Video/photos by Ryan Bruss.
Mother Earth Orchestera Sept. 23, 2010 at Kuraki Noh Theater
Isaku Kageyama taiko/cajon
Winchester Nii Tete African kpanlogo, odono and other drums
Cari electric guitar
Video/photos by Ryan Bruss.
ISAKU KAGEYAMA and the MOTHER EARTH ORCHESTRA at Yokohama Kuraki Noh Theatre
Taiko, African percussion, digeridoo and electric guitar celebrate our time on Mother Earth with organic beats and melodies.
THURSDAY, September 23 6:30 p.m. (doors open at 6 p.m.)
Kuraki Noh Theatre 8-21-7 Okamura Isogo-ku Yokohama
2,500 yen (2,000 yen with reservations: e-mail Isaku @email@example.com
How to get to Kuraki Noh Theatre
A 15 minute cab ride from Isogo Station.
Or take bus 64 or 78 from Isogo station on the JR line or Byobugaura station on the Keikyu line and get off at Sasabori.
Five minute walk from Sasabori bus stop.
MOTHER EARTH ORCHESTRA
日時： 9月23日（木・祝） 開場18：00 開演18：30
場所： 久良岐能舞台 （神奈川県横浜市磯子区岡村8-21-7）
料金： 当日2500円 予約2000円
予約は： firstname.lastname@example.org までメールをお送りください。
伝統と創造、和と洋、古来とアヴァンギャルド、様々な要素が交差する独自の音楽性を活かし、コンサートホール、ライブハウス、クラブイベント、レコーディング、舞台のみならず、CM（あいおい損保・新日本建物）や数多くのテレビ番組（SMAP X SMAP、未来図鑑）に出演。
ジャズトランペットの近藤等則、DJ Yama aka Sahib、アフリカン・パーカッションのWinchester Nii Tete、ロックギタリストのCariなどとのコラボレーションに加え、ロックギター、ジャズベースとのコラボバンド「Hybrid Soul」や民謡バンド「Minyo Ensemble of Tokyo」を立ち上げるなど、幅広い音楽活動が高く評価されている。
My poem “Disco Chinatown” is in “Breaking Silence,” an anthology of Asian American poetry (1983: Greenfield Review Press) featured in the latest edition of this online magazine “asiacana.”
a poem by Yuri Kageyama
street blood throbbing
punk maggots of the slums with fake ID’s
smelling British sterling
cover the stink of sweat, car grease and dirt
and the blood from being cut up by a Jo
or is it W.C?
slant eye to slant eye talking
smooth talking or trying,
looking nice tonight”
bourbons with cherries
giddy easy striding to make it to my table
in your own eyes, a ghetto knight,
in a flash and a flick, light my cigarette
the dance floor is dead tonight
the Filipino D.J. Berkeley Asian American Studies drop out is stoned
and even the lights look neon sleazy
you want me to move, a wax museum dancing doll, under your macho
or in your arms, rocking following your rocks,
layered black hair,
moustache, always, to tickle the quick kisses,
cheap shiny shirt, four buttons open,
a jade pendant swaying against yellow brown flesh,
darker brown leather and long long legs,
you want to take me home
and the grip on my shoulder tightens,
you driving a Camaro Z28?
an Olds 442?
a broken down Malibu?
a Caddy Eldorado?
you want to be rich someday
you want to enjoy life, you say,
cuz it’s so so short,
ALL girls want you for their old man,
“in bed, I have a good body,
opium makes me last
I’m ten inches
and, “a smile,
you play the mind games with a too ridiculous seriousness
not another escape out just for kicks
your street male pride can’t take no scratches
you’ll kick my ass when the number I give you isn’t mine
you tell me not to dance with anyone else
when I just met you tonight
and isn’t your old lady waiting at your apartment?
hardened hard up
Ricksha stray tiger cat
your life view quite
and being gang banged isn’t my type of thrill
disco steps don’t silence sirens
and the skyscraper lights don’t touch Grant Avenue on a Friday night
Golden Dragon massacred meat can’t ever be pieced back together again
black lights and hanging ferns or Remy sweetness can’t hide
spilled out alley fish guts
that tell you and tell you
there just ain’t no future
your hands grope
your eyes closed
your tongue dry
your penis limp
I’m used to talking to myself.
But please stop by for the Yuricane poetry and music SAT Sept. 4 at 7 p.m. (doors open 6:30 p.m.)
Gamuso in Asagaya, Tokyo.
Excerpted from the foreword by Ishmael Reed for my upcoming book of poems and short stories, “The New and Selected Yuri: Writing From Peeling till Now”:
The Yuricane (an excerpt)
By Ishmael Reed
They’ve called Yuri “cute” often during her life. She’s cute all right. Like a tornado is cute. Like a hurricane is cute. This Yuricane. I found that out when she was a student at the University of California at Berkeley.
One of her poems about iconic white women became an underground hit on campus.
The audience at the Bowery Poetry Club was also blown away by her poem, “Little YELLOW Slut,” a devastating look at the way Asian women are depicted in the media ….
Little YELLOW Slut
By Yuri Kageyama
first published in KONCH MAGAZINE, 2009.
You know her:
That Little YELLOW Slut, proudly gleefully
YELLOW-ly hanging on Big Master’s arm,
War bride, geisha,
GI’s home away from home,
Whore for last samurai,
Hula dancer with seaweed hair,
Akihabara cafe maid,
Hi-Hi Puffy Ami/Yumi,
Kawaiiii like keitai,
Back-up dancer for Gwen Stefani,
Your real-life Second Life avatar
Eager to deliver your freakiest fetish fantasies,
Disco queen, skirt up the crotch,
Fish-net stockings, bow-legged, anorexic, raisin nipples, tip-toeing Roppongi on
Yessu, i spikku ingrishhu, i raikku gaijeeen, they kiss you,
hold your hand, open doors for me,
open legs for you, giggling pidgin, covering mouth,
so happy to be
Little YELLOW Slut.
Everybody’s seen her:
That Little YELLOW Slut, waiting at
Home, cooking rice, the Japanese
Smelling of sushi,
Breath and vagina,
Fish and vinegar,
Honored to be
Flight attendant for Singapore Airlines,
Charlie Chan’s Angel,
Nurse maid, gardener, Japan-expert’s wife,
Mochi manga face,
Yodeling minyo, growling enka,
Sex toy, slant-eyes closed, licking, tasting, swallowing STD semen,
Yessu, i wanna baby who looohkuh gaijeen, double-fold eye, translucent skin, international school PTA,
maybe grow up to be fashion model, even joshi-ana,
not-not-not happy to be
Little YELLOW Slut.
I recognize her:
That Little YELLOW Slut, rejecting
Japanese, rejected by Japanese,
They all look alike,
Faceless, hoping to forget, escape
Dream come true for pedophiles,
Serving sake, pouring tea, spilling honey,
Rag-doll, Miss Universe, manic harakiri depressive, rape victim, she is
You, she is me.
Hai, hai, eigo wakarimasen, worship Big Master for mind, matter, muscle, money, body size correlates to penis size,
waiting to be sexually harassed, so sorry, so many,
so sad to be
Little YELLOW Slut.
Kazutoki Umezu (sax)
Craig Harris (bass)
Winchester Nii Tete (percussion)
Isaku Kageyama (taiko and percussion)
please come to the Crocodile in Omotesando tonight (see previous blog post for details).
follow Isaku Kageyama on Twitter _ @isakukageyama
and claim your free beer tonight:
木曜日に原宿クロコダイルでライブやります。 僕に「ツイッターで見た」と話しかけてくれればクロコダイルビールご馳走します。 http://j.mp/cCTDlM
Playing at Harajuku Crocodile from 20:00 on Thursday the 19th. I’ll buy you a beer if you make it out!
Isaku will be cooking up a melting plot of a hot groove with Japanese sax legend Kazutoki Umezu, master percussionist from Ghana Winchester Nii Tete, bassist virtuoso from the US Craig Harris and a Japanese who plays an aboriginal instrument NATA.
No borders for this batch.
Winchester Nii Tete and Isaku Kageyama at Shinjuku Takanoya in Tokyo.
Children of music. Music is power. Music is spirit.
“Drumming at the Edge of Magic: A Journey into the Spirit of Percussion,” by Grateful Dead drummer Mickey Hart is Japanese drummer Toshinori Takimoto’s bible.
And it shows in every way at his Drum Circle, a once-a-month gathering at a Tokyo suburb, a special spot for those who love the spirit of the drum, sharing in the oneness in the rhythms they create like a dance of sound.
Takimoto switches from one instrument to another, shaking a shekere, jangling a tambourine, whacking a djembe, sometimes orchestra conductor, sometimes master percussionist, sometimes fatherly teacher.
He jokes around, gesticulates like a mime, a shaman of the drum, all the time playing with energy, keeping the rhythm going so that everyone sounds pretty good.
Never fear: He won’t get mad _ even if you mess up.
The players seated in a circle do the best they can to follow where the music is going in a jubilant outburst of Takimoto’s drumbeat.
Playing together, keeping time to a primordial beat, brings harmony, says Takimoto, who has played with the big names in the Japanese pop music industry, including Yutaka Ozaki and Seiko Matsuda.
But he says he feels the kind of music he is pursuing with his Drum Circle is more him than the glitzy but often empty world of commercial music.
And somehow, each of us leaves his Drum Circle a gentler, maybe happier, person, a skip in our feet and a buzzing warmth in our hearts.
From left to right: Isaku Kageyama, Winchester Nii Tete, Robby.
The “MoveThatPoem” poets from Spain read after the music at the Moon Stomp in Koenji Tokyo Sunday Oct. 11, 2009.
The music keeps getting stronger.
And the poetry _ read in their Spanish original by the poets, followed by English translations _ was a perfect way to end a multicultural evening.
Isaku plays with minyo musicians tomorrow night Monday, Oct. 12, 2009, at Takanoya in Shinjuku, Tokyo.
Amanojaku led by master drummer and composer Yoichi Watanabe did their “live” concert at Astro Hall in Harajuku THU Aug 20.
The stage was so small their pieces like “Dotou” and “Bujin” got a different, bit cramped, look.
But the music was as forceful and fascinating as always.
And it’s great Amanojaku is taking stage in a place like Harajuku.
You certainly got a close up look.
Chris Holland, from Denver Taiko, made his professional debut with Amanojaku and got a great strong sound on his odaiko solo.
Amanojaku will be at a Bon Odori _ Japan’s native dance festival for the homecoming of ancestral spirits.
So if you want to get down and dance and have fun, hop on the Seibu Ikebukuro Line to Minami Tanaka Danchi (housing projects) in Nerima Ward.
Get off at Nerima Takanodai station and follow the drumbeat.
Thank the Japanese gods for another summer that’s over.
FRI Aug. 21 and SAT Aug. 22