My Poetry in Great Company

My Poetry in Great Company

I’m reading my poetry with Joshua Breakstone in Jazz and the Spoken Word THU Oct. 15, 2026, at Klavier in Tokyo.

More Poetry in the works SUN Nov. 15, 2026 at Gamuso in Tokyo. Thanks to Herman Bartelen for inviting me to be one of the poets.

TOKYO HUMANITIES CAFE

I’m talking about my work, both my journalism _ and my poetry _ at this event in Tokyo. I initially wrote, “Rarely have the two sides of my writing met, but they will at Tokyo Humanities Cafe FRI March 6, 2026.” But, on second thought, they have always been one and the same.

Talking with Tokyo Gov. Yuriko Koike on Children

Talking with Tokyo Gov. Yuriko Koike on Children

I had the opportunity to chat with Tokyo Gov. Yuriko Koike recently. She wasn’t overbearing at all and laughed when I said, let’s do some girls talk here. Ten years into leading a city with a $1 trillion economy, she says she plans to keep going for the next term. She’s already promoted tourism, startups, greenery and sustainable energy. And last year, Tokyo reversed Japan’s decade-long declining birth rate, actually growing by 0.3%, tiny but a dramatic blip coming after a giant dropping swerve.

“I have always put children first in my policy,” Koike said.

And the programs the Tokyo government offers to encourage people to have children are impressive. Some people are moving into the city just to get the benefits: 60,000 yen ($375) for pregnancy, and another 60,000 for a 1-year-old or 2-year-old child; separately 180,000 yen ($1,125) for each birth. Medical care for children and youngsters is basically free. A teen pays 200 yen ($1.25) for each doctor’s visit. Tokyo offers up to 100,000 yen ($625) to help with medical treatment for reducing the physical pain of childbirth. Koike says people genuinely fear that pain. Affordable housing and free nursery care are also offered for those in need.

Analysts say it’s too early to tell if the reversal in childbirths will really stick or fade. It will take years to decide for sure. But, for one, Tokyo boasts an abundant fiscal base. Americans who hear about Koike’s policies literally gasp in surprise and envy.

Charles McClean, assistant professor of political science at Yale University, who studies Japan, says childbirth is “a hard metric” and nobody has really figured out “the magic” to reverse that, but stresses Koike has done a good job of spreading the word about her policies and programs meant to support children.

“I think population is the foundation of a society. If the population declines, social services will also decline, down to bus services. There won’t be any taxpayers either. Even if you go to a hospital, there won’t be any doctors or nurses, just beds,” Koike told me.

The great cities of the world may build roads, skyscrapers and other infrastructure. But all that will be nothing without people.

“People move society. That is the basic of the basics,” she said.

A BROKEN FRAME a poem by Yuri Kageyama

THE BROKEN FRAME a poem by Yuri Kageyama

The ambulances are screaming. We look up and see a big tear in a steel fame right by our apartment building. We wonder but figure it’s not a murder because we don’t read about it, and there aren’t that many murders in Tokyo. Every time we see the broken frame, we wonder who it could have been. And what might have driven this individual, whom we don’t know and never will know, male or female, young or old, happy or unhappy, probably unhappy, literally over the ledge to a dark deep definitive leap of death. It does not make us feel very good. Every time we see that broken frame. A few weeks later, the frame gets fixed. And we stop wondering.  

FOR WOMEN ONLY

For Women Only _ A poem by Yuri Kageyama

For Women Only _ A Poem by Yuri Kageyama

perfume,

rubbing shoulders,

we rattle silently over the tracks

blouses, tucked bags, even powdered chins,

up too close to really see;

we sense only relief

we smell no greasy beards or sweaty suits or

beer breath of the morning after _

this morning commuter train

“josei senyo sha”

reserved

for women only,

introduced to protect the gentle sex

from those groping dark hands

preying prying fingers, stroking thigh,

poking panties,

pretending to be penises

right in public transport,

“josei senyo sha”

this is the kindness of Japanese society:

let chikan go unchecked,

forgiven for their mischief,

and give us, women, this special spot

farthest from the action

farthest from the ticket gates

the first car up front,

and the most dangerous

if we crash

ASYLUM A poem by Yuri Kageyama

ASYLUM

A poem by Yuri Kageyama Feb. 26, 2022

She barely remembers the rape

Monsters grow only in drugless sleep

She is well taken care of

—

Air raid on Tokyo

Baghdad

Dresden

Ukraine

— —

She no longer draws but

Cuts papers of color

Into ferns and flowers

— — —

Hunger in Biafra

A scream in Vietnam

Van Gogh’s ear

Haiku March 24, 2021 by Yuri Kageyama

Haiku March 24, 2021 by Yuri Kageyama

つえをつき

見上げる空に

初桜

Cane in his hand,

He looks up for a long time

First cherry blossoms

The world suddenly looks like a splendid and hopeful place when sakura starts to bloom, right about this time in Tokyo. It happens without fail every year. But it’s so dazzling it feels unexpected. This morning, an old man was gazing up at a tree, probably the first cherry blossom tree he saw on his walk. His eyes, behind the glasses, I knew had seen so much, and was seeing all of that, again, in the flowers.

The Blue Impulse May 29, 2020

My VIRUS DIARY published in KONCH

A journal of my poetry, music and other thoughts that I kept from April through May 2020 about living in a post-pandemic world has now been published in the special issue of Ishmael Reed’s KONCH online literary magazine. And what great company I am in.