A POEM FOR JOURNALISM by Yuri Kageyama

Joe Oyama in an Online California Archives photo, as he stands in the New York headquarters of the Common Council for American Unity. Joe was assistant editor of the Japanese American daily in Los Angeles before he was interned, in Santa Anita Assembly Center and Jerome Relocation Center, where both he and his wife Sami worked as journalists. After moving to New York in 1944, he was editor of the News Letter of the Japanese American Committee for Democracy. He and his wife were also both actors. They moved to Berkeley in their later years. I got to know him and Sami and their two children, who are also great artists. Joe was always supportive of my poetry:

Joe Oyama in an Online California Archives photo, as he stands in the New York headquarters of the Common Council for American Unity. Joe was assistant editor of the Japanese American daily in Los Angeles before he was interned, in Santa Anita Assembly Center and Jerome Relocation Center, where both he and his wife Sami worked as journalists. After moving to New York in 1944, he was editor of the News Letter of the Japanese American Committee for Democracy. He and his wife were also both actors. They moved to Berkeley in their later years. I got to know him and Sami and their two children, who are also great artists. Joe was always supportive of my poetry: “Like champagne,” he said once. This poem is for Joe and all the other great journalists. May the legacy live on.

A Poem for Journalism
By Yuri Kageyama

A Tree, a Story, a Drum
Circles carved times over,
Coded rhythms of continents
Animal skin stretched, carefully nailed,
So our heartbeat is not lost _
The snare, congas, kpanlogo, tabla, taiko,
Talking drums speaking faraway tongues _
Stories killed, stories buried,
Stories denied, stories untold,
Perhaps we were just not stopped before
When our stories were not dangerous
But the Reporter is still here.
Hear the words
And see what they have seen:
Robert and Dori Maynard
Woodward and Bernstein
Margaret Bourke-White
Howard Imazeki
Gary Webb
Robert Capa
Anja Niedringhaus
Gerald Vizenor
Gwen Ifill
Joe Oyama
Gordon Parks
Hear that Music in the Skin,
Feel that Story in the Tree,
Banned by slave owners,
The Drum holds the Message,
The Pow Wow stirs in starlit nights
The Slap-Tone conviction that comes to us
The Dance cannot be silenced; listen:
Printers rumble, digital pages scroll, newspapers turn,
Borders fade into illusory walls,
Starving children, covered up documents, the ravages of war
The Voice through the centuries
Asking Questions
Even if no one cares to hear the Answers,
Accurate, objective, fast, ethical
No matter what they say,
I am deranged but I am not deranged
I am fake but I am not fake
I am afraid but I am not afraid
I am the Drum, the Tree, the Story.

Japanophile _ Part 3 A Story by Yuri Kageyama

At first, I thought he was just out with his friends, cavorting with a woman. He could be in his car. In her apartment. In a manga cafe. Anywhere, really. He was already an adult, having turned 23 last month, at least, technically an adult.
For years, I had never stayed up awake at night, waiting to hear the click of the door when he returned after being out late.
I was a liberal mother, and I remembered all too well how I had stayed out all night and hadn’t come home until the wee hours of the morning.
When he was nowhere to be seen by 11 a.m., I assmed he had gone straight to his daytime activity.
But to make sure, I called on his cell phone, not expecting him to pick up, but leavine a message and then a text message: Are you OK?
He usually replied, quick enough to put my worries to rest, sometimes in single letters like “Y” for “yes.”
Then I knew I could stop worrying.
But this time, there was no reply.
When there was no sign of him by 5 p.m., I began to think about going to the police.
I had already called and sent email to several of his closest friends.
One said he had seen him yesterday at a soba joint in Roppongi, maybe about 4 p.m., but he had not said exactly where he was going, except that he was off to see “someone important for a possible future business.”
He appeared calm, his usual jovial self, the friend said.
Nothing extraordinary, he said.
Had he been caught up in an accident, or was he a victim of a crime?
I was really beginning to get worried, panicked.
The police officers showed up at my door in a pair, just like in the movies, the good cop and the bad cop.
One asked what was he wearing? What had he said were his plans?
The bad cop did not seem happy when I told him I had no clue what he was wearing, and I had not asked about his plans.
But when the bad cop began to turn to me, almost interrogatively, the good cop intervened and told me they would let me know if they heard anything, acting as though our little conversation at our doorstep was some missing-person report.
The more I realized how useless this procedure was, my fear grew, a hotness welling up and choking my throat, about what had possibly happened to my son, who had suddenly vanished.
He could be out there, somewhere, kidnapped by yakuza or fallen over a crevice in his car, alone, hungry, in pain and utter terror, waiting for me to come find him.

Previous installments of this story:

Part 1

and

Part 2.