My Ikenono Ikebana No. 8

My Ikenobo Ikebana

My ikebana teacher Mr. Okada chose some flowers that would work for a Christmas theme today.

My previous ikebana with a link to more.

Recreated at home with my mother’s hagiyaki. Hard to find the space for such a big piece without cluttering up the background.

My Shoka Ikebana, Ikenono No. 7

My Shoka Ikebana Nov. 5, 2025. My previous ikebana pieces here with links to even more previous ikebana.

My Ikenobo Ikebana No. 6

This arrangement has the feel of autumn. The yellow chrysanthemums are the main objects. But the susuki grass blades add dynamism to the composition, while the brown-tinged leaves to the side have their own distinct personality.

My teacher said it was interesting I kept the blades long, and very much like me, which I think he meant in a positive way, as in a free spirit.

More of my ikebana at these links: No. 5 No. 4 No. 3 No. 2 and My No. 1 Ikenobo Ikebana.

My Ikenobo Ikebana No. 4

The star of today’s ikebana are roses from Kenya called Game Changers, arranged in a wine glass partly filled with plastic crystals. My earlier Ikebana: My first ever Ikenobo Ikebana. Part Two or my Second Attempt. And Part Three.

Two and a half weeks later, the flowers have gone dry but are still vibrant with color. My teacher told me to watch for the flowers as they go dry, and, although I found just three pieces this time, they look grand and happy in the Hagiyaki plate. My parents lived in Yamaguchi Prefecture, where Hagi is located, and my father was a professor after retiring from an engineering company. They became friends with a lot of Hagiyaki artists and got their works at bargain prices. I treasures all their Hagiyaki pieces. There is a whole universe in this arrangement. And the messages that beauty _ and life _ do not end with death.

My Ikenobo Ikebana No. 3

Today’s Ikenobo Ikebana used a sponge called “oasis,” because it’s apparently made by a company called Oasis, to arrange the flowers in a way that was quite three-dimensional but required the placement of the leaves at the bottom to “hide” the sponge. The teacher said to start with the main elements, the sunflowers. You place one sunflower, then the other sunflower, always lower than the first. The other elements are basically fillers for the empty spaces, but you have to think where those spots are and balance them. You can play around with the long leaves, even bending them with your fingers. But always remember the tips must look up, never droop. Adding the water comes last. The speckles of glitter reflecting in the vase are gorgeous and an understatement at once.

My Second Ikenobo Ikebana

My Second Ikenobo Ikebana

Actually my teacher told me it’s against the rules to let a flower that broke off float in the water, when I did it. But when he took the photos at the end of the class with all the lighting set up, or actually another student and me holding them up, he took the flower, dropped it in the water and took this photo. He is a nice teacher. Although allowed in other styles of Ikebana, Ikenobo did not, seeing fallen flowers as death, and his works are about life, purity and our eternal connection to the spiritual. It made me sad that death is so beautiful. And I like this photo.

My First Ikenobo Ikebana

My First Ikenobo Ikebana

My first ever attempt at Ikenobo style Ikebana. May 21, 2025.