Trailer of a work in progress “Talking Taiko,” a movie by director Yoshiaki Tago, starring poet Yuri Kageyama and percussionist Winchester Nii Tete with Yumi Miyagisihima on violin, Keiji Kubo on didgeridoo, Isaku Kageyama on taiko drums and the other artists and poetry-lovers of Tokyo. April 2009.
Poetry on Noh Stage
Photos by Ryan Bruss.
Potrait with Yumi Miyagishima and Winchester Nii Tete.
Kuraki Noh in Yokohama Dec. 6, 2008.
More Talking Taiko
SUN SEPT. 28
Sunday, September 28, 2008 6:30 p.m.
BUNGA a few minutes walk from Ogikubo Station on the Chuo Line. (TEL: 03-3220-9355)
3-1-5 Amanuma Suginami Tokyo 167-0032
2500 yen admission (plus 500 yen drink).
YURI KAGEYAMA’s works have appeared in “Y’Bird,” “Greenfield Review,” “San Francisco Stories,” “On a Bed of Rice,” “Breaking Silence: an Anthology of Asian American Poets,” “Other Side River,” “Yellow Silk,” “Stories We Hold Secret,” “MultiAmerica,” and other publications. She has read with Ishmael Reed, Shuntaro Tanikawa, Geraldine Kudaka, Victor Hernandez Cruz, Russel Baba, Seamus Heaney, YUMI MIYAGISHIMA and many other artists. Her short story “The Father and the Son” will be in a January 2009 anthology, “POWWOW: 63 Writers Address the Fault Lines in the American Experience.” She has a book of poems, “Peeling” (I. Reed Press). She is a magna cum laude graduate of Cornell University and holds an M.A. from the University of California, Berkeley.
Master percussionist WINCHESTER NII TETE hails from the honorable Addy-Amo-Boye families of drummers in Ghana. He has performed with the Ghana national troupe, Sachi Hayasaka, Yoshio Harada, Takasitar, Naoki Kubojima, Tsuyoshi Furuhashi and many other artists. His repertoire is expansive, including jazz, hip-hop, reggae, pop and world music. Besides playing original compositions with poetry, he will deliver a taste of his exuberant, refined and eclectic sound with guest musician MASATO SUWA. He is a brilliant young star who is certain to follow in the footsteps of his legendary uncles Obo Addy and Aja Addy in gaining international acclaim.
Director YOSHIAKI TAGO (“Believer,” “Worst Contact”) joins in filming “Talking Taiko.” Violinist YUMI MIYAGISHIMA also appears as a special guest.
To an Ex-Lover
Photo by KAZU NISHIO.
Violinist YUMI MIYAGISHIMA and Poet YURI KAGEYAMA at What The Dickens in Tokyo, SUN Sept. 7, 2008.
The poem is part of the program at “TALKING TAIKO,” an evening of multicultural poetry and music with master percussionist WINCHESTER NII TETE at BUNGA 6:30 p.m. SUN Sept. 28.
TO AN EX-LOVER
First published in Oakland Tribune; one of the poems in “Peeling,” by Yuri Kageyama.
You could only sleep, turned away. EVERY NIGHT, HIS BICEPS PILLOW MY HEAD.
You told me that she was a hard act to follow, being the daughter of your parents’ friends. Before your parents came over, you hid my things in the closet.
My friends were too strange, you used to complain. That I stayed up till six in the morning, while you slept, and slept, while you worked, and was never hungry the same time you were. WHEREAS, AFTER NIGHT-LONG DISCUSSIONS, HE TAKES ME FOR DAWN-LIT SNEAKERED STROLLS ALONG THE BEACH.
I let dust collect on the kitchen table, left things here and there, like animal droppings, cluttering your cleanliness.
You felt sorry for me. You paid my bills, got me health insurance, provided me with gas cards and made me laugh with John Wayne imitations. Because I always sat pensive, with a sad distressed lonely look. Even now, you tell me I’m a zombie. HE LAUGHS THAT I’M ALMOST AS CRAZY AS HE IS HIMSELF.
You’d watched how your older brothers had hurt your parents, by becoming a musician, trying dope, dating Chinese, so you’d vowed to a way of spineless kindness, obsessed with moderation, avoiding conflict till you’d, at times, crunch onto the floor, holding in the tumor of self-denial within your brain.
WE WALK TOGETHER, GIGGLING IN J-TOWN, ARM IN ARM, BECAUSE THE “COMMUNITY” IS SO LUDICROUS SOMETIMES. While you told me, never to mention your name in J-town again. For, deserted in insecurity, I used to sit, gulping down bourbon bitterness, telling the blues, how I loved you and you didn’t love me.
You loved me by fixing the car. You loved me by criticizing how I didn’t dress San Francisco. You loved me by watching “Starsky and Hutch,” sipping soda, after an eight-to-three-thirty school-teaching day. You loved me by telling me I could do whatever I wanted; you had no right to restrict my freedom. So I went discoing, while you visited your parents for the weekend. HE WANTS TO BE WITH ME. HE JUST TELLS ME, “DON’T FUCK AROUND.”
I still don’t smoke in front of you.
After I moved out and out of your life, you bought me sweetheart roses that never opened in the water. HE SURPRISES ME WITH AN ORCHID CORSAGE THAT BLOSSOMS WHITE-PURPLE WITH THE PRIDE IN THE LOVE WE FEEL.
You played the trumpet alone in the attic.
When I touched you, my fingers drained your energy. HE KISSES ME ON THE MUNI BUS.
You didn’t know why I cried when you stated matter-of-factly, it took no talent to write poetry. You grin cynically over coffee at a shopping center, that now you never want a woman who’s into art. You keep on telling me that you’ve seen the light; you want to get married within a year, and you’re searching hard.
You faithfully attended family gatherings for Mother’s Day, Father’s Day, Thanksgiving, Christmas, New Year’s, Easter, piano and dance recitals, countless birthdays, and brought back roast turkey, potato salad, sushi and cake.
WE GO LISTEN TO JULIAN PRIESTER OR KEHVAN-LENNON-ONAJE, SEE ZATOICHI AND ITALIAN FILMS, DANCE TO VIVA BRAZIL ON LOMBARD STREET OR CHAKA KHAN IN THE DIMNESS OF HIS ROOM.
You said you loved me because I cooked relatively well and I had sweet mannerisms. I DON’T BOTHER ASKING FOR HIS REASONS.
You explained to me that I was not the type of woman you wanted for a wife. We were incompatible, despite our two years together. When you finally proposed, with tickets to Hawaii _ you realized that to take this plaything out of its glass case on the mantle, at your own leisure, could add excitement to your life _ when you finally declared your love, I had aborted mine long ago. HE SMILES TO ME, LET’S GET MARRIED TOMORROW; I REPLY, OKAY, LET’S.
HE THANKS ME FOR MY LOVE, FOR BEING AROUND.
HE NEVER TURNS AWAY, EVEN IN HIS SLEEP.
Photos by Kabe Chushin
Ben’s Cafe SUN June 29 & SUN Nov. 30
Winchester Nii Tete, Yumi Miyagishima and I are going to the reading at Ben’s Cafe in Takadanobaba Sunday, June 29, 7 p.m.
They both played in our TOKYO FLOWER CHILDREN reading the other day at the Pink Cow.
But we will be doing new material.
So please come if you’re in town and have time.
Ben’s Cafe readings take place only when there’s a fifth Sunday in a month.
They are usually devoted to prose. But on June 29 _ anything goes!
Looking way ahead, I am also on schedule to read _ prose, this time _ on another fifth Sunday, Nov. 30.