I WILL BLEED a song about love that defies all _ a finalist in a UK songwriting contest

I co-wrote the poem/lyrics with Trupti for “I WILL BLEED,” a song about star-crossed lovers inspired by Chikamatsu‘s double-suicides written for Bunraku puppet theater, about how love, no matter how simple, mundane and pathetic, endures, even in death.
The melody was composed by Trupti and Hiroshi Tokieda, who also plays bass in this fine rendition at his father’s Tokyo recording studio (SoundCloud below).
The musical composition by the couple songwriting team was selected a finalist winner in the U.K. Songwriting Contest in December 2015.
I am blessed to be collaborating with and just to know these two young brilliant musicians. I have seen them get married, despite being of different nationalities and backgrounds, tied together so absolutely through their love for music, and their love for each other.
They met at the Berklee College of Music in Boston, where my son Isaku Kageyama graduated recently, and performed together in different musical groups, with both Trupti and Hiroshi.
They are our future, and the future of the best in music.
The best in us. All of us.
What I want to say in this song is that I still believe in love.
I wrote the poem and worked on the song with Trupti, knowing all the while that Trupti would sing it, and that Hiroshi and Trupti would compose the music together.
The song debuted at my poetry reading and tribute to my poet mentor Ishmael Reed at SFJAZZ CENTER in June 2014 (YouTube clip below).
They are the idea for this song.
They are this song.
I created this song for them.

I WILL BLEED
V1
I won’t cry (a)
Coz it’s in love that I bleed (b)
A bridge of ribbon that carries me (b)
Across waves of war no one can see (b)
V2
I won’t run (a)
My blood will rush strong and drain (b)
All my pride, prejudice and pain (b)
Only our love will still remain (b)
C
I will bleed (a)
But I won’t flee,
Hell is what I desire (b)
I will bleed
But I won’t hide
Hell is what I desire
Such heavenly fire
V3
I won’t sleep (a)
Until this ocean turns to wine (b)
On a night when our stars align (b)
Lying cheek to cheek no longer confined (x)
V4
We will live (a)
You the east and me the sun (b)
Not afraid of different tongues (b)
Our blood joined will make us one (x)

My Poetry with Music at SFJAZZ CENTER in a tribute to ISHMAEL REED June 2014.

SFstage
Photo by Annette Borromeo Dorfman.

Poetry written and read by Yuri Kageyama with the Yuricane band, featuring Hirokazu Suyama on drums and tablas, Hiroshi Tokieda on bass, Hide Asada on guitar and Trupti Pandkar on vocals.
“A Tribute for Ishmael Reed”
SFJAZZ CENTER in San Francisco SAT June 28, 2014.
All poetry written and read by Yuri Kageyama http://yurikageyama.com
5:40 “Loving Younger Men”
11:05 “Little YELLOW Slut”
17:25 “No Gift of the Magi”
23:55 “Ode to the Stroller”
30:00 “Fukushima” in homage to Questlove Jenkins and The Roots.
34:00 “Hiroshima”
40:10 Indian Improv Interlude
44:02 “I Will Bleed” Lyrics by Yuri Kageyama and Trupti Pandkar, Melody by Trupti Pandkar and Hiroshi Tokieda.

withbass
Photo by Annette Borromeo Dorfman.

SFJAZZ with drums
Photo by Annette Borromeo Dorfman.

with trupti
Photo by Eba Chan.

ebaSF
Photo by Eba Chan.

LOVING YOUNGER MEN a poem by Yuri Kageyama with drums by Hirokazu Suyama

LOVING YOUNGER MEN
A Poem by YURI KAGEYAMA
With Drumming by HIROKAZU SUYAMA
Film by ADAM LEWIS

A reading at the Japan Writers Conference in Okinawa, Japan, Nov. 2, 2013.
“Loving Younger Men” was first published in BEYOND RICE, A BROADSIDE SERIES, Mango Publications and NOLO Press, 1979.

Only the bodies of young men aroused her;
the pure innocence in their wide dark eyes,
the wild still animal strength in their muscles,
the smoothness of their skin, so shiny, stretched
out over their boy-like shoulders, flat stomachs,
abdominals rippling gently, their thick thighs
that could thrust forever into the night, their
soft moist lips, where their tonges, so delicious,
dwelt, which darted against, into her vagina,
making her moan with joy, forgetting everything,
which felt so strong against her own tongue at one
moment, yet another, seemed to melt like caramel
in the back of her throat,
their dry fingers, that touched her in the most
unexpected and expecting spots,
their penises, half-covered by their black curls,
seemed smaller, less developed, less threatening,
yet as their shoulders strangely widened
when they held her, their penises filled her,
pointed against her deepest uterine insides,
hurting her with a pleasurable pain, as though
she could sense with her hand, their movements
from outside her belly. Her father beat her as a girl.
She ran from him, crying, please don’t hit me! please
don’t hit me! No, rather she stood defiant, silent,
silent tears drunk down her chest, till he, in anger
or fear,
slapped her again and again, once so hard she was
swung across the room, once on her left ear so
that she could not hear for three weeks. She
frequented bars, searching for young men who desired
her. She sat alone drinking. She preferred
the pretty effeminate types _ perfectly featured,
a Michelangelo creation, island faces with coral eyes,
faces of unknown tribal child-princes. To escape
her family, she eloped at sixteen, with an alchoholic.
who tortured her every night, binding her with ropes,
sticking his penis into her mouth until she choked,
hitting her face into bruises, kicking her in
the stomach, aborting her child, his child.
The young boys’ heads, she would hold, after orgasm,
rocking them in her arms. She would kiss the side of their
tanned necks, breathe in the ocean scent of their hair,
lick their ear lobes and inside their ears. When they
fell asleep, sprawled like a puppy upon her sheets,
their mouths open, she would lie awake watching,
watching, watching, admiring their bodies, how so
aesthetically formed, balanced, textured. What
she enjoyed the most was their fondling her breasts,
suckling, massaging the flesh, flicking the tongue
against the nipple, biting, sucking till her nipples
were red-hot for days. She could come just by this,
without penetration.
When she is alone, she cries. In the dark, she reaches
upwards, into the air, grabbing nothing.

Life at Berklee

Life at Berklee:
Isaku in Berklee with Amelia Sophia Ali, Hiroshi Tokieda, Hirokazu Suyama.

Yuri Kageyama Reads in Okinawa Nov. 2, 2013, JAPAN WRITERS CONFERENCE, with music by Hirokazu Suyama, Hiroshi Tokieda and Yuuichiro Ishii

okinawa2
poster by Annette Borromeo Dorfman

OUR PROGRAM for our poetry reading with music, at the Japan Writers Conference SAT. Nov. 2, 2013, at Okinawa Christian University on Okinawa.
The event is FREE and OPEN TO THE PUBLIC.
Each and everyone of you who kindly comes to check us out will get FREE COPIES of my book, “The New and Selected Yuri: Writing From Peeling Till Now” (Ishmael Reed Publishing Co.).
The smooth and funky ORIGINAL MUSIC is by drummer Hirokazu Suyama, bassist Hiroshi Tokieda and Yuuichiro Ishii on guitar.
They all are from the Berklee College of Music, my favorite place for finding brilliance these days _ as that is where my son Isaku Kageyama is also studying music.
My son’s friends are my friends and practically my sons.
I am so proud of them, their talent, their potential and their integrity.
We take you on a literary journey through America and Japan and back again, where borders and stereotypes of genres, generations, cultures and nationalities are soundly debunked.
And so please come if you happen to be in Okinawa.
We hit at 4 p.m. Saturday at Room A.

TOKYO WOODSTOCK

Woodstock, Tokyo, Boston, Accra, the Primordial World of My Poetry _ Lots of Places and Spaces involved.
Come and Explore with us at What the Dickens.
A Multicultural Multiplatform event organized by Kev Gray.
My Yuricane Band featuring the Best and Brightest from the Berklee College of Music and from the Addy/Amo/Boye Master Musicians Family of Ghana:
Hirokazu Suyama (drums, percussion, musical direction), Hiroshi Tokieda (bass), Yuuichiro Ishii (guitar) and Winchester Nii Tete (kpanlogo drums).
We challenge boundaries with integrity.

Proud Mom: Isaku in action in Boston

A Link to Isaku in action at Berklee College of Music in Boston with Sumie Kaneko on shamisen.
And two more clips on this blog. Thanks for posting.

Isaku and his Music _ back from Berklee

It’s always great to have your child back home.
But Isaku on vacation from his studies at Berklee College of Music brought back something special: His music that is moving on in new directions.
He kept busy during his couple of weeks in Tokyo.
He played with Winchester Nii Tete, a brilliant percussionist from Ghana.
He is also having some fun with great Japanese musicians he met in Boston.

The journey never stops.
It’s a journey about your Self and your Life and your Art.
And so it keeps going and gets better _ if your Soul and Spirit and Mind are in the Right Place.
It is so very sad to see him leave _ to continue his studies at Berklee.
But it is my joy and pride to know Isaku not just as the son I love but also as a powerful musician with a vision that I also believe in, and I believe the world’s top artists share.
Come home again soon.

A Song for Aung San Suu Kyi

Isaku is in another Berklee College of Music project _ this time a tribute to Aung San Suu Kyi:
Music & Lyrics Sara Gamon, Arrangement Galen Willett, Lead Vocal Tiffany Wilson, Ensemble Shilpa Ananth, A.A. Enriquez, Joanne Jett Galindo, Yun Huang, James Miring’u Kamwati, Minako Yabe, Rendra Zawawi, Congas Enø & Judith Soberanes, Drumset Andrés Marín, Bass Galen Willett, Guitar Nat Svecha Saralamba, Taiko Drums Isaku Kageyama, Auxiliary Percussion Yuki Kanesaka, Andrés Marín, Sean Peters, Galen Willett. Produced by Sara Gamon, Mixed and Mastered by Takuto Kaneko, Video by Paulette Waltz. Thanks to Berklee College of Music.

ROTU (Rhythm of the Universe) at Berklee College of Music

Trailer for a project at Berklee College of Music in Boston, created and led by Emir Cerman, that brings together musicians from around the world including Isaku Kageyama .