Edo Bayashi Conversations: A Heart-to-Heart Talk Between Japan and Ghana

Winchester Nii Tete, master percussionist from Ghana, joined a fascinating exchange _ quite literally, the talking drum _ with Japanese taiko by Daisuke Watanabe and my son Isaku Kageyama at Buddy in Tokyo Nov. 14, 2008.
It was still the first performance for the trio _ Edo Bayashi Conversations _ but that made it so fresh, totally titillating and fearlessly provocative.
How taiko rhythms sound juxtaposed with African rhythms is like savoring neo-cuisine gourmet _ the blend of the unexpected that’s utterly delightful.
The more these young musicians learn from each other and apply the lessons to their own genre, the more wonderful the Music can be that springs from this disarming group.
Just seeing how well they play together _ and so naturally _ gives listeners a good feeling _ maybe even hope for world peace, if that’s not saying too much.
The three young men have so much in common, although they are from different nationalities and musical backgrounds.
They share the same challenges of making their own the tradition of their musical legacy.
They also share the mission of trying to surpass the masters who came before them to add their own mark on that legacy.
It’s a wonderful idea that the men from Ghana, Japanese and Japanese-American backgrounds may hope to help each other achieve those goals.
Musicianship is not about competing with other players, Winchester says with a far wiser look than his 20-some years might be expected to bring in his eyes.
Music is about giving your 100 percent to make listeners happy.
Too many musicians make the mistake of seeing a stage as a place for proving you’re better than someone else _ when no one really cares about that.
And so if you play your heart out, the rest will take care of itself.