Hybrid Soul delivers electric “Souran Bushi” _ Dokkoi dokkoi!!
Hybrid Soul brings together:
ISAKU KAGEYAMA, an award-winning traditional Japanese taiko drummer from Tokyo, Texan guitarist CHRIS YOUNG and
PAT GLYNN, an accomplished Broadway musician hailing from the wilds of New Jersey.
Three different perspectives but one common vision.
By experimenting with Western rock, jazz, blues and latin elements, Hybrid Soul breathes new life into the culturally and musically rich tradition of Japanese folk songs.
Taiko Rocks With Hybrid Soul _ Live Version
Taiko Rocks with Hybrid Soul
Hybrid Soul made its debut Tuesday Nov. 11, 2008, at Minami Aoyama Mandala in Tokyo _ bringing together the rock guitar of Chris Young and bass of Pat Glynn with the taiko beat of my son Isaku Kageyama.
They played Bon songs of Japanese traditional minyo folk music _ Soran bushi, Yagi bushi, Tanko bush, etc. (The top is a studio recording _ not from the concert _ but gives you a bit of an idea of what’s cooking.)
The evening was an eye-opener in showing how the songs sounded different when played in that context _ but also how freshly and genuinely good they sounded _ simply as tunes.
Japanese tend to tune out with these old songs, heard over and over again, and associated with old people and old times _ songs that blend into oblivion.
But rearranged and electrified as “gaijin” rock, they suddenly commanded attention.
And one realizes how well crafted they are and how beautiful they are as pieces of modern music.
Juxtaposition/hybrids/marginality do tend to have a convenient knack for highlighting what gets otherwise overlooked.
This may sound like a contradiciton.
But in being non-Japanese did Bon songs turn Japanese!
It’s great.
The band got a grand reception at Mandala _ pretty good for a first performance.
We hope there will be more performances ahead to hear new takes, new ideas, new solos.
One of the teachers suggested maybe one tune could have had Isaku on bells in “a battle” against the guitar and bass.
The club owner suggested filling out the program with more straight-ahead taiko, including a trademark o-daiko (giant drum) performance.
I thought they could use minyo calls like “oi oi,” “sore sore” (or whatever they are) as a very easy way to get the crowd roused up in the obligatory audience-participation shtick of live-house concerts.
Maybe guest soloists and singers will join the group in future concerts.
Ideas abound.
The performance felt really short _ we wanted more.
Isaku grew up hearing the electric guitar of his father, who worships Jimi Hendrix as well as studied Wes Montgomery, Larry Carlton, Pat Metheny, Larry Coryell and other greats.
And so it was probably a natural choice for him to bring together that childhood sound _ still ringing somewhere in his subconscious _ with the beat of taiko, which is his life.
It was moving to see that as parents.
It was also a lesson _ as all parental experiences tend to be.
It was a reminder that all we can hope for in our art is to be ourselves.
And that is, after all, the sole purpose of art.
Electric Bon Odori
Isaku is also doing this concert at Aoyama Mandala TUE Nov. 11, 2008,
with Chris Young on guitar, and Pat Glynn on bass.
Isaku is promising “a psychedelic roller-coaster ride.”
Unlike a lot of taiko, the Amanojaku sound is Tokyo _ very “iki,” funky and urban.
And so in essence it should fit rock and roll to paint a cosmopolitan cityscape of electric taiko.
20:00 (Doors open at 19:00)
3,000 yen admission.
For more information, call 090-8506-9885, or send e-mail: isaku.kageyama@amanojaku.info
Talking Taiko Again
EDO BAYASHI CONVERSATIONS
A COLLABORATION OF TRADITIONAL JAPANESE AND AFRICAN MUSIC
The Talking Drum takes an innovative turn when Isaku Kageyama, of Tokyo “taiko” _ or Japanese traditional drumming _ ensemble Amanojaku, gets together with Winchester Nii Tete, master percussionist from the Addy-Amo-Boye families of Ghana, for some serious heart-to-heart exchange in the universal language of music.
Isaku is my real-life son, and Winchester is dear to me like my son.
They have so much in common.
They are about the same age (in their 20s), both still man-child, grappling with the challenges of life.
They have both been playing music since they were children, and music is their passion and their life.
It’s fascinating for me to see how the rhythms blend and form counterpoints to each other.
Isaku puts it like this: the music is like “a conversation between two friends, with jokes, laughter _ questions and answers.”
I thank God Isaku has met someone like Winchester.
Artists are alone.
But they need peers _ fellow spirits.
Artists can endure all if they know at least one other artist he/she respects thinks what you’re doing is pretty darn good.
And collaborating with Winchester gives you all that and more.
Daisuke Watanabe, also in his 20s, and son of Amanojaku leader and master composer Yoichi Watanabe, on taiko joins the Conversation.
Their first-ever collaboration “raibu” is at Ekoda BUDDY Friday, November 14.
20:00 (Doors open 19:00)
TEL: 03-3953-1152
Futaba Kaikan B2F Asahigaoka 1-77-8 Nerima-ku 177-0005
3,000 yen admission.
For more information, call 090-8506-9885, or e-mail Isaku at isaku.kageyama@amanojaku.info
Amanojaku Taiko Concert
Fresh back from a trip to Brazil to celebrate the centenary of Japanese immigration to Brazil, Amanojaku gave two Tokyo concerts this week.
What’s striking about their performance is the vision of leader Yoichi Watanabe that is underlined by his fantastic compositions.
Inspired by stark imagery and story-telling, from sword-flicking samurai to the eternal power of dashing waves, Watanabe’s tunes never fail to deliver an exciting and articulate musical experience.
His taiko concerts aren’t the clap-along feel-good affairs of showmanship that many associate these days with modern taiko.
They make deeper, sometimes painful statements about Watanabe’s perceptions on life and art as defined through his compositions/choreography woven together like fabric.
He told the concert crowd about how he composed “Dotou.”
He said he started out with a piece for the big drum, and then that evolved into a tune about the snarling waves.
While he was at a studio in a prefecture outside Tokyo to work out the composition, there was a thunderstorm.
There was so much rain the sewage gutter outside the studio began overflowing in torrents.
Thus was “Doutou” born.
Watanabe wrote “Kaiun” after his parents died, and the piece has elements of prayer and wishes for everyone’s happiness.
The song has allusions to universal symbols of hard work and preserverance such as worksong chants, swaying of the body and rigorous repetitive beating that is almost excruciating.
But in a mysterious way, the song is also about deliverance from the madness of everyday survival.
It is a moving song about how a man is dealing with the sorrow of losing people he loves, the gratitude he feels toward his forebearers, and the total fear yet total courage artists feel in perpetually facing up to our inevitable deaths.
Amanojaku Taiko Concert
AMANOJAKU CONCERTS:
IN TOKYO
Amanojaku Taiko Concert – Celebrating the 100th Anniversary of Japanese Immigration to Brazil
Amanojaku with Kyosuke Suzuki (yokobue flute), Katsunari Sawada (shamisen)
August 13, 2008 Wednesday at 19:00 (Doors open at 18:30)
August 14, 2008 Thursday at 14:00 (Doors open at 13:30)
Nerima Bunka Center TEL: 03-3993-3311
Ticket Prices: Advance Tickets: JPY 4000
Door Tickets: JPY 4500
All seats are non-reserved
Ticket Pia – http://pia.jp/t P-Code: 293-971
TEL: 0570-02-9999
Contact: Amanojaku － http://amanojaku.info
TEL: 03-3904-1745 FAX: 03-3904-9434
Amanojaku led by Yoichi Watanabe has just returned from Brazil where they led 1,000 Japanese Brazilian drummers in a performance at a samba venue in Sao Paulo, the Brazilian city with the biggest population of people of Japanese ancestry.
Watanabe has gone to Brazil six times in the last several years to lead workshops in taiko drumming in Japanese communities throughout that nation. This year marks the centenary of Japanese immigration to Brazil, where pioneers went with big dreams after they were blocked entry by segration in the U.S. Taiko has long been a major part of the Japanese American community. Taiko is growing into a major part of the Japanese Brazilian community. Taiko is that pulse that unites people everywhere and helps make that vital connection to our cultural roots.
Amanojaku in a Yamagata Taiko Festival
Amanojaku appears in a Yamagata Prefecture taiko festival being billed as a once-in-a-decade star-studded event.
OHAMA, Yamagata Prefecture
July 27, 2008 at 18:00 (Doors open 17:00)
AMANOJAKU with Osuwa Daiko, Oedo Sukeroko Taiko, Chichibu Yatai Bayashi, Choshi Hanedaiko and others.
Kan Nihon-kai Taiko Festival
Ohama Seashore Stage
Advance Tickets JPY 2000, Door Tickets 2500
Contact: Kan Nihon-kai Taiko Festival Organization Office TEL 0234-26-0381
More Amanojaku in Brazil
Video footage of a recent Amanojaku concert in Brazil.
“Kaiun” by Yoichi Watanabe.
Players from left to right:
Mayumi Kawana, Isaku Kageyama, Hiromi Ogawa, Yoichi Watanabe.
Yoichi Watanabe, master taiko drummer and the leader of Tokyo taiko group Amanojaku, wrote “Kaiun” after he lost both his father and mother within a scope of about a year.
Like many Japanese, Watanabe has a tight family (both his sons are fantastic taiko drummers), and he was very close to his parents.
The sorrow was a crushing burden that was visible to anyone who saw him those days.
His own health suffered, and he was hospitalized.
But like all great artists, he found in his ordeal a vital force for this composition that is not only about the kind of person his parents always taught him to be _ humbly enduring but always with integrity and vision _ but also about the message of hope and prayer for everyone.
“Kaiun” means “good fortune” in Japanese.
People use the phrase when they wish good luck to others in the same way people in the West say, “God bless you.”
“Kaiun” is a powerful spiritual statement of art’s transcendence over death and a man’s sense of mission to pass on a musical legacy to future generations.
It is a universal statement about how we can never defeat death but how art can give us eternity.
If you want to see “Kaiun” with a better camera angle, please order the Amanojaku DVD from the online store:
http://www.isakukageyama.com/english/onlinestore/
It has all the greatest Amanojaku tunes, including “Bujin” (seen in the YouTube upload below), “Dotoh,” “Kagura” and others.
A must buy for all taiko fans and students.
Amanojaku in Brazil
Video footage from the recent Amanojaku concert in Brazil.
“Bujin” by Yoichi Watanabe.
Solo by Hiromi Ogawa.
Like many Watanabe pieces, “Bujin” has a solo section that allows individual players to express their own version of Amanojaku taiko.
Hiromi Ogawa’s is a classic.
It never fails to build excitement and tension as the perfect third solo for “Bujin.”