Today the teacher worked very hard to bring plum blossoms that evoke the coming of spring like the warbling of the uguisu Japanese nightingale, which is what he said I requested for my lesson last time we spoke. I probably really said that, although I don’t remember clearly about the uguisu. Anyway, what he helped me create today was truly worthy of that kind of whimsical dream.
My AP Story Nov. 21, 2025, a co-byline with my colleague Terry, about the “rental family” business in Japan and the Hollywood film starring Brendan Fraser it inspired. Click on the link below to see the Video for the Story:
My AP Story July 8, 2025 on Japanese boxing star Junto Nakatani, a story relayed to the world as a Top Story for The Associated Press.
As a reporter, I am privileged to meet some of the best people in the world, like this champion, Junto Nakatani. When I asked him about how he is always smiling, even in the ring, he told me matter-of-factly that it is a disadvantage to get angry because “you lose control.” Obviously, boxing is all about winning. He also said he believes winning by knockout is what is “expected” of him. And I felt like a mom, as I often do at interviews, and in life, because I am one, and couldn’t help but respond with an empathetic: “Hey, it’s OK to just win.” Which goes to say that Nakatani is a very special person _ to bring that out in you.
This arrangement has the feel of autumn. The yellow chrysanthemums are the main objects. But the susuki grass blades add dynamism to the composition, while the brown-tinged leaves to the side have their own distinct personality.
My teacher said it was interesting I kept the blades long, and very much like me, which I think he meant in a positive way, as in a free spirit.
I was allowed to choose my vase and so it’s a rather unusual shape this time that really stimulates your imagination as to where the leaves and flowers should be, can be, wants to be, or are speaking to your soul to be. The beauty of Ikebana is that it is a conversation, silent but certain, not only with the elements of Nature but also with things like a vase, specially made by an artist for Ikenobo Ikebana, an individual. You are also relating to many other people, your ikebana teacher, of course, and your inner self, but, more significantly, memories of people, like your mother, who taught you your first lessons in ikebana, pride and joy in your Japanese heritage, and recognizing beauty and the message of impermanence in Life.
The star of today’s ikebana are roses from Kenya called Game Changers, arranged in a wine glass partly filled with plastic crystals. My earlier Ikebana: My first ever Ikenobo Ikebana. Part Two or my Second Attempt. And Part Three.
Two and a half weeks later, the flowers have gone dry but are still vibrant with color. My teacher told me to watch for the flowers as they go dry, and, although I found just three pieces this time, they look grand and happy in the Hagiyaki plate. My parents lived in Yamaguchi Prefecture, where Hagi is located, and my father was a professor after retiring from an engineering company. They became friends with a lot of Hagiyaki artists and got their works at bargain prices. I treasures all their Hagiyaki pieces. There is a whole universe in this arrangement. And the messages that beauty _ and life _ do not end with death.
