Fun music in Tokyo

Taiko drummer Isaku Kageyama shows he can swing on traps drums as well, delivering the pulse for Keisuke Kato, the guitarist singing his composition for a Valentine’s LOVE get-together at St. Blue in Asakusa, Tokyo, THU Feb. 10, 2011.
Some buzzing in the first part of the Ustream video but OK otherwise for an iPhone effort.
Below, the encore they said they wouldn’t do _ so it’s impromptu, blog readers and Ben E. King.
Thanks for the music, guys.
Everybody had a great time.

Music in Tokyo (again)

Tokyo rocks when Carl Freire picks up his guitar and gets up on stage.
And what a steady hand I have as videographer with my iPhone.
Please admire Carl _ and my steady hand.

Abortion _ a poem by Yuri Kageyama

Abortion
_ a poem by Yuri Kageyama

circling earth spinning mind
I dread the scalpel and the guilt
the blood does not come

words careless words carefree
letters like scalpels that bleed
I am made of words

so without love
the fetus wrenched from within
so I turn to words

a story stillborn
abortion resurrected
yet I am made of words

taste the characters
sumi stroke patterns cover
my pale naked skin

come home my baby
womb wounds of words gaping wide
uterus darkness

^ — < This is a poem that developed out of an exchange with a writer on Twitter. The lines are all from my part of the exchange, but we set up a rule so that each had to follow an idea from the other, especially the last line, as an inspiration springboard for the next three lines of haiku. We wrote three lines each day. And we took turns. I never told this other person I was writing about abortion. I have subsequently changed the “we” in some lines to “I.” I guess I wanted the statements to be softer in the Twitter exchange by making them come from “we.” But I really meant “I.” I am grateful to the tweeter who helped me write this poem, a segment at a time, a day at a time, and to Twitter for giving us as a tool for personal poetic expression. It has a different feel from a poem written in a single sitting.

mix of taiko beats out the new in familiar sounds

Click on this, “Midare Uchi” to watch on YouTube in a rare collaboration by drummers from three Tokyo groups plus a kawaii guest.
from the recent BEAT AHEAD at Roppongi’s SuperDeluxe in Tokyo starring Isaku Kageyama of Amanojaku, Yuu Ishizuka of Bachiatari and Makoto Sekine of Medetai.
Below, they join forces on “Bujin” the trademark Amanojaku piece by master composer Yoichi Watanabe.
Click on this to see that _ also on YT as the embedding isn’t working for some reason.

Haiku by Yuri Kageyama

Haiku by Yuri Kageyama

a blue plastic bag
so hard so still no more
Tokyo train tracks

in my deathly dreams
your sweet breath, fat knees, wet hands
a child forever

timeless tweet timeline
scroll blindly touch-panel light
mumbles of loneliness

I wrote these recently, the last one just a few seconds ago.
The first one is about the body bags that we see lying by the railroad tracks because a fair number of Japanese people commit suicide by flinging themselves in front of commuter trains.
It is stunning how the bags have an eerily impersonal color, and they are motionless and rigid.
But you can tell for some reason that it is a body in there, nothing else.
There is nothing that we can do as witnesses except to pray.
The body bags are a constant reminder of the otherworldly closeness of death amid the mundane like riding the commuter train to work.
They seem to increase during the winter months _ maybe because cold is more depressing than warm, especially if you are feeling down, and maybe because the year-end and New Year’s holiday season comes as a stark reminder of how extremely alone a lonely person really is.
My third poem is about Twitter, which I do quite actively because it is encouraged on my job.
I see how people want to connect to others, not just the people they know in real life, but to others they will never meet.
It’s called networking, and it shows how the world is a small place in this rapidly globalizing age.
As the world turns, the iPhone touch-panel whirls under your fingertips as you scroll the Twitter timeline, showing comments from all over the world, mostly about nothing, and photos of dinners and lunches and sunsets and pets.
It is a cool technology and a convenient tool.
But it is also about how people are alone but can’t stand to be by themselves.
People are lonely.
The poem in-between is about my recurring dreams, where my son, who is fully grown in his 20s, is still a toddler.
My little boy.
I wake up, looking for him, almost panicked, wondering if he is OK, and then I am relieved there is no need to worry.
It is just a dream.
I have always believed death would be like a dream, except you never wake up.
And so I realize these dreams are a reminder that I am still always reliving motherhood, though I am just growing older and getting closer to death.
I’m reliving that moment of motherhood, with my son being that eternal child, and death will not be an end at all but a recurring dream.
I feel as though I am going backward in time.
Life has no beginning or end.
Death is just a string of pockets of different dreamlike moments, in no particular order, in and out, falling and flying and rising, being lost in a blurry faraway dream.

Previous Haiku by Yuri Kageyama.

Music in Tokyo

Heard the other day at Gamuso, a cool artsy dive in Tokyo where I have read poetry with music a couple of times, Samm Bennett on the diddley bow, a one-string instrument made of a marron glace box, speaking a million words with a single string, his voice and his heart.

Taiko as REAL MUSIC in Tokyo

Not your everyday around-the-corner taiko, this is serious music that challenges the boundaries of ethnic tradition and identity and universal eternal art.
Isaku Kageyama with Daisuke Watanabe and Chris Holland of Amanojaku Tokyo’s top taiko group led by master drummer and composer Yoichi Watanabe play in a collaborative concert with Yuu Ishizuka, and Makoto Sekine.
SUN Nov. 28 6 p.m.
at Roppongi SuperDeluxe
3-1-25-B1 Nishi Azabu Minato-ku Tokyo, Japan.
TEL: 03-5412-0515
3,500 yen w/advance reservation.
4,000 yen at the door.

becky nao

becky nao
a poem by Yuri Kageyama

becky nao
kicked me so my shins turned purple
taunted me daily mimicking my voice
becky nao
believed there was only one slot
for an Asian girl in fourth grade class
becky nao
the white girls weren’t rivals
only me, the one other Oriental girl,
becky nao
slit eyes and black hair,
good grades, neat handwriting
becky nao
if i fell dead, gone, wiped out,
she could be that survivor yellow girl
becky nao
who’s going to tell us apart?
so there can be only one of us
becky nao
flicks her eyelashes at blond boys
flaunting a fetish, even at age 10
becky nao
fat face, fat calves
her fat belief as the solitary token
becky nao
hatred curled tight in a nasty gnarl
all for wishing to be that China doll
becky nao

Taiko drummers Isaku Kageyama, Yuu Ishizuka, Makoto Sekine at Super Deluxe


Drummer Isaku Kageyama of Amanojaku collaborates with Yuu Ishizuka of Bachiatari and Makoto Sekine of Taikoshownin Medetai to explore new possibilities in MODERN TAIKO.
at Super Deluxe in Roppongi, Tokyo.
SUN Nov. 28, 2010.
Doors open 5:30 p.m. Music starts 6 p.m.
advance 3,500 yen. door 4,000 yen.
Make your reservations online.
B1F 3.1.25 Nishi Azabu, Minato-ku,
Tokyo 106-0031, Japan
tel: 03-5412-0515
5 minutes walk toward Nishi Azabu on Roppongi dori from Roppongi station (Hibiya Line or Oedo Line).
30 seconds walk from Roppongi 6-chome bus stop (TO-01 Shinbashi >> Shibuya).
1 minute walk from Roppongi 6-chome bus stop (TO-01 Shibuya >> Shinbashi).

More Mother Earth Orchestra

Video/photos by Ryan Bruss.
Mother Earth Orchestera Sept. 23, 2010 at Kuraki Noh Theater
Isaku Kageyama taiko/cajon
Winchester Nii Tete African kpanlogo, odono and other drums
Nata didgeridoo
Cari electric guitar