Featuring Tea on vocals and the YURICANE band with Hideyuki Asada (guitar, arrangement, audio mastering), Hiroshi Tokieda (bass) and Takuma Anzai (drums).
Photo by On Lim Wong.
I started working on this song in February 2019. It’s finally finished in 2023, as a recording, with singing and music. The piece is about how people like to talk about “what’s happening” or what’s going to happen. But most of the time, nothing happens. And nothing needs to happen. If anything, it can be a good thing when nothing happens. With the pandemic unfolding, the song became for me more pertinent than ever. I reworked the song to reflect that. In June 2020, I added the rap section in Japanese that refers to the death of George Floyd. We must not forget how precious those moments are when horrible things that can happen don’t happen, and we can just sit back and enjoy the passage of time, when utterly nothing happens.
Nothing happens なにもおこらない
_ a poem/song by Yuri Kageyama
(1)
Nothing happens
Bombs no longer falling
Nations aren’t
killing
Nothing happens
^___<
(2)
Nothing happens
Women aren’t
screaming
Children
aren’t starving
Nothing happens
^___<
(BRIDGE)
なにもおこらない
このきもち
なにもおこらない
しずけさ
^___<
(4)
Nothing happens
The stars will
shine
Behind clouds
that hide
Nothing
happens
^___<
(5)
Nothing happens
Birds, blossoms remind
The passing of
time
Nothing
happens
^___<
(rap section)
Nothing
happens
We took it for
granted
Nothing is
boring
Nobody up to
no good
Looking for something
Something to
happen
Before the
coronavirus
Now we wake
up to numbers
Pray the curve gets flattened
Pray it’s no
one we know
Waiting for
a vaccine
Scared by
the sirens
Italy, New
York, Spain, Wuhan, Tokyo
Now nothing
else happens
Nothing else
can happen
Now you know
it:
Now you wish
you didn’t wish it
Now you know
for sure you like it
When Nothing
happens
Yeah, Nothing happens
なにもおこらない
死ぬまえ
のこる生命で
えらんだ言葉
息ができない
彼のおもい
アメリカの差別
歴史のおもい
すべてすごくて
言葉がない
息ができない
息ができない
You know
that’s the view:
No news is
good news,
It’s so
quiet you can hear it
Silence is
the music
When NOTHING HAPPENS
^___<
なにもおこらない
このきもち
なにもおこらない
しずけさ
^__<
Nothing
happens
The Virus descends
Like a stranger
of death
Nothing
happens
^___<
Nothing happens
We can forget
the rest
How we miss
those days
When Nothing happens
^—–<
And this is how the song all started; the clip below is from while it’s in the works (Artwork by Munenori Tamagawa):
Fukushima is the worst nuclear disaster since Chernobyl. It will take decades and billions of dollars to keep the multiple meltdowns under control. Spewed radiation has reached as far as the American West Coast. Some 100,000 people were displaced from the no-go zone. But now, years later, the 3.11 story hardly makes headlines. Journalist Yuri Kageyama turns to poetry, dance, theater, music and film, to remind us that the human stories must not be forgotten. Carla Blank, who has directed plays in Xiangtan and Ramallah, as well as collaborated with Suzushi Hanayagi and Robert Wilson, brings together a multicultural cast of artists to create provocative theater. Performing as collaborators are actors/dancers Takemi Kitamura, Monisha Shiva, Shigeko Sara Suga and musicians Stomu Takeishi, Isaku Kageyama, Kouzan Kikuchi and Joe Small. Lighting design by Blu. Video projected on the stage is by Yoshiaki Tago, who has turned the performance into an award-winning film. NEWS FROM FUKUSHIMA is a literary prayer for Japan. It explores the friendship between women, juxtaposing the intimately personal with the catastrophic. The piece debuted at La MaMa in New York in 2015, with music led by Melvin Gibbs. An updated version was presented at Z Space in San Francisco in July 2017. The film was completed in October 2018.
“A powerful reflection on the corruption and greed of men and their indifference to human life.” _ ISHMAEL REED
OUR “NEWS FROM FUKUSHIMA” honored at festivals around the world:
GRAND FESTIVAL AWARD – CINE DANCE POEM and WORLD PREMIERE at the Berkeley Video & Film Festival SAT Nov. 2, 2019, 6 p.m. East Bay Media Center Performance Space.
Screened online at the Brazil International Monthly Independent Film Festival Dec. 9, 2020 through Dec. 15, 2020.
NEWS FROM FUKUSHIMA Meditation on an Under-Reported Catastrophe by a Poet Written by Yuri Kageyama | Directed by Carla Blank
Film directed by Yoshiaki Tago with camera work by Tago and Kate McKinley. Editing by Eri Muraki.
“Yuri, you did a great job. Stay hard and blunt and don’t mince words. Yours was a powerful reflection on the corruption and greed of men and their indifference to human life.” _ Ishmael Reed.
Photo by Tennessee Reed
Photo by Tennessee Reed
Photo by Tennessee Reed
Photo by Annette Borromeo Dorfman
Photo by Annette Borromeo Dorfman
Photo by Annette Borromeo Dofrman
For the San Francisco performance, we had genuine Bon Daiko drum music performed by Isaku Kageyama with shakuhachi and fue by Kouzan Kikuchi, joined by Joe Small (taiko/percussion) and Stomu Takeishi (bass), delivering mesmerizing renditions of Bon and minyo from Fukushima, as well as other Japanese tunes. The Bon idea of the dead’s homecoming and the abstracted repetitive dancing in a circle serve as a symbol of the piece’s message of death, yearning for family and future generations, and gratitude for the harvest and peaceful everyday life. Juxtaposed with the experimental choreography by the director Carla Blank, incorporating collaborations with the performers, Takemi Kitamura, Monisha Shiva and Shigeko Sara Suga, Bon dance was transformed on the American stage, and presented as a dignified and artistic motif of modern movement. Bon Odori continues to bring people together in the Japanese American community _ and communities all over Japan.
Photo by Annette Borromeo Dorfman
Photo by Annette Borromeo Dorfman
Photo by Annette Borromeo Dorfman
Photo by Tennessee Reed
From the director CARLA BLANK “This performance is a collaboration among all its participants, some who have worked together since 2015, and some who in 2017 helped create this new development of the piece. Through email conversations and intensive rehearsals we arrived at our choices of the particular dramatic scenes, music, video, dances and other action you will see. The Bon Odori dances and music, which provide transitions between the scenes, are based on traditional celebrations that occur throughout Japan during the late summer to honor the ancestors: Soma Bon Uta and Aizu Bandaisan from Fukushima, Yagi Bushi from Tochigi and Gunma near Tokyo, and Tanko Bushi from Fukuoka, besides Tokyo Ondo, which continues throughout Bon Odori (The Death Dance). Great thanks to Takemi Kitamura, who taught us the four dances you will see and who also created the movement for the Prologue solo and Epilogue trio, inspired by a line dance from Aizu, the westernmost region of Fukushima, where annually it is offered in remembrance of 19 of the over 300 Byakkotai warriors , teen-age sons of samurai in the White Tiger Battalion who in 1868, during the Boshin Civil War, committed ritual disembowelment (seppuku or hara-kiri) because they mistakenly believed a fire had consumed their lord’s castle, which would mean their city had been captured and their families killed. For me, this dance particularly resonates because of where it comes from, how contemporary its formal choices appear, and how as the strokes of the blades go every which direction, it becomes a metaphor for the ways life can slice us also. It has been my great pleasure to realize Yuri Kageyama’s work with all these wonderful, dedicated performers.”
Photo by Annette Borromeo Dorfman
Photo by Annette Borromeo Dorfman
Photo by Tennessee Reed
Photo by Tennessee Reed
Ishmael Reed came up with the title for the performance piece: “NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet.” As that suggests, the piece is about my vision as a poet. My spoken word pieces, delivered to accompaniment of various kinds of music, address racism, stereotyping, sexism and the search for love. They seek to address what society sees as “bigger” issues, such as the Fukushima accident, the nuclear bombing of Hiroshima and the journalistic mission. For me, they are all connected.
Photo by Tennessee Reed
Photo by Tennessee Reed
All those themes provide the driving force in my storytelling that has over the years always sought to bring closer to home the perennial repetition of people’s betrayal, selfishness and smallness. The Fukushima disaster is the biggest story of my life _ both as poet and journalist, those sides of my writing identity which have in the past remained so painfully separate. They have now come together. We have all come together in this effort _ all of us, of different backgrounds, cultures and disciplines. We have become one. It is clear we have each done our best to share our talent, our passion and our lives, to raise questions, to connect _ and to bring hope.
Photo by Annette Borromeo Dorfman
What people are saying about NEWS FROM FUKUSHIMA: MEDITATION ON AN UNDER-REPORTED CATASTROPHE BY A POET.
Yuri Kageyama, with her epic poem, has earned a place among the leading world poets. This work proves that the poet as a journalist can expose conditions that are ignored by the media. _ Ishmael Reed poet, essayist, playwright, publisher, lyricist, author of MUMBO JUMBO, THE LAST DAYS OF LOUISIANA RED and THE COMPLETE MUHAMMAD ALI, MacArthur Fellowship, professor at the University of California Berkeley, San Francisco Jazz Poet Laureate (2012-2016).
NEWS FROM FUKUSHIMA is a commentary on what it means to be human in the 21st Century. While we are divided by race, ethnicity, language, geography and culture, the essence of our humanity remains constant. In NEWS FROM FUKUSHIMA, the cast, director and playwright all come together to create a montage of courage, uncertainty and hope in the face of disaster. _ Basir Mchawiproducer, community organizer and radio show host at WBAI Radio in New York, who has taught at the City University of New York, public schools and independent Black schools.
Awesome music and dancing! The haunting drumming, dazzling satire and the golden heart of a poet in protest. Nothing is under control when the environment is under siege. Aluta! _ Sandile Ngidipoet, Zulu/English translator, journalist and critic.
Her collage-like piece weaves together lyrical monologues, sword dance, film and live music that blends jazz, taiko drumming and minyo folks songs. In the Fukushima of 2017, goes one line late in the play, “the authorities say they are playing it safe, when no one really feels safe.” _ Lily Janiakwriter for The San Francisco Chronicle.
A vital story of our times. Spoken word and music from a talented multicultural ensemble. A beacon of light in a darkening world. _ Paul Armstrong artistic director at International Arts Initiatives, a Vancouver-based nonprofit for cultural advancement through the arts and education.
I welcomed NEWS FROM FUKUSHIMA _ into my consciousness, with deep gratitude, seeing it twice, two days in succession _ all the while marveling at the tough yet faithful production and its dedication to truth-telling. _ David Hendersonpoet, co-founder of Umbra and the Black Arts Movement, author of ‘SCUSE ME WHILE I KISS THE SKY. JIMI HENDRIX: VOODOO CHILD.
NEWS FROM FUKUSHIMA echoes the mourning of Bon Odori dance to warn us again and again that the nuclear age of post-World War II Japan has never ended. _ Hisami Kuroiwamovie producer and executive for “The Shell Collector,” “”Lafcadio Hearn: His Journey to Ithaca,” “Sunday,” “Bent” and the Silver Bear-winning “Smoke.”
Strong threads of a woman’s point of view …. Excellent ….The issue of motherhood in looking at Fukushima is well done. And the candid shots of Obon in Japan are fantastic in the background. As are the shots of rows and rows of radioactive materials in plastic bags, just left in rows upon rows in Fukushima. I thought the production was very good, technically excellent, and very illustrative of a Japan we don’t hear about after the 2011 triple disaster. Go see it. _ Peter Kenichi Yamamotopoet in San Francisco and coordinator at the National Japanese American Historical Society.
NEWS FROM FUKUSHIMA is a memorable performance with well-researched narratives that throws you into a quest for humanity. _ Midori NishimuraStanford University professor and medical doctor.
A powerful message not to forget: Fukushima. _ David UshijimaSan Francisco business professional in retail, mobile, sensor-based and connected devices, Internet of Things.
It’s the kind of piece that keeps this from being forgotten. With all the other things going on in this world, we can forget about this, and we have a distance from them. But this kind of piece can remind us to return to it and continually reconsider the choices we make in our society. _ Adam Hartzellwriter atkoreanfilm.org
Great music …. It left such an impression. A splendid performance. _ Seiko Takadamusician, “Kaizoku” vocalist/guitarist.
NEWS FROM FUKUSHIMA is a powerful artistic response to disaster, informing us and inspiring us to compassion. _ Ravi ChandraSan Francisco-Bay Area poet, writer and psychiatrist.
A truly emotional experience. _ Liliana Perezchild psychologist and Ph.D.
Fukushima: Excellent musical accompaniment to poignant poetry, with minimal yet imaginative staging and choreography. _ Nana pianist and New Yorker.
What a delight …. See this show and be transported magically. _ George Ferenczco-founder of the Impossible Ragtime Theater, resident director at La MaMa (1982-2008), who has also directed at the Actors’ Theater of Louisville, Berkeley Rep and Cleveland Playhouse.
News that enraptures and engages through Sound. A Poet sings of the unreported calamity at Fukushima. _ Katsumia Japanese living in New York.
The arc of history in every nation has its sadly forgotten men, women and children. Hauntingly powerful, NEWS FROM FUKUSHIMA draws our eyes and hearts back to an ongoing, under-reported tragedy. _ Curtis ChinMilken Institute fellow and former U.S. Ambassador.
Everyone who took part in this performance, and those who came to see it, although of different races and thinking, all felt clearly the existence of what we know is so important …. I have lived to see many people who hurt others out of selfishness, betrayed others without qualms, and then went on to hide what they had done. But in the end, what is desired is not achieved, leaving only hunger, and, because of that, the cycle gets repeated …. I pray more people will be able to feel love through seeing this performance. _ Toshinori “Toshichael Jackson” Tani dancer, member of TL Brothers and instructor.
“News From Fukushima” gave me shivers for an hour. _ Michael Frazier, poet and educator.
A true masterpiece. _ Mitsuru, poet and author of “Akai Geisha.”
Bios of the artists in NEWS FROM FUKUSHIMA Meditation on an Under-Reported Catastrophe by a Poet
Cast, crew, filmmakers, director and writer of NEWS FROM FUKUSHIMA
Photo by Annette Borromeo Dofrman
THE PLAYWRIGHT YURI KAGEYAMA is a poet, songwriter, filmmaker, journalist and author of “The New and Selected Yuri” and “The Very Special Day.” Her spoken-word band the Yuricane features Melvin Gibbs, Eric Kamau Gravatt, Morgan Fisher, Pheeroan akLaff and Winchester Nii Tete. She is published in ”Breaking Silence,” “On a Bed of Rice,” “Pow Wow,” Cultural Weekly, Y’Bird, Konch and Public Poetry Series. http://yurikageyama.com/
Carla Blank
THE DIRECTOR CARLA BLANK is a writer, editor, director, dramaturge and a teacher and performer of dance and theater for more than 50 years. She worked with Robert Wilson to create “KOOL _Dancing in My Mind,” inspired by Japanese choreographer Suzushi Hanayagi. She directed Wajahat Ali’s “The Domestic Crusaders” from a restaurant reading in Newark, California, to Off Broadway and the Kennedy Center. http://www.carlablank.com/bio.htm
THE ACTORS
Photo by Tennessee Reed
TAKEMI KITAMURA, choreographer, dancer, puppeteer, Japanese sword fighter and actor, appeared in “The Oldest Boy” at Lincoln Center, “The Indian Queen” directed by Peter Sellars; “Shank’s Mare” by Tom Lee and Koryu Nishikawa V; “Demolishing Everything with Amazing Speed” by Dan Hurlin and “Memory Rings” by Phantom Limb Co. She has worked with Nami Yamamoto, Sondra Loring and Sally Silvers. http://takemikitamura.com/
Photo by Annette Borromeo Dorfman
MONISHA SHIVA is an actor, dancer, choreographer and painter, appearing in “The Domestic Crusaders” and “The Rats,” for theater, and independent films such as “Small Delights,” “Carroll Park,” “Echoes” and “Ukkiya Jeevan.” A native New Yorker, she has studied classical Indian dance and Bollywood, jazz and samba dancing, and acting at William Esper Studios and Studio 5. http://www.monishashiva.com/Monisha/home.html
Shigeko Suga Sara. Photo by Annette Borromeo Dorfman
SHIGEKO SARA SUGA, actress, director, artistic associate at La MaMa Experimental Theatre Club, and Flamenco and Butoh dancer, has performed in 150 productions, including Pan Asian Rep.’s “Shogun Macbeth” and “No No Boy.” She dedicates her performance to her nephew Ryoei Suga, who volunteered in Kesennuma after the 2011 tsunami and now devotes his life there as a fisherman and monk. www.shigekosuga.com
THE MUSICIANS STOMU TAKEISHI is a master of the fretless electric bass and has played and recorded in a variety of jazz settings with artists such as Henry Threadgill, Brandon Ross, Myra Melford, Don Cherry, Randy Brecker, Satoko Fujii, Dave Liebman, Cuong Vu, Paul Motian and Pat Metheny. He tours worldwide and performs at various international jazz festivals.
Kouzan Kikuchi (L) and Stomu Takeishi. Photo by Annette Borromeo Dorfman
KOUZAN KIKUCHI, shakuhachi player from Fukushima, studied minyo shamisen with his mother. A graduate of the Tokyo University of the Arts, he studied with National Treasure Houzan Yamamoto. He has worked with Ebizo Ichikawa, Shinobu Terajima and Motoko Ishii. In 2011, he became Tozanryu Shakuhachi Foundation “shihan” with highest honors.
Joe Small (L) and Isaku Kageyama. Photo by Annette Borromeo Dorfman
ISAKU KAGEYAMA is a taiko drummer and percussionist, working with Asano Taiko UnitOne in Los Angeles, film-scoring extravaganza “The Masterpiece Experience” and Tokyo ensemble Amanojaku. A magna cum laude Berklee College of Music graduate, he teaches at Wellesley, University of Connecticut and Brown. http://isakukageyama.com/
JOE SMALL is a taiko artist, who is a member of Eitetsu Hayashi’s Fu-un no Kai and creator of the original concert, “Spall Fragments.” He has apprenticed for two years with Kodo, researched Japanese music as a Fulbright Fellow and holds an MFA in Dance from UCLA. He teaches at Swwarthmore College. www.joesmalltaiko.com
THE LIGHTING DESIGNER BLU lived in New York for 20 years and was resident designer at the Cubiculo and La MaMa Experimental Theatre Club. A Bessie Award winner, he was lighting designer for renowned dance theater artists such as Sally Gross, Eiko and Koma, Ping Chong, Donald Byrd, Nancy Meehan and Paula Josa Jones.
THE FILMMAKER YOSHIAKI TAGO, whose video was part of the live performance, has made NEWS FROM FUKUSHIMA into a film. Tago also directed “A.F.O.,” “Believer,” “Worst Contact,” “Meido in Akihabara.” His short “The Song of a Tube Manufacturer” won the runner-up prize at the Yasujiro Ozu Memorial Film Festival in 2013. He served as film adviser for Takashi Murakami, and has worked with Nobuhiko Obayashi, Takashi Miike and Macoto Tezuka. He is a graduate of the prestigious Tokyo film school founded by Shohei Imamura.
YOSHIAKI TAGO
From the playwright YURI KAGEYAMA
“The two sides of who I am _ poet and journalist _ have long been separate. I am a poet, first and foremost, I felt, and reporting is what I do for my job. But the 2011 Fukushima disaster brought those two sides together in a way that was undeniable, imperative and honest. I am filled with gratitude toward my collaborators, who have turned my words and ideas into a moving, convincing and honorable piece of theater. In this work, we defy the boundaries of cultures, race, generations and genres to tell the story about how our world has created a catastrophe. We don’t pretend to have all the answers. But it’s an important story.”
Acknowledgements Thanks to Akiyoshi Imazeki for photographs of Fukushima for video by Yoshiaki Tago for “Decontamination Ghosts;” Z Space, especially Drew Yerys, Minerva Ramirez, Wolfgang Wachaolovsky, Jim Garcia, Julie Schuchard and Andrew Burmester; Alex Maynard and Adam Hatch for the use of Starline Social Club for rehearsals; Mark Ong of Side by Side Studios for the poster design; Annette Borromeo Dorfman for program design and photographing the performance; Sally Gross, Ping Chong and Meredith Monk for help finding our cast; Ishmael Reed for ongoing support and Tennessee Reed for photography; Hisami Kuroiwa for her wise counsel, filmmaker Kate McKinley; LaMaMa Experiemental Theatre for showing the work in New York in 2015; Melvin Gibbs, Sumie Kaneko, Hirokazu Suyama and Kaoru Watanabe for the music at La MaMa; Bob Holman for presenting an initial reading at Bowery Poetry Club with Yuki Kawahisa, Pheeroan akLaff and Tecla Esposito; Makoto Horiuchi; Yoichi Watanabe and Hiromi Ogawa of Amanojaku taiko in Tokyo; all the members of the Yuricane spoken word band who inspired the poems and stories that developed into this work, and, last but not least, the people of Fukushima.
Yuri Kageyama reports from the no-go zone in Fukushima. Photo by Kazuhiro Onuki.
A World Premiere screening at the Berkeley Video and Film Festival Nov. 2, 2019. From left to right: Festival founder and organizer Mel Vapour, director Carla Blank, writer/poet Yuri Kageyama and camera-person Kate McKinley. Photo by Tennessee Reed.
Accepting the award at the Berkeley Video and Film Festival Nov. 2, 2019. From left to right: Camera-person Kate McKinley, director Carla Blank, festival founder and organizer Mel Vapour and writer/poet Yuri Kageyama. Photo by Tennessee Reed.
With director Yoshiaki Tago at the red carpet event.
In Amsterdam in September 2019 for the New Vision International Film Festival, where News From Fukushima was a Finalist Best Asian Feature Film.
more gala shots
News From Fukushima an Official Selection at the ARTS X SDGS festival
I talked about our film and all my great collaborators at the Silent River Film Festival, which screened NEWS FROM FUKUSHIMA August, 2020.
THE VERY SPECIAL DAY is also a film by stop motion artist HAYATTO (August 2019). PLEASE WATCH FOR SCREENINGS.
The trailer:
A birthday is very special for any little boy. And a little boy is very special for any parent. This book is an everyday but very special story about the trials and joys of growing up in an imperfect world. THE VERY SPECIAL DAY by Yuri Kageyama (first published in KONCH, Ishmael Reed Publishing Co., 2013).
A TOKYO FLOWER CHILDREN 2016 publication picture book, with Illustrations by Munenori Tamagawa, Book design by Fengshui Iwazaki.
A story about how a defiant young woman tries to make a birthday a very special day for her child all by herself. A story about how discrimination begins in the home, and how the fight against discrimination also begins in the home. A story about ice cream at a birthday party and French Fries at the aquarium. A story about how “they didn’t like us because we were Japanese American, and not Japanese.” A story about how stars can be that cure-all ideal but no-cost spiritual present. A story that’s a bit sentimental but honorable and true, written for all the children in the world. May they stay safe, may they enjoy peace, may they find love and may they know who they really are.
Reading THE VERY SPECIAL DAY at Inokashira Koen Tokyo SUN. Oct. 23, 2016. Photo by Junji Kurokawa.
OUR READING OF THE VERY SPECIAL DAY at Inokashira Koen, Tokyo, SUN Oct. 23, 2016. Featuring Live Painting by Munenori Tamagawa, the illustrator of the book. Left to Right: Yuri Kageyama (writer and storyteller), Hiroshi Tokieda (bass), Munenori Tamagawa (visual artist), Ryan Carter (guitar) and Kouzan Kikuchi (shakuhachi). PHOTOS by Junji Kurokawa.
Our Reading of THE VERY SPECIAL DAY at Inokashira Koen SUN Oct. 23, 2016. Photo by Junji Kurokawa.
Our Reading of THE VERY SPECIAL DAY at Inokashira Koen SUN Oct. 23, 2016. Photo by Junji Kurokawa.
Our Reading of THE VERY SPECIAL DAY at Inokashira Koen SUN Oct. 23, 2016. Photo by Junji Kurokawa.
Our Reading of THE VERY SPECIAL DAY at Inokashira Koen SUN Oct. 23, 2016. Photo by Junji Kurokawa.
Our Reading of THE VERY SPECIAL DAY at Inokashira Koen SUN Oct. 23, 2016. Photo by Junji Kurokawa.
So I thought about what could be a very special day for Mama, and so I asked her: “Mama, what would you like to do on your funeral?” Mama stopped moving all of a sudden, and I thought she might even spank me because it was so all of a sudden, though she hardly ever ever ever spanks me. That was how sudden it was. Then she went back to normal and said, “I want a lot of beautiful music.” So I said very quickly to catch up with her suddenness, “Mama, I will play that music. I will.”
_ Excerpt from “The Very Special Day,” a story first published in KONCH: Ishmael Reed Publishing Co. 2013, and a TOKYO FLOWER CHILDREN picture book, published 2016.
More photos from Inokashira Park courtesy park organizers:
BOOK PARTYfree admission featuring LIVE PAINTING by Munenori Tamagawa and poet Yuri Kageyama’s YURICANE spoken-word band with Kouzan Kikuchi (shakuhachi), Hiroshi Tokieda (bass), Trupti (vocals), Hirokazu Suyama (tabla). Special GuestsKenwood Dennard, Biankah Bailey, Jacqueline Mujaya , Taylor Mignon and more. SUN Aug. 7, 2016 2 p.m. Infinity Books. 1F Komagata Bashi Heights Bldg , 1-2-4 Azumabashi, Sumida-ku, Tokyo, 130-0001 SAT Aug. 13, 2016 2 p.m. Demi Cafe in sora Gallery. 3-14-1 Honcho Kokubunji-shi, Tokyo 85-0012
THE VERY SPECIAL DAY book party at Infinity Books in Tokyo SUN Aug. 7, 2016. Photos by Emiko Tokai.
Live Painting with the reading.
Kenwood Dennard, professor at Berklee College of Music, reads his poetry at THE VERY SPECIAL DAY
Jackie Mujaya speaks about Tanaganika Kids at THE VERY SPECIAL DAY at Infinity Books in Tokyo. Cherie Willoughby, at right, who also read her poetry.
Great company I keep in BIGOTRY ON BROADWAY, an anthology edited by Ishmael Reed and Carla Blank, Baraka Books, September 2021.
From the publishers on the book cover:
“How do intellectuals and scholars feel about how members of their ethnic groups are portrayed on Broadway? How would we know? Very few of them have the power to rate which plays and musicals are worthy and which are flops, and above all, be heard or read. The American critical fraternity is an exclusive club.”
A review in Library Journal Sept. 1, 2021:
“Blank and Reed offer an incisive, critical take on Broadway’s past and present; discuss an alternative vision that incorporates the perspectives missing from Broadway; and look toward a more inclusive future. A book for all readers interested in the history of Broadway musicals, theater criticism, and the role of whiteness in Broadway’s misrepresentations.”
It was Dr. Martin Luther King, who said: “I have a dream,” those words that spoke years ago that powerful message and legacy of Black Lives Matter. Why has our dream as Asians in America so often and so long been lost? Called foreign, invisible, docile, cheap, expressionless, model minorities, we have been silenced, and we have sometimes turned willingly silent, out of fear and the desire to survive in that American conversation between white and Black. Our story has yet to be fully told, explored or studied, even dreamed.
HaikuSept. 20, 2021 by Yuri Kageyama
墨田川
jet skiおじさんぶっとばす
松田聖子
These days, I live by the Sumida River, which retains much of its Edo Period character. Some recent elements are jarring, such as the people on blaring jet skis that zip up and down the waters on weekends and holidays. The irony of the old pop music that was playing, “Aitakute” by Seiko Matsudo, juxtaposed with this alleged image of hip defiance, was a true Tokyo haiku moment for me.
I usually don’t write poetry in Japanese, but I wrote this. And now, looking back, I realize I’ve written Japanese rap. I am going to make this part of the rap section of my song “Nothing Happens.”
Self-Portrait by Van Gogh at the Rijks Museum in Amsterdam
Haiku in Amsterdam
By Yuri Kageyama (written in Amsterdam Sept. 2019.)
Like any city a Chinese restaurant
Glasses black hair he works hard
He is your son your first date
Your father
Your Lover for life
That Chinaman found everywhere
Our History
Our eternal plight
And he makes me fill with
Pity pride tears
While on the topic of Van Gogh in this Amsterdam reference, sharing my poem “Haiku for Van Gogh” in a reading from several years ago in San Francisco, with bass by Hiroyuki Shido.
An ode to the Asian Uncle Tom A Yuricane poem (or does power always turn evil?) by Yuri Kageyama
a painting collaboration by Munenori Tamagawa and Radio the Artist as Yuri Kageyama reads this poem written by Yuri Kageyama at What The Dickens in Tokyo Feb 4, 2018.
You sit prim with your glasses Behind that desk, title, resume Won on the backs of The 442 Purple Hearts Oblivious in your banal Banana-ism To the fact that Yellow is your Color The most expedient, forgotten, Cheapest of lives Hiroshima My Lai North Korea You sip white wine at ethnic restaurants New York, Tokyo, Dubai, Bangkok They all look alike Smiling in Instagram posts You have it made You have them duped You have arrived Never mind, in your deepest fearful solitary moments, You can’t help but pick out Just those Who look like you: Race suddenly a Reality; You must put them down, And make sure they stay down, Remain the invisible man, the invisible woman, Establish as Fact through rumors and appraisals That People of Color Can’t be objective, and, be careful, Get easily used, You can do the math _ as the stereotype goes _ The slots are limited, Tokenism being a zero sum game, Diversity cannot be the majority; You’ve long lost your ancestral accent You’ve adopted the air of leaders You’ve deleted memories Of how we were all shackled, We picked strawberries, We built the Transcontinental Railroad, We survived behind barbed wires, Instead You go to meetings, Rehearse video appearances, Take vacations to the Caribbean and Bali, Sneer at Chinese going shopping, Plan your retirement, Asian American Only to whites
