling wheels
gara-gara-gara-gara
teethers jangling dangling dancing
going mad on strangle-free rubbery ribbons
up and down the Avenues
J-town, Clement Street
Golden Gate Park
Museum of Modern Art
we are singing:
“Ouma no oyako wa nakayoshi koyoshi
itsudemo issho ni pokkuri pokkuri aruku”
perfume wind in our hair
springing over potholes
not even stopping just for breast feeds
connected as one through this magical machine
me pushing
you riding
the Lamborghini of strollers
the Gundam of strollers
the little train that could of strollers
up up up into the joyous clouds
zooming wheeeeee
down slurping slopes
around swervacious curves
we are one
yes, we are one
tied in the past with our
umbilical cord
and
even in death
in our dreams

th-5369144074-1556x1039

This version of my reading was recorded at Jackson’s Garage in Tokyo, with Hirokazu Suyama Jackson on drums, Yuuichiro Ishii on guitar and Hiroshi Tokieda on bass.
The poem is about young motherhood some time back, but I wrote this poem recently.
The feelings remain the same, eternal:

NEWS FROM FUKUSHIMA _ in NY in 2015 and in SAN FRANCISCO in July 2017

Meditation on an Under-Reported Catastrophe by a Poet.

in NY in 2015 and COMING TO SAN FRANCISCO in JULY 2017

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet
written by Yuri Kageyama
directed by Carla Blank

Debuted at La MaMa Experimental Theatre in New York Sept. 11 – 13, 2015.

Music directed and performed by Melvin Gibbs, with Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe.

The Cast:
Takemi Kitamura (Miu)
Monisha Shiva (Poet)
Shigeko Suga (Yu)

Lighting by Blu
Film by Yoshiaki Tago

A pensive and provocative theater of dance, poetry, music and film:
Fukushima is the worst nuclear disaster since Chernobyl.
Radiation is still spewing from the multiple meltdowns, reaching as far as the American West Coast.
Some 100,000 people were displaced from the no-go zone. But the story barely makes headlines.
“News From Fukushima” is a solemn reminder and a literary prayer for Japan.
It explores the friendship between two women, juxtaposing the personal and the intimate with the catastrophic.

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[caption id="attachment_1735" align="aligncenter" width="640"]NEWS FROM FUKUSHIMA, written by Yuri Kageyama, at La MaMa. From left to right: Shigeko Suga, Monisha Shiva, Takemi Kitamura. Photo by Tennessee Reed. NEWS FROM FUKUSHIMA, written by Yuri Kageyama, at La MaMa. From left to right: Shigeko Suga, Monisha Shiva, Takemi Kitamura. All Photos above by Tennessee Reed.

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musicians for NEWS FROM FUKUSHIMA

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet, written by Yuri Kageyama. Directed by Carla Blank. Music by Melvin Gibbs, Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe. In photo: Monisha Shiva as The Poet. Photo by Yuri Kageyama.

NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet, written by Yuri Kageyama. Directed by Carla Blank. Music by Melvin Gibbs, Hirokazu Suyama, Sumie Kaneko and Kaoru Watanabe. In photo: Monisha Shiva as The Poet. Photos by Yuri Kageyama.

Programs for NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet at La MaMa in New  York. Program design by Annette Borromeo Dorfman. Photo by Yuri Kageyama.

Programs for NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet at La MaMa in New York. Program design by Annette Borromeo Dorfman. Photo by Yuri Kageyama.

And we get a little writeup in the local paper. The New York Times, among other local papers, including Steve Cannon’s “A Gathering of the Tribes,” listed our performance in its Calendar and Spare Time sections. The San Francisco Chronicle also highlighted our work in its Entertainment section.

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Our NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet gets a mention in The San Francisco Chronicle

Our NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet gets a mention in The San Francisco Chronicle.

聴かせて魅せるニュース!『NEWS FROM FUKUSHIMA: 報じられない福島の大惨事を詩人が詠いあげる』でMelvin Gibbsがベースを奏でる。
News that enraptures and engages through Sound. A Poet sings of the unreported calamity at Fukushima in NEWS FROM FUKUSHIMA, and Melvin Gibbs plays bass. _ Katsumi.

“Yuri Kageyama, with her epic poem, Fukushima, has earned a place among the leading world poets. This poem proves that the poet as a journalist can expose conditions that are ignored by a media that is in the pocket of fossils fuel and nuclear interests. While black collaborators at MSNBC and other media outlets make money for their employers by promoting and gender and class civil war among blacks, stories about how the Fukushima disaster threatens the health of world citizens are neglected, maybe because General Electric, which still has interests in NBC, built the nuclear reactors at Fukushima. Is the Yuricane making up things? Fukushima has had far worse complications than the Chernobyl disaster. Check this out.”
_ Ishmael Reed.

THE YURICANE BACK AT THE PINK COW APRIL 4, 2015

THE YURICANE BACK AT THE PINK COW SAT APRIL 4, 2015 TOKYO JAPAN
PHOTOS BY EBA CHAN

The Yuricane

Hirokazu Suyama Jackson

Hirokazu Suyama Jackson

withyuuirhciropinkcow

yuuirhicoagain

pinkcow 2

hirofromfacebook

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Excerpts from “NEWS FROM FUKUSHIMA: MEDITATION ON AN UNDER-REPORTED CATASTROPHE BY A POET” debutng at La MaMa Experimental Theatre in New York September 2015, directed by Carla Blank with dance and music.

Yuri Kageyama – spoken word
Hirokazu Suyama Jackson – drums
Yuuichiro Ishii – guitar
Nobutaka Yamasaki – keyboard

MYTHICAL MONSTER
A Poem by Yuri Kageyama

Catfish sleeps
Buried in the mud
Of meltdown metal
A black-light coastline
Fifty reactors
Tomari to Genkai
Catfish moves
And the Earth rumbles
Sways its tail
And skyscrapers crumble
Swishes a whisker
Bridges, roads shatter
Catfish grows
Bigger and bigger
Eight snake faces
Eight dragon tails
Volcanic eruption
Yamata no Orochi
Monster lives
Our daughters and sons
Every year, a sacrifice
Hundred eight brave samurai
They’re all dead,
Trying to kill it

THE YURICANE Back at The Pink Cow

April4poster

We will be presenting excerpts from our performance piece set to open at La MaMa Experimental Theatre in New York, N.Y., September 2015.
We will be on toward the end of the evening, which goes on 7 p.m. – 11 p.m. SAT April 4, 2015.
Please take part in our poetic journey of everyday life, defying the borderlines of race, gender and cultures, to examine the Fukushima nuclear catastrophe and other cosmic and innermost issues of importance.
By poet Yuri Kageyama and The Yuricane band featuring Hirokazu Suyama (drums, percussions), Yuuichiro Ishii (guitar), Nobutaka Yamasaki (keyboards).
FREE ADMISSION
Great California-style food and drinks at The Pink Cow in Tokyo’s Roppongi, but you have to pay for those.

Poetry at the SFJAZZ CENTER in San Francisco with Poet Laureate Ishmael Reed SAT June 28, 2014.

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We are putting on a poetry reading with music at the SFJAZZ CENTER in San Francisco to pay tribute to the center’s Poet Laureate Ishmael Reed SAT June 28, 2014.

Ishmael is my mentor and my muse.
He is also my first publisher.
This is my way of saying: Thank you.
Thank you, Ishmael.
Thank you, Poetry.
Thank you, San Francisco.
FREE ADMISSION
The SFJAZZ CENTER at 201 Franklin Street.

Yuri Kageyama’s “Fukushima” A poem with music _ an early version as it was born in a Tokyo garage. On SoundCloud.

ISHMAEL REED, the legendary poet, novelist, playwright, essayist, educator and thinker, TAKES CENTER STAGE AT THE SFJAZZ CENTER in San Francisco, where he is the poet laureate, to read his works in an evening of POETRY AND MUSIC, celebrating his multicultural and multi-format legacy.
MINER AUDITORIUM at the SFJAZZ CENTER (201 Franklin Street at Fell San Francisco, CA, USA)
FREE ADMISSION Saturday, June 28, 2014 7 pm – 9 pm (Doors open 6:30 pm)
Ishmael Reed, one of the most respected American writers today, has fascinated and provoked many. A winner of the MacArthur “genius” award, he has published more than 20 books, including “Mumbo Jumbo” and “Japanese By Spring.” He has recorded the spoken word with renowned musicians. Coming soon is a nonfiction work on Muhammad Ali, “Bigger Than Boxing.”
To his credit, he has also published the works of lesser known writers, including some of his students at the University of California, Berkeley, highlighting voices from minority groups that rarely get mainstream media exposure.
“Ishmael Reed was the first person to publish my poem, and that meant so much to a young poet who felt so alone but had so much to say,” says Tokyo-based poet and writer Yuri Kageyama, who is organizing the tribute for her mentor at the SFJAZZ CENTER.
Kageyama will be reading with her band from Japan, the Yuricane, inspired by Reed’s introduction to her latest book, “The New and Selected Yuri _ Writing From Peeling Till Now,” from Ishmael Reed Publishing Co. The band features drummer Hirokazu Suyama, bassist Hiroshi Tokieda , guitarist Hide Asada and Trupti Pandkar on vocals, who all hail from the Berklee College of Music in Boston. They stand for a new breed of Asian artists, who are not afraid to challenge cultural boundaries.
Tennessee Reed, author of “Spell Alburquerque: Memoir of a ‘Difficult’ Student,” and “Adventures Among the X Challenged,” is the special guest.

The Yuricane at Maple House in Tokyo SUN June 1, 2014

maplehouse

Loving Younger Men

Poetry and Music by the Yuricane at Maple House in Tokyo, SUN June 1, 2014, 4:30 p.m.

Little YELLOW Slut

No Gift of the Magi

The Yuricane band featuring Musical Director Hirokazu Suyama (drums), Hiroshi Tokieda (bass) and Yuuichiro Ishii (guitar) with me (spoken word) at Maple House, Gakugeidaigaku, Tokyo. SUN June 15, 2014.

ode to the stroller

Fukushima

Hiroshima

maplehouse

“Little YELLOW Slut” a poem by Yuri Kageyama at The Juke Joint in Tokyo.

“Little YELLOW Slut” a poem by Yuri Kageyama at The Juke Joint in Tokyo.

“Little YELLOW Slut,” a poem written and read by Yuri Kageyama with the YURICANE band featuring Musical Director Hirokazu Suyama (drums), Hiroshi Tokieda (bass) and Yuuichiro Ishii (guitar) in a performance for the second anniversary celebration of Writers’ Bloc, a group of Jamaican poets in Tokyo, at The Juke Joint in Tokyo, Dec. 15, 2013. Video by Biankah Bailey. Poem first published in KONCH MAGAZINE, Summer 2009 issue.

Little YELLOW Slut
a poem by Yuri Kageyama

You know her:
That Little YELLOW Slut, proudly gleefully
YELLOW-ly hanging on Big Master’s arm,
War bride, geisha,
GI’s home away from home,
Whore for last samurai,
Hula dancer with seaweed hair,
Yoko Ohno,
Akihabara cafe maid,
Hi-Hi Puffy Ami/Yumi,
Kawaiiii like keitai,
Back-up dancer for Gwen Stefani,
Your real-life Second Life avatar
Eager to deliver your freakiest fetish fantasies,
Disco queen, skirt up the crotch,
Fish-net stockings, bow-legged, anorexic, raisin nipples, tip-toeing Roppongi on
Stiletto heels.

Yessu, i spikku ingrishhu, i raikku gaijeeen, they kiss you,
hold your hand, open doors for me,
open legs for you, giggling pidgin, covering mouth,
so happy to be
Little YELLOW Slut.

Everybody’s seen her:
That Little YELLOW Slut, waiting at
Home, cooking rice, the Japanese
Condoleezza Rice,
Smelling of sushi,
Breath and vagina,
Fish and vinegar,
Fermented rice,
Honored to be
Cleaning lady,
Flight attendant for Singapore Airlines,
Charlie Chan’s Angel,
Nurse maid, gardener, Japan-expert’s wife,
Mochi manga face,
Yodeling minyo, growling enka,
Sex toy, slant-eyes closed, licking, tasting, swallowing STD semen,
Every drop.

Yessu, i wanna baby who looohkuh gaijeen, double-fold eye, translucent skin, international school PTA,
maybe grow up to be fashion model, even joshi-ana,
not-not-not happy to be
Little YELLOW Slut.

I recognize her:
That Little YELLOW Slut, rejecting
Japanese, rejected by Japanese,
Ashamed,
Empty inside,
They all look alike,
Faceless, hoping to forget, escape
To America,
Slant-eyed clitoris,
Adopted orphan,
Dream come true for pedophiles,
Serving sake, pouring tea, spilling honey,
Naturalized citizen,
Buying Gucci,
Docile doll,
Rag-doll, Miss Universe, manic harakiri depressive, rape victim, she is
You, she is me.

Hai, hai, eigo wakarimasen, worship Big Master for mind, matter, muscle, money, body size correlates to penis size,
waiting to be sexually harassed, so sorry, so many,
so sad to be
Little YELLOW Slut.

“Fukushima” and “Hiroshima” by The Yuricane


FUKUSHIMA

“Fukushima” and “Hiroshima” poems written and read by Yuri Kageyama with Hirokazu Suyama on drums, Hiroshi Tokieda on bass and Yuuichiro Ishii on guitar _ The Yuricane _ at What the Dickens in Tokyo April 6, 2014. Film by Hirokazu Suyama.

FUKUSHIMA
a poem by Yuri Kageyama

Y’all, it’s a Meltdown nation
Since Three-Eleven
Covered in the fear
Of unseen radiation
But Don’t you expect
Any revolution
All you will find
Is fear and contamination.

Fukushima
Fukushima
Fukushima

Here in Fukushima
It rhymes with Hiroshima
Instead of a holler
Hear just a whimper
They say it is safe
The kids like Chernobyl
Are coming down sick
With Thyroid cancer.

Y’all, it’s no hallucination
The refugees’ life
No compensation
No resolution
Just nuclear explosions
Get your dosimeter
Cesium in the water
Lost Imagination

Fukushima
Fukushima
Fukushima

Here in Fukushima
It rhymes with Hiroshima
The radiated Brothers
Faces are hidden
Goggles and masks
Like an astronaut
From head to toe
The Invisible workers

Tsunami Demolition
God’s DeCreation
Genetic Devastation
Our next Generation.
Here in Fukushima
It rhymes with Hiroshima
No-go zones forever
The World must remember.

Fukushima
Fukushima
Fukushima


HIROSHIMA

HIROSHIMA
a poem by Yuri Kageyama

they wander like a whisper
still
over this city
blending with the sea breeze
the soft light
the cracks of scars
not just one ghost or two
but tens of thousands
who all looked up and saw a flash
turning people into dead globs of charcoal;
there are no photos from that day,
they wander, crawling, naked, moaning,
flesh hanging like tatters;
they’re asking that question,
we did nothing wrong
why oh why
when all it can do is
kill kill kill kill
nothing else
turning skin eyeballs laughter head back legs
into a keloid of hell,
but no one really answers.

Poetry with Music at Tokyo Woodstock

Poet YURI KAGEYAMA
reading “ode to the stoller” and “Little YELLOW Slut”
with the Yuricane
_ Hirokazu Suyama (drums), Hiroshi Tokieda (bass), Yuuichiro Ishii (guitar) and Winchester Nii Tete (kpanlogo drums)
at Tokyo Woodstock 2013 at What the Dickens,
Film by Luis Silva.
July 21, 2013.

ode to the stroller
a poem by Yuri Kageyama

we zip weightless like silent angels
up and down San Francisco hills
running on the mother of all energy
greener than solar
rolling rolling rolling
with laughter
cream acid rock ‘n’ rolling
lightning dazzling wheels
gara-gara-gara-gara
teethers jangling dangling dancing
going mad on strangle-free rubbery ribbons
up and down the Avenues
J-town, Clement Street
Golden Gate Park
Museum of Modern Art
we are singing:
“Ouma no oyako wa nakayoshi koyoshi
itsudemo issho ni pokkuri pokkuri aruku”
perfume wind in our hair
springing over potholes
not even stopping just for breast feeds
connected as one through this magical machine
me pushing
you riding
the Lamborghini of strollers
the Gundam of strollers
the little train that could of strollers
up up up into the joyous clouds
zooming wheeeeee
down slurping slopes
around swervacious curves
we are one
yes, we are one
tied in the past with our
umbilical cord
and
even in death
in our dreams

Little YELLOW Slut
a poem by Yuri Kageyama
first published in KONCH MAGAZINE, 2009.

You know her:
That Little YELLOW Slut, proudly gleefully
YELLOW-ly hanging on Big Master’s arm,
War bride, geisha,
GI’s home away from home,
Whore for last samurai,
Hula dancer with seaweed hair,
Yoko Ohno,
Akihabara cafe maid,
Hi-Hi Puffy Ami/Yumi,
Kawaiiii like keitai,
Back-up dancer for Gwen Stefani,
Your real-life Second Life avatar
Eager to deliver your freakiest fetish fantasies,
Disco queen, skirt up the crotch,
Fish-net stockings, bow-legged, anorexic, raisin nipples, tip-toeing Roppongi on
Stiletto heels.

Yessu, i spikku ingrishhu, i raikku gaijeeen, they kiss you,
hold your hand, open doors for me,
open legs for you, giggling pidgin, covering mouth,
so happy to be
Little YELLOW Slut.

Everybody’s seen her:
That Little YELLOW Slut, waiting at
Home, cooking rice, the Japanese
Condoleezza Rice,
Smelling of sushi,
Breath and vagina,
Fish and vinegar,
Fermented rice,
Honored to be
Cleaning lady,
Flight attendant for Singapore Airlines,
Charlie Chan’s Angel,
Nurse maid, gardener, Japan-expert’s wife,
Mochi manga face,
Yodeling minyo, growling enka,
Sex toy, slant-eyes closed, licking, tasting, swallowing STD semen,
Every drop.

Yessu, i wanna baby who looohkuh gaijeen, double-fold eye, translucent skin, international school PTA,
maybe grow up to be fashion model, even joshi-ana,
not-not-not happy to be
Little YELLOW Slut.

I recognize her:
That Little YELLOW Slut, rejecting
Japanese, rejected by Japanese,
Ashamed,
Empty inside,
They all look alike,
Faceless, hoping to forget, escape
To America,
Slant-eyed clitoris,
Adopted orphan,
Dream come true for pedophiles,
Serving sake, pouring tea, spilling honey,
Naturalized citizen,
Buying Gucci,
Docile doll,
Rag-doll, Miss Universe, manic harakiri depressive, rape victim, she is
You, she is me.

Hai, hai, eigo wakarimasen, worship Big Master for mind, matter, muscle, money, body size correlates to penis size,
waiting to be sexually harassed, so sorry, so many,
so sad to be
Little YELLOW Slut.