A Podcast about my writing
And on Amazon Podcast
And a Video on LinkedIn
I talk about my journalism and other thoughts. This was done in April 2026, but is being re-released August 2026.
A Podcast about my writing
And on Amazon Podcast
And a Video on LinkedIn
I talk about my journalism and other thoughts. This was done in April 2026, but is being re-released August 2026.


Kita Kamakura Writers’ Workshop
Delighted I got invited to take part in the Kita Kamakura Writers’ Workshop March 21, 2026. I climbed a lot of beautiful green hills (giving my legs an enormous workout) to get to the home of Duncan Whom (aka D Whom, a performance artist, filmmaker and dancer), filled with bottles of perfume because his partner, Neil Chapman, is a scent specialist. We also got taken on another walk around the area, uphill much of the way, to finally see a lake, which had been hidden. Although not articulated, it was part of the workshop to do all this obviously, to feel through our muscles that nothing comes without work. As a reward, we got very nice food, including couscous I hadn’t had in a while, but was marvelous with salad with cheese, and wine.
Last but not least, I got to read my essay, “Why Butterfly Should Stop Committing Literary Harakiri,” published in “Bigotry on Broadway,” Baraka Books, 2021. I hadn’t looked at that piece in a while, and of course never shared it. I have finally come to terms with what I have written, feel and want to tell the world _ everyone _ and our legacy. Racism is wrong, no matter what. But the fight can be meaningful, creative, even redemptive. I was filled with gratitude toward the hosts, the other writers who were there and shared their work, as well as to Ishmael Reed and Carla Blank, who put together the book, in which my work was published. And to the world of artists in general.


“CONTINUOUSLY POETRY” My new book of poems

“CONTINUOUSLY POETRY” My new book of poems, a collaboration with Osaki HANIYA. Out as a real paper book January 2025. Please stay tuned for a big book party _ you are all invited to come celebrate poetry that knows no borders. Some poems shared on this site earlier became a part of the book: Continuously Poetry, Part Two and KELOID. I am very proud of this book. Special thanks to Shinsuke, who volunteered his time and love to put the digital data together so we could get it all nicely printed. So please come to the book party, but I already said that. Details coming soon.
FEARLESS AT 90 a poem by Yuri Kageyama
I am fearless at 90
Wrinkles deep as the Nile
Hair translucent spiderwebs
Varicose veins throbbing blood
A map of fate on a carcass of skin
I am fearless at 90
I rap poetry with my dentures
Jazz dance with my wobbly knees
I rock like Jimi Hendrix
We Boomers invented Revolution
I am fearless at 90
I’m so close to the pearly gates
I’m on speaking terms with the angels
I’m so near-sighted I read minds
My fungus breath slays dragons
I am fearless at 90
My wheelchair zips Ferrari-style
My voice resonates five octaves low
My cane duplicates as a samurai sword
My hearing aid just blocks out noise
I am fearless at 90
I have no appointments to keep
No bosses to please
No dates to impress
No one can put me down
I am fearless at 90
I barely remember what’s up or down
Or who is where anymore;
Beyond gender, race, class,
Or even age
I am fearless at 90
My skin like washi paper
My fingers gnarled like a witch
I am neither man nor woman
White, black, brown or yellow.
I am just 90, and fearless:
Those days are long gone,
Not trusting anyone over 30,
I’ve given birth to a thousand children
And have a million grandchildren
I am fearless at 90
Although death is around the corner,
I’ve seen war and peace
Endured abuse to survive;
Don’t expect or need respect
I’m proud to be fearless at 90
^___<
Note from the poet:
I am not yet 90, but I feel this way and wrote this poem.
When I’m 90, I will write my real fearless at 90 poem.
The poem was published in the Winter 2024 issue of KONCH MAGAZINE.
More with Turner at this link. And also at this link for what we did together later.


Tokyo Correspondence: Notes From a Writer Beyond the Headlines
I kept a blog from 2007 before I started this site in 2011. Here’s the link below. I’m also sharing after this TEPCO CORRESPONDENCE: Notes From a Writer Beyond the Headlines. Those are my posts on Facebook in 2011, while I was covering the utility behind the Fukushima nuclear disaster. It’s amazing to run across bits of your past self _ and what you wrote then. Both so clearly you and not you at all. Yet totally the truth. And all that makes you you.

My Poetry in Ishmael Reed’s KONCH
My poetry gets published in Ishmael Reed’s KONCH MAGAZINE.
“Fearless at 90” in KONCH magazine Winter 2024 issue.
What a thrill. And what company I keep.
My reading of the poem with bass by Toshiyuki “Turner” Tananashi. Tokyo 2024.
Why do We Write?
More Mysterious,
Why do We Read What we Write?
Why are there Chants, Prayers, Songs?
Poems?
Words are There To Be Spoken.
Words are There To Be Heard.
Magic of The Word.
Magic
Of
The
Word.