NEWS FROM FUKUSHIMA: Meditation On An Under-Reported Catastrophe By A Poet is an Official Selection. Screening at LetLive Theater in Los Angeles SAT March 2, 2024 7:30 p.m. I am happy, grateful, honored. Thanks to my theater and film directors, Carla Blank and Yoshiaki Tago, my brilliant tireless multicultural cast, my dedicated crew and team, everyone who stuck with and believed in my writing.
FILMS BY ABOUT AND WITH YURI SAT Feb. 11, 2023 in Tokyo
Five films, all featuring bilingual/bicultural poet/storyteller YURI KAGEYAMA, were shown at a tiny Tokyo club. Among the works are two directed by YOSHIAKI TAGO: A performance by American-based actors and musicians in San Francisco, and a documentation of Kageyama’s reading in Japan. Stop motion artist HAYATTO has painstakingly created animation of Kageyama’s short story. SAT Feb. 11, 2023, from 2 p.m. ShimoKitazawaTei https://shimokitazawatei.com/ FREE ADMISSION
詩人カゲヤマユウリが関わった５作品が東京で上映された。映画、テレビドラマなど数多くてがける多胡由章監督のニュースフロムフクシマとトーキング太鼓の他、国内海外活躍のストップモーションアーティストHAYATTO のアニメなどが下北沢亭 https://shimokitazawatei.com/
2月11日(土) 午後2時 入場無料。
ARTIST BIOS プロフィ―ル
YOSHIAKI TAGO directed “Sabai Sabai,” “Women at the Cash Register,” “Worst Contact,” as well as many Japanese TV drama shows, including “Atomu No Ko.” He won an award at the Yasujiro Ozu Memorial Film Festival. A graduate of the prestigious Japan Institute of the Moving Image, founded by Shohei Imamura, Tago has worked with Nobuhiko Obayashi, Takashi Miike, Takashi Murakami and Macoto Tezuka.
多胡由章監督は映画「サバイサバイ」「夜の底で魚になる」「レジを打つ女」「ワーストコンタクト」 他、「アトムの童」などテレビ番組も数多く手掛ける。小津安二郎記念蓼科高原映画祭受賞。日本映画大学卒。大林宣彦、三池崇史、村上隆、手塚眞とコラボ。
HAYATTO specializes in stop motion film, in which the figures he makes by hand are moved, with a minimum of eight frames needed per second. His credits include “Box Cats,” as well as advertising for T-fal and Mitsui Sumitomo.
HAYATTO が特化するストップモーションは手造りのフィギャーやパーツをすこしづつ動かし少なくとも一秒8フレームで表現する「愛あふれる」作品。ショート「ハコネコ」やT-falや三井住友の広告で活躍。
YURI KAGEYAMA is a poet, writer, journalist and filmmaker born in Japan and raised in Maryland and Alabama. Her books include THE NEW AND SELECTED YURI (Ishmael Reed Publishing Co.). Her works are in KONCH, Bigotry on Broadway (Baraka Books), Life and Legends, Tokyo Poetry Journal and many other literary anthologies and magazines.
カゲヤマユウリ(影山優理)は日本生まれアメリカ育ちの詩人、ものかき、ジャーナリスト、ビデオ作家。
著書にはTHE NEW AND SELECTED YURI (Ishmael Reed Publishing Co.) など数多くの文芸雑誌や文集に掲載。
^______________________<
FREE ADMISSION Free Drink And Come/Leave As You Wish.
入場無料 出入り自由 無料ドリンク付き
下北沢亭 https://shimokitazawatei.com/
東京都世田谷区代沢5−29−9 2F
5-29-2 Daizawa Setagawa-ku Tokyo
SAT Feb. 11, 2023 2 p.m. ~ 5 p.m.
2023年2月11日（土）午後2時 ～ 5時
上映順と時間 Works in order of screening and duration:
I WILL BLEED, STORY OF MIU by Yuri Kageyama 2 min, 6 min
THE VERY SPECIAL DAY by HAYATTO 12 min
NEWS FROM FUKUSHIMA by Yoshiaki Tago 1 hour 15 min
Q&A with the artists 作者達との談話 20 min
TALKING TAIKO by Yoshiaki Tago 44 min
My film “NEWS FROM FUKUSHIMA: Meditation on an Under-Reported Catastrophe by a Poet” has now been selected to be part of the Silent River Film Festival. It has moved online because of the pandemic and runs Aug. 7 ~16, 2020.
I am proud of what we have achieved with our film. Thanks to the film organizers for supporting independent filmmaking. And thanks to my many collaborators for the well-deserved honors we are getting.
The festival was founded by Indian American poet, writer and filmmaker Kalpna Singh-Chitris.
We are in good company.
The Tokyo Lift-Off Film Festival has selected not just one but two of my films for the event in June 2020 _ NEWS FROM FUKUSHIMA and THE VERY SPECIAL DAY.
Thanks to the organizers for believing in my vision. And thanks to all the artists who put up with me and worked on the films. We are all so looking forward to taking part in the event.
Both films are screening (online as the event has moved because of the coronavirus outbreak) MON June 22 ~ SUN June 28, 2020.
THE VERY SPECIAL DAY is showcased in the “Newcomers Short” section for Short Films, while NEWS FROM FUKUSHIMA is in the “Trendsetters” section for Feature Documentaries at the Tokyo Lift-Off Film Festival.
I get such a nice write-up by Tim Hornyak in No. 1 Shimbun, the publication of the Foreign Correspondents Club of Japan in Tokyo, I can’t believe it is really about me.
It’s called The Many Lives of Yuri Kageyama.
And it brings together the sides of me I usually like to keep separate _ the poet in me and the journalist in me.
“The prose is unvarnished, unflinchingly personal and adroit in quickly juggling themes of child abuse, racism and sexuality while maintaining a narrative flow,” he writes.
“Kageyama’s poems have addressed stereotypes about race and gender roles. They’re made even more powerful when Kageyama recites them with collaborators such as Ghanaian percussionist Winchester Nii Tete on African drums and Keiji Kubo on didgeridoo. Against the backdrop of a traditional Noh stage, it’s a heady, globalized mix of words and music.”
Thanks to Tim. Thanks to all the musicians who have helped my poetry. Thanks to the poets, the literary publishers, the songwriters, the photographers, the filmmakers. Thanks to all the people of Fukushima who have shared their stories with me. Thanks, above all, to all the honorable, creative and dedicated colleagues I have at The Associated Press.
NEWS FROM FUKUSHIMA _ MEDITATION ON
AN UNDER-REPORTED CATASTROPHE BY A POET
This pensive and provocative theater work with dance, poetry, music and film from Tokyo-based writer Yuri Kageyama debuted at The Club at La MaMa Off Off Broadway in New York September 11 – 13, 2015. FREE ADMISSION.
Directing the innovative production is Carla Blank, who has recently worked with international casts in Xiangtan and Ramallah, as well as collaborated with Ishmael Reed, Robert Wilson and Suzushi Hanayagi. Performing in the peice were Takemi Kitamura, Monisha Shiva and Shigeko Suga, with music by Melvin Gibbs, Sumie Kaneko, Hirokazu Suyama and Kaoru Watanabe.
ARTIST BIOS:
YURI KAGEYAMA
photo by Annette Borromeo Dorfman.
WRITER: YURI KAGEYAMA is a Tokyo-based poet and filmmaker. Her works are in KONCH, POW WOW, ON A BED OF RICE, CULTURAL WEEKLY, NIKKEI AMERICA CANADA SHISHU, PIRENE’S FOUNTAIN and many other publications. Her latest book is THE NEW AND SELECTED YURI _ WRITING FROM PEELING TILL NOW, Ishmael Reed Publishing Co. She leads her spoken-word band Yuricane. She has collaborated with Eric Kamau Gravatt, Morgan Fisher, Pheeroan akLaff and Winchester Nii Tete. A magna cum laude graduate of Cornell. M.A. from the University of California, Berkeley.
CARLA BLANK photo Tennessee Reed.
DIRECTOR: CARLA BLANK is a writer, editor, performer, director, dramaturge and teacher of dance and theater for more than 40 years. Her new book is STORMING THE OLD BOYS’ CITADEL: TWO PIONEER WOMEN ARCHITECTS OF NINETEENTH CENTURY NORTH AMERICA, Baraka Books. She worked with Robert Wilson to create KOOL _DANCING IN MY MIND, a performance portrait inspired by Japanese choreographer Suzushi Hanayagi. She is the author of REDISCOVERING AMERICA: THE MAKING OF MULTICULTURAL AMERICA, 1900–2000.
PERFORMERS: TAKEMI KITAMURA is a dancer, choreographer, puppeteer, actor and Japanese sword fighter. Her recent credits include THE INDIAN QUEEN (dancer) directed by Peter Sellars, THE OLDEST BOY (puppeteer/dancer) by Lincoln Center Theater and MEMORY RINGS (puppeteer/dancer) by Phantom Limb Company. MONISHA SHIVA is an actor, dancer, and choreographer, appearing in THE DOMESTIC CRUSADERS and THE RATS for theater and Independent films such as SMALL DELIGHTS, CARROLL PARK, ECHOES and UKKIYA JEEVAN. She has studied not only classical Indian dance but also Bollywood, jazz and samba dancing. SHIGEKO SUGA has acted in more than 100 theater productions, including Pan Asian Rep.’s SHOGUN MACBETH. Acclaimed for her work in New York theater since the mid-1980s, she is accomplished in a range of disciplines, such as flamenco, African drumming, ethnic chanting and Butoh.
TAKEMI KITAMURA
photo by Hope Davis.
MONISHA SHIVA
SHIGEKO SUGA
MUSICIANS: MELVN GIBBS is collaborating with Cassandra Wilson on the project BLACK SUN. A member of Harriet Tubman, he was also in Defunkt, Ronald Shannon Jackson’s seminal “free-funk” group The Decoding Society and the Rollins Band. SUMIE KANEKO is a koto and shamisen player, singer and composer, who most recently toured India and Pakistan, delivering her blend of Japan and the avant-garde. HIROKAZU SUYAMA is a drummer, percussionist and tabla player, who studied at the Berklee College of Music with Kenwood Dennard. KAORU WATANABE, formerly of Kodo, masterfully blends Japan’s folk and classical traditions with contemporary improvisational and experimental music.
MELVIN GIBBS
SUMIE KANEKO
HIROKAZU SUYAMA
KAORU WATANABE
LIGHTING DESIGN: BLU is a New York-based lighting designer. Artists he has worked with include Sally Gross, Paula Josa-Jones, Eiko and Koma, Donald Byrd and Ping Chong.
FILMMAKER: YOSHIAKI TAGO directed AFO, WORST CONTACT and other movies, and worked on Japanese TV shows such as TAXMEN. He studied at the film school founded by Shohei Imamura.