LOOKING AT FUKUSHIMA


The Asian American Journalists Association presents
“LOOKING AT FUKUSHIMA _ An Evening with Hiromichi Ugaya,”
a talk, photo slideshow and discussion session with a veteran journalist documenting a post-nuclear disaster landscape.

THE PINK COW
5-5-1 Roppongi Minatoku Tokyo Roi Building B1F
TUESDAY May 7, 2013 7 p.m. – 10 p.m.
2,500 yen for a Great Buffet is the only charge. Drinks pay as you go at the bar.
A public English-language event.
Come on time to catch a musical performance opening the event.
Musicians and poets welcome for Jam Open Mike to close the event.

Hiromichi “Hiro” UGAYA is a veteran journalist, photographer and educator, who has devoted his life recently to intensive coverage of the Fukushima nuclear catastrophe and the plight of the tens of thousands of people the accident has displaced. A former reporter at Asahi newspaper and writer for AERA magazine, he has authored more than half a dozen books on security issues, media criticism, Internet technology and Japanese pop culture. A graduate of Kyoto University, he holds a Master’s in International Security Affairs from Columbia University. His latest book “Fukushima’s Lost Seasons” is a poetic photo essay of the serene flowers and trees of the region that have been invisibly devastated by radiation. He is also a bassist and performs regularly at Tokyo clubs.

Wow! Busy!

Evidence of hard work:

newsvine.com

What’s up lately on the reporting front

Of the stories I’ve done lately, including those about the Japanese prime minister , big-name automakers and developments in the technology sector, the two stirring up interest:
Hello Kitty products for men
Robot Guitar
Thanks Hello Kitty fans.
Thanks guitar fans.

I am a Journalist 3

Having integrity means that the reporter must watch his/her actions as an individual and not stray from the Path.
Ever since I was a child, I liked to write and read. The characters and stories in the books I read were more real than the real life around me.
I could have possibly chosen another career _ as long as writing was involved _ but what appealed the most about being a reporter was the honesty/integrity/selflessness of the job.
I’ve always wanted to live life/make a living with the assurance I was doing the Right Thing.
In that sense, journalism provides a logical solution.

I am a Journalist 2

The integrity of the reporter has always been important.
But as our industry enters financial difficulties, the raison d’etre of journalism is inevitably going to be questioned.
We have to answer the question: Why do we need news stories?
What does news offer that’s not in video games, social networking, movie downloads, blogs?
Reporting has to be about a lot of things _ delivering information accurately and quickly, making complex faraway stories easy to understand, engaging readers in an entertaining meaningful way, etc.
But the bottom line is: Reporters serve the public good by getting the truth out.
That’s why reporters must have integrity.
We can’t hope to have any credibility if we are not good people with principles in our everyday lives.
This is where being a Poet/Journalist sees no conflict.
Poets speak the Truth. Poets pursue Goodness. Art is Life.

I am a Journalist

It’s been almost a year since I started this blog.
“I am a Poet.”
That’s what I wrote in one of my early entries.
Today, as we enter a new year (it’s about midnight in Tokyo Jan. 1, 2008 turning to Jan. 2, 2008 as I write this)
I want to say this:
I am a Journalist.
What you do everyday is what defines who you are.
This blog made me realize the importance of my writing outside my everyday reporting on the job.
But it also made me realize more than ever how much I believe in reporting.
I want to do my best to contribute what I can, given my background and my talent.
This blog gave me an outlet that was so close at hand yet so public and intimate at the same time, and helped me reconnect with poets and creative writers.
But it helped my job as well: People gave me ideas for stories and feedback for the writing I did on my job.
I am after all the same Person.
And in the end, it is about Writing _ not just the Craft but what’s involved as Personal Belief/Conviction/All its Mystery/the Fun of it.
Journalism is changing rapidly, with everything becoming faster, niche and direct.
But I believe that ultimately the person/writer behind the journalism is going to become more important than ever.
Of course, we must deliver on the accuracy, speed and context.
But we must also have _ for the lack of a better word _ character.
And I’m not talking about reporters’ reading the news on TV with authoritative voices.
Accountability, credibility, integrity, creativity _ the human side of the writer/journalist is going to count in the end to our readers.
Otherwise, all they would have would be the headlines/press releases/blurbs.
What other than the writer makes one news story different from another story?

Criminals

Usually people make a point of avoiding criminals, but watching criminals up close (relatively up close, that is) is something journalists get to do as part of our jobs.
In movies, criminals are rather special, the anti-hero, or even the hero him/herself, someone to be feared, like a Mafia boss or Hannibal Lecter.
In real life, criminals are simply pathetic.
They are losers.
This was a revelation that came when I covered a murder trial in Detroit.
A man charged with murdering a researcher was asked how the murder happened, and he said _ with a straight face _ that he pushed her and she fell over backwards, hit her head on a sharp corner of furniture and died, as though it was her fault that she died.
We try to understand how a criminal mind works and we sometimes come up with elaborate explanations because we want to understand why something as horrible and tragic as serious crime happens.
This article doesn’t address crime.
But I found out rationalizing irrational behavior is called “cognitive dissonance,” and it’s not that sophisticated because monkeys and toddlers do it.
This is exactly what happens in the criminal mind.
The criminal compartmentalizes, rationalizes, justifies to come up with a weird theory, no matter how filled with laughable self-serving illogical contradictions, to explain how it was the perfectly sound and smart thing to do.
But if cognitive dissonance is about survival, the ability to move on and shrug off complex doubts about the past, then does that mean the criminal is more highly evolved than a person with a developed conscience?
Being able to live with crime isn’t a cerebral process.
It’s an animal instinct for survival, a level of existence on the basest level.
It’s not really about being human at all.

Auto show previews

Reporters in Tokyo are very busy these days going to previews for the auto show coming up later in the month.
The automakers aren’t kidding when they call these models “concepts.”
That’s exactly what they are.
The guy with the sign is leading reporters to the Mazda cars . Nissan showed the playful Pivo today.
Amazingly enough I took photos for both previews.

Letter From North Korea

I’ve been to North Korea only twice _ in 2002, as part of the press with then Japanese Prime Minister Junichiro Koizumi, and with the Foreign Ministry delegation that went there ahead of Koizumi’s trip.
I don’t know what I was expecting. But it was definitely one of the most memorable places I have visited ever.
Things we take for granted simply aren’t there.
There aren’t that many places you can go in this day and age to have that kind of eye-opening experience.
And it’s just as about depravity of mind/soul as materialistic poverty.
We stayed at Pyongyang’s top hotel, but the hallways were dark at night because of the energy shortage.
I had to feel my way, touching the walls, to find my way back to my room.
The toothbrushes in the rooms were primitive wooden sticks with barely any bristles at the end.
The bed was a hardened box.
The night streets were also totally dark.
Streetlamps, skyscraper lights, neon signs and car headlights we are used to as providing visibility just aren’t there.
And because of this, you can see the stars so clearly it’s dazzling.
The mornings start with blaring broadcast speeches and militaristic singsong music tearing through the air.
The TV, which has maybe two channels, only shows those weird propaganda we see on news footage about North Korea.
It is surreal.
It is like being on a movie set where everything that looks real is a cardboard facade, and the people you encounter are actors, all putting on suspiciously cheery faces pretending to love their dictator.
We were given official tour guides to “babysit” us during our entire trip.
But surprisingly we were pretty free off-hours to roam around as much as we liked, although we couldn’t go very far, given that we as reporters had to stick around to go to briefings, and there aren’t any cabs to hop on or anything.
When a photographer and I went across the street to eat dinner at a barbecue place, we ordered dishes by pantomiming a bird (for chicken) and mooing (for beef).
As I said, I don’t know what I was expecting.
But I wasn’t expecting everybody to be so nice.
We don’t expect friendly human beings with what we are fed about North Korea, day in and day out_ not the restaurant waitress trying to decipher our orders, the “babysitter” guides, everyone far nicer than people on average, say, in New York.
It’s more like visiting a forsaken rural area where people aren’t used to visitors and see them as guests who need looking out for.
The landscape (before driving into the city through the famous arch) is also pastoral and untainted.
The sloganistic billboards we associate with communist nations are absent outside the city, and because the nation is too poor to have many cars the whole place looks fairytale (so “Nihon Mukashi Banashi”) _ winding dirt roads through luscious green and fresh air.
All picturesque, untouched by the modern world.
It reminded me of Showa Era Japan.
Naturally, the press group I was with got taken to the obligatory tourist spots during our free time _ controlled and orchestrated.
We went up Juche Tower.
We went to the statue of Kim Il Song.
We went to the reimen restaurant.
Some reporters put in a request, and we also got to go to a department store.
It was more like a drug store or a Daiei by American/Japanese standards, and the strange thing was that the shelves were filled with the same product (eg., plastic alarm clock) over and over (like a miniature shabby version of a Costco).
A small booth inside the store offered foreign exchange services.
Apparently, the department store caters largely to diplomats and other visitors as regular North Koreans can’t afford to shop there.
It was obvious throughout our assignment the country was eager to get foreign currency from reporters:
We were charged an exorbitant fee for transmitting our stories.
You often see in Japanese TV how North Koreans guides speak fluent Japanese.
This is true.
One North Korean man, while we were waiting for a briefing, told me he could sing Japanese songs.
He demonstrated his skill by singing in perfect Japanese: “Konnichiwa Akachan.”
It was bizarre to be sitting in Pyongyang and watch this North Korean sing “Konnichiwa Akachan.”
But besides this brief rendition of “Konnichiwa Akachan,” the standard music there was all numbing blaring militaristic songs.
On my flight back to Japan, the jazz wafting through my earphones (music we take for granted but music that speaks so clearly and so fundamentally of a free, democratic, creative society) literally brought tears to my eyes.
Not only because Music is so beautiful.
But because it is so unfair the people of North Korea don’t have the freedom to just reach over and listen to that Music.

Auto workers in the U.S./Germany/Japan

In some ways, a farmer has more in common with farmers in other nations than with people of other occupations in the same country.
That can be said of other professions _ boxers, chief executives, carpenters, reporters.
That’s because what we do to earn a living is such an all encompassing and fundamental part of our being that what is required to perform that job right comes to define how we think and act, and what we ARE.
Recently my colleagues and I did a project together to look at auto workers in the U.S., Germany and Japan, to see what they had in common, as well as what separated them.
The package together told a story that was more than each story on its own:

The U.S. story
The story from Germany
The story from Japan

I remember talking to farmers in Michigan and farmers in Japan and realizing how much farmers have in common, although they don’t speak the same language and they live so far away from each other.
I also remember the point in I believe a book by Kurt Vonnegut Jr.: We are what we do every day (The way he put it was that we become what we pretend to be and so we must be careful.)
People can justify all they want in their minds to appease their guilt about what they do.
But sometimes matter overtakes mind.
Every little decision/act/word counts.